Psicosis poster

PSICOSIS

Psycho

1960 US HMDB
junio 22, 1960

Una joven secretaria, tras cometer un robo, se marcha de la ciudad y conduce durante horas, parando para descansar en un pequeño motel de carretera regentado por un joven llamado Norman. Todo parece normal y tranquilo en el apartado motel y en la casa de al lado en la que viven Norman y su madre pero, mientras está en la ducha, la joven es asesinada salvajemente a cuchilladas.

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Equipo

Produccion: Alfred Hitchcock (Producer)
Guion: Joseph Stefano (Screenplay)
Musica: Bernard Herrmann (Original Music Composer)
Fotografia: John L. Russell (Director of Photography)

RESEÑAS (1)

Marco Castellini
Una joven empleada roba cuarenta mil dólares y huye. Por culpa del mal tiempo, decide detenerse en un motel regentado por un chico llamado Norman, que aparenta ser tranquilo. Se aloja en una habitación y mientras se ducha es atacada por una mujer que apenas se entrevé. Poco después, un detective privado, ayudado por el novio de ella, comienza la búsqueda y llega al motel, donde queda intrigado por el comportamiento extraño del joven propietario. Pronto descubrirá una verdad horrible y trágica… La película más «aterradora» del maestro del suspense, incluso rechazada por la crítica en su estreno por la «crudeza» excesiva de algunas secuencias; para mencionar solo las más famosas: el cadáver de la madre sentada en la silla giratoria, la muerte del detective privado, las inquietantes tomas de la siniestra casa de Bates y, sobre todo, el asesinato bajo la ducha de Janet Leigh, aún hoy tan grabado en el imaginario colectivo que cualquiera que se encuentre duchándose detrás de una cortina transparente inevitablemente siente cierta «incomodidad». Magistral la interpretación de Anthony Perkins en su mejor momento, quien ofreció un retrato tan efectivo del personaje de Norman Bates que se convirtió, desde entonces, en el «loco» más famoso de la historia del cine, condenado inexorablemente a no poder nunca liberarse de ese papel, hasta el punto de condicionar prácticamente toda su carrera cinematográfica posterior. El único adjetivo apropiado para definir esta obra maestra de Alfred Hitchcock es «perfecta»; una película que no sufre en absoluto el paso del tiempo, que atraviesa la historia manteniendo intacto su encanto. Angustioso, intrigante, aterrador, espléndido. ¡No hay nada más que añadir!
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RESEÑAS DE LA COMUNIDAD (6)

Gimly

Gimly

7 /10

Required viewing.

Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time.

Wuchak

Wuchak

9 /10

“We all go a little mad sometimes. Haven't you?”

A Phoenix secretary, Marion Crane (Janet Leigh), embezzles $40,000 and rashly flees town, ending up at a remote motel in Fairvale, California, where she encounters the eccentric Mama’s boy Norman Bates (Anthony Perkins). Mixed into this web is a private investigator (Martin Balsam), Marion’s sister (Vera Miles) and Marion’s secret beau (John Gavin).

Directed by Alfred Hitchcock based on Robert Bloch’s book, “Psycho” made a huge impact when it was released in 1960. It contains a plot development that was groundbreaking at the time shared by England’s “City of the Dead” (aka “Horror Hotel”), which went into production six weeks earlier than “Psycho” and was released in the UK at the same time, but not in America until 2 years later. While they’re both good, “Psycho” is way superior. It was followed by three sequels (1983, 1986 and 1990), the last being a semi-prequel, all starring Anthony Perkins as Norman with Vera Miles returning for the first one.

One thing I don’t like is that it was shot in B&W. Check out the sequels and the 1998 remake to observe the same settings in living color.

The film runs 1 hour, 49 minutes and was shot primarily at the backlot of Universal Studios, Universal City, California, with other parts in Los Angeles & Gorman, California, and Phoenix, Arizona.

GRADE: A

tmdb56937092

10 /10

My most favourite film from the master of suspense.

This psychological horror is widely considered to be the first ever slasher film. Powered by great performances from Anthony Perkins & Janet Leigh, and the outstanding score by Bernard Herrmann which adds such great tension throughout the film, it is unarguably the greatest thriller ever made. Only Alfred Hitchcock could make a film so entertaining and so horrifying at the same time.

The climax continues to haunt me forever.

JPV852

JPV852

9 /10

Amazingly, this is my first ever viewing, not sure why I waited so long, but finally got around to it. Great movie in every way from the performance by Anthony Perkins to the atmosphere, enjoyed every bit of this even though I basically knew the entire plot at this point since all iconic scenes and lines have been repeated over the years. Not sure this is my favorite Hitchcock movie as I still prefer Rear Window, but obvious why it has held up 60 years later. 4.5/5

CinemaSerf

CinemaSerf

8 /10

There is so much more to this film than just that famous scene in the shower - and so much of it belongs to the marvellous scoring of Bernard Herrmann. His ability to use those screeching strings, and the pace of his music does so much of the heavy lifting that gives this film a sense of accumulating menace that makes it still, after over 60 years, a masterful piece of cinema. Janet Leigh wants to make a go of things with her cash-strapped hunky boyfriend "Sam" (John Gavin) so when an unexpected opportunity arises at work that puts $40,000 in her lap, she skips town and takes refuge during a thunderstorm at the "Bates" motel where she encounters "Norman" (a very handsome looking Anthony Perkins). The rest you will just have to watch for yourself, but the story has just about everything you could want from a thriller: a fella with a bit of a "mummy" syndrome; some good old fashioned larceny; lust and though I didn't quite love the ending, it is a superbly dramatic piece of well considered and constructed cinema that cleverly builds on what is quite a simple story with a strong and convincing cast. Big screen if you can; that house on the hill looks more eery that way. Great stuff!

CaryGranite

Any fan of slasher/ horror films should consider this required viewing. Marion(Janet Leigh) and her "secret" boyfriend Sam(John Gavin) want to be together. Sam, who is divorced and cash poor feels he cannot provide a happy life for the two of them. Desperate, Marion has an opportunity to steel 40,000.00. She flees Arizona and heads to California where she ends up at the Bates Motel and meeting Norman Bates(Anthony Perkins).

Stellar cast, with Perkins giving a eerie Oscar worthy performance. Cinematography and the soundtrack are amazing. The iconic shower scene is just as effective today as it was 65 years ago. If I was going to make a criticism it would be the scene at the end where the audience sees everything for what it is. Hitchcock had many requirements for this scene and I felt that it made the scene a little awkward. I am just nit-picking though. The movie is a masterpiece. 10/10

Reseñas proporcionadas por TMDB