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Eraserhead poster

ERASERHEAD

1977 US HMDB
September 28, 1977

First-time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.

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Crew

Production: Fred Baker (Executive Producer)
Screenplay: David Lynch (Screenplay)
Music: Peter Ivers (Original Music Composer)
Cinematography: Frederick Elmes (Director of Photography)Herbert Cardwell (Director of Photography)

REVIEWS (1)

Marco Castellini
Henry Spencer lives in a squalid studio apartment in the most industrialized area of the city. He marries a mediocre woman, a poor disabled victim of a sick family, with whom he has a horribly deformed child, similar to a tadpole. The baby complains every night, annoying and driving the poor Henry to exasperation. When his wife leaves him to return to her mother, the man is left alone at home with the little "monster." Exasperation over the situation, worsened by the fact that the child falls ill, leads Henry to kill the baby with a pair of scissors. "Eraserhead" was born as a long obsessive nightmare outside any cinematic convention; Lynch outlines a strongly disturbed and disgusted imaginary world. The hallucinatory and delirious story is only a pretext to show the sick and surreal visions of the director, many insane situations put together without continuity. In short, "Eraserhead" is an untellable, inexplicable film, the classic "auteur" film that brings joy to almost all critics but is too complex and hermetic for the general public; a sort of manifesto of the entire cinematography of this author, which, with the exception of "Elephant Man," is a complex cinematography with a difficult approach that is either loved or hated. To shoot "Eraserhead," Lynch went almost bankrupt: he personally handled the direction, production, screenplay, photography, editing, and special effects of the film. The only thing he didn't do was play the lead role, which was given to his friend Spence. Despite this, the production time of the film was incredibly long; due to various problems, the shoot lasted a full five years! The film had no commercial success but introduced Lynch's talent to Mel Brooks, who decided to entrust him with the direction of "Elephant Man."
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COMMUNITY REVIEWS (3)

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8 /10

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Listen to the full review above!

"For anybody of a given age or someone who is a real cinephile... You only need to hear... David Lynch. The first impression I had was tension, then I watched it again... it's nightmarish." David M. Brown.

"It's one of those things that can only be described as a lucid dream come to life. It takes a certain caliber of person to actually put out work like that. And it's not crazy.... It's Genius." Sarah Peterson.

"Definitely a brain Burner. It was definitely the weirdest movie I've watched. I can't describe this movie in words... It's not of this earth. I want to go sit in a corner in a dark place and think. This is not a movie.... It's beyond a movie." David Veerkamp

Sigeki Ogino

Sigeki Ogino

We believe that films should "make people happy" (euphoria). No, we believe it should. Of course, there were thorny issues in getting there. I used to say that "movies are the art version of pornography" if there was even a hint of sexuality, and in middle and high school I mainly watched "erotic" movies ("A Clockwork Orange" being the first of these). Looking back, I was a "foolish spectator." One day, however, a change came to me. I believe that an encounter with a movie can change your life, and the movie I encountered was "Mulholland Drive," which turned my view of movies upside down, saying, "I have never seen a movie like this. Until then, to my surprise, I had never even heard of David Lynch (I'm embarrassed to say ‼︎). From memory, between the ages of 12 and 13, I saw this surreal, showbiz-crazed entertainment at least a dozen times and was not only never bored, but drawn in. Isn't that amazing? I mean, "It was a 'monumental' movie in my life" (my strongest experience in a movie theater was when I saw "The Return of the King"). ...... So I had to see this film by a great filmmaker. In comparison, "Lost Highway" was an insignificant film. Honestly, I don't know, but it seemed to be well received by the public. However, this is a common phenomenon. A friend says, "This movie is interesting," so I take his opinion and watch it, only to find that it is actually not that interesting. Now it has become my "rule" and "motto" to "choose my own movies." Even 'Blue Velvet,' which is considered Lynch's best film, was really bad." What is so interesting about David Lynch?" I am often asked. It is difficult to answer this question. In fact, even if he had retired from the film industry after one film, "Mulholland Drive," David Lynch would still be revered as the king of surrealist cinema, but my "Lynch experience" ends there. However, it was "Eraserhead" that started my "Lynch experience" back to the classics, and that is where it should have ended. This creepy, nightmarish film, which even psychotic patients can't hold (and if Lynch portrays psychosis, he certainly sucks at it), was released in 1978 and although it didn't gain immediate popularity, it did gain a cult following by being shown in drive-in theaters and elsewhere. "What is this creepy movie?" I was astonished to learn that this movie was made in 1977. There were few ups and downs in the story and no visual beauty. It was just a dusty, sandy factory area. An alien obsessed with the "peculiar hairstyle" of the main character, played by Jack Nance, gives birth to a deformed child and is sexually abused by his stepmother. It is the story of Mary, the "crazy fiancée" who gave birth to the deformed baby and abandoned him, her sexual neighbors, and the puppies who suck chubby titties from the female dog. The chicken at the table runs like clockwork. The "deformed" baby cries and we dissect it. The "vomit" comes down our throats, and it's painful to watch. Frankly, it made me sick. Was it my fault or the movie? Was it Jack Nance's fault? By the way, please don't assume that "Eraserhead" is super difficult to understand. To me, Christopher Nolan's films are esoteric, but David Lynch's films are not so esoteric if you are in a position to "watch" them. The images may be boring because they embody a world that could happen to anyone (e.g., insanity or psychosis), but Lynch would not want to make it "esoteric." Eraserhead is, in short, experimental science fiction (not breathtaking "entertainment") only in the guise of "surrealism." It begins with two shots of "Henry" and a "deformed child" drifting through "outer space," and eventually a creepy woman appears in "high places" and "deep waters." The "factory zone" and "outer space" are connected until the creepy woman sings "In Heaven." The "Alien Child" is in "intergalactic union" with the man from "The Distant Star" and Henry Spencer.

captain_douche

Straight up: I don't like this movie. It is a grotesque, bizarre horror movie. There is no real plot. The only thing this movie will do is make you feel uncomfortable. It makes you feel like in a bizarre nightmare. And this it does really well. I give it 3 stars for the artistic creation that it is and the effect it can create on the audience. Disclaimer: I walked out of the cinema after 3/4 watching...

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