Invasión Zombie backdrop
Invasión Zombie poster

INVASIÓN ZOMBIE

Cockneys vs Zombies

2012 GB HMDB
agosto 31, 2012

Invasión Zombie es la historia de Andy (Harry Treadaway) y Terry (Rasmus Hardiker), dos desventurados hermanos de apellido Cockney que tratan de salvar a la asistenta médica de su abuelo (Alan Ford), robando un banco. Al mismo tiempo, un virus en el este de Londres barre toda la zona, convirtiendo a todos los habitantes en zombis sedientos por comer carne. Frente a las hordas de zombis no-muertos, el reto es rescatar una casa llena de gente, escapar con el botín y salir con la vida en Londres

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Equipo

Produccion: James Harris (Producer)Matthias Hoene (Producer)Mark Lane (Producer)Jenny Borgars (Executive Producer)Andrew Boswell (Executive Producer)Will Clarke (Executive Producer)Simon Crowe (Executive Producer)Michael Henry (Executive Producer)Chris Hunt (Executive Producer)Matthew Joynes (Executive Producer)Joe McCarthy (Executive Producer)Dan McRae (Executive Producer)Deepak Nayar (Executive Producer)Anand Tewari (Executive Producer)
Guion: Lucas Roche (Writer)James Moran (Writer)
Musica: Jody Jenkins (Original Music Composer)
Fotografia: Daniel Bronks (Director of Photography)

RESEÑAS (1)

Vincenzo de Divitiis
Andy y Terry, dos hermanos sin trabajo y huérfanos desde la infancia, deciden ayudar a su abuelo, al que están muy unidos, organizando un atraco a un banco para encontrar los fondos necesarios para salvar el asilo donde se encuentra el anciano. Habiendo logrado la empresa gracias a la ayuda de su prima y de otros dos delincuentes del barrio, al salir del edificio, la improvisada banda se encuentra frente a una situación trágica: la zona este de Londres, de hecho, ha sido infectada por un virus que ha convertido a todos los habitantes en zombis. Los protagonistas, después de refugiarse un momento en un almacén, deciden dirigirse hacia la residencia de ancianos para salvar al abuelo y a sus compañeros de estancia. Aquella entre las películas de zombis y la comedia podría definirse sin ninguna duda como la historia de un vínculo casi imposible, al menos en apariencia. Dos géneros cinematográficos que, opuestos en forma y contenido, siempre se han guiñado el ojo con las figuras de los muertos vivientes convertidos en fáciles blancos de ironías y secuencias de fuerte contenido paródico. Una mezcla que ha ido en aumento y que se ha revelado ganadora en los últimos años con obras que han sabido unir el gusto por las imágenes splatter a sketches hilarantes, logrando así conquistarse un público amplio y ya no confinado en la misma nicho. Un nuevo curso, enriquecido por títulos que se han convertido en cultos como "Bienvenidos a Zombieland" de Ruben Fleischer y "Shaun of the Dead" de Edgar Wright, al cual ha querido unirse el director alemán Matthias Hoene. Su primera película "Cockneys vs Zombies", de hecho, destaca por la capacidad de divertir y concentrar en su interior chistes ingeniosos al estilo del humor británico y litros de sangre. En resumen, hay algo para todos los gustos. Lo que más impresiona de Hoene es la habilidad para crear una trama en absoluto original pero ciertamente bien concebida y con buen ritmo, un mérito que no debe subestimarse, dada la difícil tarea de llevar adelante una estructura con dos episodios que se mueven en paralelo antes de reunirse en la parte final. Más allá de estas cualidades indiscutibles, la historia se destaca por una ligera vena social con el autor que se detiene a fotografiar una Londres diferente de la que el espectador medio está acostumbrado a ver en la gran pantalla, es decir, la de la clase proletaria. No vemos, por lo tanto, imágenes de postal y los monumentos típicos de la capital inglesa, sino que la cámara se detiene en panorámicas de calles destartaladas y fábricas cuyos humos hacen aún más gris el típico cielo sombrío de la ciudad. Un escenario apocalíptico en el que se mueven los personajes que resultan bien caracterizados y adecuados al tono caricaturesco de la historia. Entre ellos, destacan las figuras de Andy y Terry, interpretadas a la perfección por Harry Treadaway y Rasmus Hardiker, que encarnan plenamente el clásico dúo cómico formado por dos perfectos torpes e incompetentes. "Cockneys vs Zombies", en conclusión, es una película de serie B agradable capaz de ofrecer una hora y media de despreocupación sin por ello desdeñar escenas splatter en las que emerge una discreta precisión en la realización del maquillaje de los zombis.
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RESEÑAS DE LA COMUNIDAD (3)

