Cinq personnes, liées entre elles par des liens de parenté ou d'affaires, se retrouvent à devoir effectuer ensemble un court voyage en voiture. Surprises par un orage soudain, elles sont contraintes de se réfugier dans un ancien manoir de chasse habité par une vieille médium et son fils.
SCHREIE IN DER NACHT
Il signor Arcibald Barret, accompagnato dalla moglie e dai propri contabili, è in viaggio per consegnare alcuni importanti documenti al fine di chiudere le pratiche per l’acquisizione dei beni del suo defunto cugino. Un guasto al motore costringe la compagnia a rifugiarsi in uno chalet, teatro di sedute spiritiche.
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Questions sur Schreie in der Nacht
Quelle est la durée de Schreie in der Nacht ?
Schreie in der Nacht dure 83 minutes.
Quand est sorti Schreie in der Nacht ?
Schreie in der Nacht est sorti en 1969.
Qui a réalisé Schreie in der Nacht ?
Schreie in der Nacht est réalisé par Antonio Margheriti.
Quelle note a Schreie in der Nacht ?
La rédaction de HorrorCult donne à Schreie in der Nacht 4,0 crânes sur 5, sur une seule critique.
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CinemaSerf
A group of English folks (well, German, actually) are trying to get to their home amidst the mother of all thunderstorms that is washing out all the roads. With their car stuck in the mud, they have to walk to a nearby house inhabited by "Uriat" (Luciano Pigozza aka Alan Collins) and his mother. Now this woman (Marianne Leibl) is quite adept at séances and soon the group are sitting around the table where truths will out. These truths, played out via a series of flashbacks, are unsavoury and depict some of the group as malevolent, murdering, monsters. The more we learn, the more dangerous it gets for all concerned. Will they all leave that place alive? Aside from the audio of a biblical storm the sort not seen since Noah, the rest of this is all rather cheaply cobbled together with far too much (badly dubbed) dialogue that, in the end, presents us with a sort of brutal episode of "Upstairs Downstairs". Quite why there is an English setting is anyone's guess - it seems to create additional impediments to the already rather predictably weak characterisations. Eighty minutes felt a great deal longer as it lumbered along to a conclusion about which I simply didn't care. I wouldn't bother, I'm afraid.
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