QUANDO MARTA URLÒ DALLA TOMBA
La mansión de la niebla
In una notte di nebbia, due ragazzi, Fred e Laura, la ricchissima Elsa, Porter e infine l'avvocato Tremont con sua moglie, smarrita la strada approdano a una tetra dimora contigua a un cimitero. Li accoglie una giovane donna, Marta Clinton, nipote (così ella dice ai suoi ospiti) di una signora morta anni prima col suo autista e amante in un incidente automobilistico della quale si narra che vada aggirandosi nottetempo tra le tombe in compagnia del suo uomo. Quando Elsa (che prima di giungere alla villa era stata terrorizzata a morte) cade in una profonda depressione e da quel momento, altri terrificanti avvenimenti sconvolgono la villa provocando la pazzia di Elsa...
Registi
Cast
Ida Galli
Martha Clinton (as Evelin Stewart)
Analía Gadé
Elsa (as Analia Gade)
Lisa Leonardi
Laura (as Anna Lisa Nardi)
Andrés Resino
Fred (as Andres Resino)
Franco Fantasia
Mr. Porter
Alberto Dalbés
Ernest (as Alberto Dalbes)
Yelena Samarina
Mrs. Tremont (as Ylena Samarina)
George Rigaud
Elsa's father (as Jorge Rigaud)
Ingrid Garbo
Ellen
Eduardo Fajardo
Mr. Tremont
José Luis Velasco
Chofer / Ghost (as Jose Louis Velasco)
Saturno Cerra
Man in the road
Emilia Rubio
Female Hotel Guest
José Félix Montoya
Hotel guest (as Felix Jose Montoya)
Magoya Montenegro
Female Hotel Guest 2
María Reniu
Female Hotel Guest 1
Troupe
RECENSIONI (1)
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RECENSIONI DALLA COMMUNITY
(1)
Wuchak
A Mansion in the Darkness
A dozen miles from Milan in the mountains of northern Italy, six people have to spend the night in a creepy mansion by a cemetery. The owner of the manor shares spooky tales of vampires and ghosts, including the aged matriarch of the mansion and her lumbering chauffeur.
A Spanish/Italian production, “Murder Mansion” (1972) was originally titled “The Mansion in the Fog” (translated from Spanish). It’s a mystery/horror and could be classified as a giallo. It’s similar to “The Devil’s Nightmare” and “The Night Evelyn Came Out of the Grave” from the year prior, not to mention it would influence “The Vampires Night Orgy” and “Count Dracula’s Great Love,” both of which would debut the next year.
The difference is that this one’s more family friendly and smacks of a Scooby-Doo tale featuring Fred (Andrés Resino) and two Daphnes (Lisa Leonardi as Laura and Analía Gadé as Elsa), minus the other characters (Velma, Shaggy and the dog). The variance is that Fred and two Daphnes are about 12-15 years older than their doppelgangers in Scooby-Doo.
Don’t get me wrong, this is by no means a kiddie flick. It includes adult-oriented material, like tipsy Mr. Porter constantly coming-on to the various beautiful women, as well as Frad and Elsa’s intimate relationship (with the two being former strangers). There’s just no overt nudity or buckets of gore.
What works best, beyond the beauty of the two aforementioned redheads, is the spooky ambiance of the fog, the graveyard, the mysterious manor, the gothic décor, the occultic paintings and the creepy rumors spoken in hushed tones. The only problem is the highly coincidental nature of the proceedings but, if you can suspend disbelief, the flick delivers the goods.
It runs 1 hour, 26 minutes, and was shot mostly in the studio in Madrid, Spain, but also Guadalajara, Castilla-La Mancha (the opening), which is located 40 miles northeast of the city.
GRADE: B
Recensioni fornite da TMDB
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