LastCaress1972

Andy and Terry Macguire (Harry Treadaway, Fish Tank & Rasmus Hardiker, Saxondale) are two cockney orphan tearaways. They're a little bit wooah, a little bit wheeey. But like all cockney orphan tearaways who are a little bit wooah, a little bit wheeey, they've got an 'eart o' gold, and they want to save their grandad's (Alan "Brick-Top" Ford, stealing the film) retirement home from imminent closure. How? By nicking a van that barely works, assembling a team made up of themselves, their sexy cousin (Michelle Ryan, EastEnders) and a pair of associates: the dimwitted Tuppence (Jack Doolan, The Green Green Grass) and the psychotic Mental Mickey (Ashley "Bashy" Thomas, apparently something of a name in the UK "Grime" scene which spawned Tinie Tempah, Tinchy Stryder and the like), and robbing a bank dressed as the construction workers presently digging up a large swathe of neighbouring Docklands area. It's here with a couple of the Docklands workers that the film begins, as they inadvertantly discover a sealed tomb in amongst the East-end mud. Sensing literal buried treasure, they venture in and are immediately set upon by a centuries-old dessicated member of the undead. So it begins, and so it escalates (a little too quickly, if I'm honest; one minute there are no zombies. A scene or two later, East London is a cordoned-off zombie zone, despite the film's constant allusions to how slow the zombies are), until before long the retirement home - choc-full of funny characters and a stand-out scene featuring Richard Briers in the slowest chase scene you'll ever see - is under heavy seige and our inept bank-robbers, who WERE under heavy seige at the bank from the cops, find their path cleared. Well, inasmuch as everyone in the street is now either dead or UNdead. With a couple of hostages from the botched bank job in tow, our crew of idiots have to make it to their warehouse rendevous and then decide whether to go and help grandad.

This is a very undemanding romp. "If Ealing Comedies did Zombie Flicks...", you could say. Most obvious comparisons I guess would be with 2004's Shaun of the Dead, and it's definitely in that ballpark (if not truthfully as smart). Shortcomings? Hm, well the glamour provided by Ms. Ryan seems totally superfluous, and the zombies whilst played seriously aren't quite played seriously enough, a result of which is that there is almost no sense of peril whatsoever; I know it's a comedy, but it's still a fairly gory zombie film too, and I think the filmmakers lose sight of that once or twice too often for my personal tastes. Still, I'm nitpicking. Ashley Thomas and Rasmus Hardiker are very good, and Alan Ford is superb, as entertaining in this as he was in Snatch, and we even find out whether or not West Ham and Millwall fans can learn to get along once they're undead. It's an easy and fun way to blow off 80 brisk minutes. What else d'you want, eh? You fahking cahnt! Gertcha!

leisuretrout

7 /10

What a bloody stupid/brilliant film! It does exactly what you'd expect, really. Doesn't outstay its welcome though, unlike some, providing a delightfully silly romp around East London's undead-infested streets. Some crackin' one-liners, intriguing and relatable characters, and a few "ooooh, hot DAMN!" moments. Given the original intention and audience expectation, this is spot on. How could you walk away without a big cheesy grin?! Love it!

CinemaSerf

CinemaSerf

6 /10

I've always had a soft spot for the Treadaway twins but even here, with Alan Ford doing his best Albert Finney impersonation as dad "Ray", this struggles to resonate. It's Harry ("Andy") and his best mate "Terry" (Rasmus Hardiker) who decide to assemble a gang to rob a bank. Ashley Thomas provides the muscle as the aptly named "Mental Mickey" and Michelle Ryan's "Katy" ain't no slouch either as their plans gradually take shape. What they don't account for, though, is the zombification of East London. Whether or not they successfully pull off their heist and avoid the police is secondary to their escaping an army of spellbound critters who have been bitten after an ancient graveyard was accidentally uncovered by a construction operation. Now these ketchup-sprayed monsters are persistent and there are thousands of them, so our gallant gang have to figure out a way to make it to the safety of a boat on the Thames before setting sail for? Canvey Island I suppose? Can they make it? This isn't a bad film, but it's hardly an original bone in it's body. There's a degree of chemistry between Treadaway and the quite entertaining Hardiker, but the rest of it is a distant sequel of "Shaun of the Dead" (2004) with an episode of "The Bill" thrown in for blue lights and good measure. It's clearly meant to be a spoof, and taken in that spirit it's a daft and predictable shoot 'em up that you'll never remember, but it does pass ninety minutes amiably enough.

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