Phantom of the Opera backdrop
Phantom of the Opera poster

PHANTOM OF THE OPERA

1943 US HMDB
August 12, 1943

Following a tragic accident that leaves him disfigured, crazed composer Erique Claudin transformed into a masked phantom who schemes to make beautiful young soprano Christine Dubois the star of the opera and wreak revenge on those who stole his music.

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Crew

Production: Jack J. Gross (Executive Producer)George Waggner (Producer)
Screenplay: Samuel Hoffenstein (Screenplay)Eric Taylor (Screenplay)
Music: Edward Ward (Original Music Composer)
Cinematography: Hal Mohr (Director of Photography)W. Howard Greene (Director of Photography)

REVIEWS (1)

Marco Castellini
A Parisian musician, horribly disfigured after an accident, takes refuge in the cellars of the Paris Opera. From there, he only emerges occasionally to kill those who try to obstruct his daughter's singing career. One of the first films adapted from Gaston Leroux's story, it has the "limitations" typical of most horror films of that period, namely slowness and the absolute lack of blood scenes, but it was 1943 and one could not expect anything different. A classic.
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COMMUNITY REVIEWS (1)

John Chard

John Chard

5 /10

Well it's one of the most beautiful Universal Horror movies out there.

Phantom of the Opera is directed by Arthur Lubin and features a collective of writers adapting from Gaston Leroux's novel. It stars Nelson Eddy, Claude Rains, Edgar Barrier, Susanna Foster, Leo Carrillo and Jane Farrar. Music is by Edward Ward and cinematography by W. Howard Greene.

The Leroux source material has been adapted a number of times. This version sees Universal update their own 1925 silent version that starred Lon Chaney, and give it a Technicolor make over whilst practically making it a musical picture. Even making it a light comedy in parts! It is undeniably a gorgeous picture, both visually and aurally, for the sets and operatic tunes alone this could never be called a dull movie. But we want horror, it's an horrific tale of murder, disfigurement, disloyalty and unbridled passions, we don't want to be watching a Phantom of the Opera movie where at any moment you expect the cast to start singing "ding dong the witch is dead". Cast are mostly fine as regards the tone of the piece, though Rains barely gets his teeth into the role of the Phantom and comes off more like Zorro or the Lone Ranger. While Lubin and his crew give the whole production a professional polish.

But is this horror? No, never, and that's a shame given it's from the torch bearers for classic horror of the 30s and 40s. 5/10

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