Quando Marta urlò dalla Tomba backdrop
Quando Marta urlò dalla Tomba poster

QUANDO MARTA URLÒ DALLA TOMBA

La mansión de la niebla

1972 IT HMDB
agosto 5, 1972

In una notte di nebbia, due ragazzi, Fred e Laura, la ricchissima Elsa, Porter e infine l'avvocato Tremont con sua moglie, smarrita la strada approdano a una tetra dimora contigua a un cimitero. Li accoglie una giovane donna, Marta Clinton, nipote (così ella dice ai suoi ospiti) di una signora morta anni prima col suo autista e amante in un incidente automobilistico della quale si narra che vada aggirandosi nottetempo tra le tombe in compagnia del suo uomo. Quando Elsa (che prima di giungere alla villa era stata terrorizzata a morte) cade in una profonda depressione e da quel momento, altri terrificanti avvenimenti sconvolgono la villa provocando la pazzia di Elsa...

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Troupe

Sceneggiatura: Luis G. de Blain (Screenplay)Antonio Troiso (Writer)
Musica: Marcello Giombini (Original Music Composer)
Fotografia: Guglielmo Mancori (Director of Photography)

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Marco Castellini
Un gruppo di persone è costretto a passare la notte in un’antica quanto tetra magione e viene decimato, a quanto sembra, da alcuni spiriti maligni. Alla fine si scopre che si trattava di una diabolica messa in scena. Confusa e triste coproduzione italo-spagnola, ennesimo tentativo fallito di unire l’elemento horror a quello erotico. Trascurabile, quasi pessimo.
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Wuchak

Wuchak

7 /10

A Mansion in the Darkness

A dozen miles from Milan in the mountains of northern Italy, six people have to spend the night in a creepy mansion by a cemetery. The owner of the manor shares spooky tales of vampires and ghosts, including the aged matriarch of the mansion and her lumbering chauffeur.

A Spanish/Italian production, “Murder Mansion” (1972) was originally titled “The Mansion in the Fog” (translated from Spanish). It’s a mystery/horror and could be classified as a giallo. It’s similar to “The Devil’s Nightmare” and “The Night Evelyn Came Out of the Grave” from the year prior, not to mention it would influence “The Vampires Night Orgy” and “Count Dracula’s Great Love,” both of which would debut the next year.

The difference is that this one’s more family friendly and smacks of a Scooby-Doo tale featuring Fred (Andrés Resino) and two Daphnes (Lisa Leonardi as Laura and Analía Gadé as Elsa), minus the other characters (Velma, Shaggy and the dog). The variance is that Fred and two Daphnes are about 12-15 years older than their doppelgangers in Scooby-Doo.

Don’t get me wrong, this is by no means a kiddie flick. It includes adult-oriented material, like tipsy Mr. Porter constantly coming-on to the various beautiful women, as well as Frad and Elsa’s intimate relationship (with the two being former strangers). There’s just no overt nudity or buckets of gore.

What works best, beyond the beauty of the two aforementioned redheads, is the spooky ambiance of the fog, the graveyard, the mysterious manor, the gothic décor, the occultic paintings and the creepy rumors spoken in hushed tones. The only problem is the highly coincidental nature of the proceedings but, if you can suspend disbelief, the flick delivers the goods.

It runs 1 hour, 26 minutes, and was shot mostly in the studio in Madrid, Spain, but also Guadalajara, Castilla-La Mancha (the opening), which is located 40 miles northeast of the city.

GRADE: B

Recensioni fornite da TMDB