Orca backdrop
Orca poster

ORCA

1977 IT HMDB
July 22, 1977

After witnessing the killing of his mate and offspring at the hands of a reckless Irish captain, a vengeful killer whale rampages through the fisherman's Newfoundland harbor. Under pressure from the villagers, the captain, a female marine biologist, and an Indigenous tribalist venture after the great beast, who will meet them on its own turf.

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Crew

Production: Dino De Laurentiis (Executive Producer)
Screenplay: Sergio Donati (Screenplay)Luciano Vincenzoni (Screenplay)
Music: Ennio Morricone (Original Music Composer)
Cinematography: J. Barry Herron (Director of Photography)Ted Moore (Director of Photography)

REVIEWS (1)

Giuliano Giacomelli
The Irishman Nolan is a skilled fisherman who decides to capture a live specimen of orca to sell it to an aquarium and make a precious sum of money. But his endeavor will not have a good outcome as during the hunt, he accidentally causes the death of a female orca with her calf still in her womb. From that moment on, the companion of the dead mammal decides to track down Nolan and his crew to avenge the death of his mate and his son. "The Killer Whale" is one of the first films born in the wake of Steven Spielberg's masterpiece "Jaws" to capitalize on its success and certainly manages to be one of the best products on the theme of killer animals. First of all, the choice of an orca as an animal to fear is excellent; orcas, in fact, in addition to being extremely exceptional mammals, are also equally dangerous. Indeed, as is also explicitly stated in the film, orcas are one of the ten most dangerous animals in the world, but beyond that, they are animals very attached to family relationships: first of all, they are monogamous animals (i.e., they stay with a mate for life) and then they also perform the role of exemplary parents. Moreover, they are extremely intelligent mammals and, like humans, have a sense of revenge. The film, directed by Michael Anderson, succeeds in every respect in involving the viewer and in some points almost moving them. The screenplay appears very solid and well thought out, and in several aspects it reminds us of Melville's masterpiece novel "Moby Dick" (especially the theme of the hard struggle between Captain Nolan and the large mammal). In addition to the story of the animal seeking revenge for what has been done to his family, the film also addresses more serious and real themes such as the terrible destructive nature of man (already addressed in other famous films like "King Kong"), who, blinded by the sole thirst for gain, does nothing but destroy and cause irreparable damage to the most beautiful things nature offers us. Anderson's film can also be remembered for the beautiful attempt to humanize the orca, which in this film appears more human than humans themselves, frequently showing close-ups of the mammal's eyes to make the viewer understand the various moods of the animal; but certainly the strong point of the film lies in the beautiful and moving music composed and conducted with mastery by Ennio Morricone, which manages to make countless scenes unforgettable (such as the initial dance of the orcas in the water or the scene where the pod of orcas carries the body of the dead mammal to the shore). An additional strong point of the film is the extremely convincing cast that features the presence of Charlotte Rampling (Angel Heart- elevator to hell) and a brilliant Richard Harris as Nolan, the Irish captain who, for the desire for gain, causes the death of the mammal, but who, unlike other films where those who seek gain at the expense of nature are portrayed as cold and selfish people, here Captain Nolan appears as a human and sensitive person, who recognizes his mistakes and understands and justifies the animal's revenge. In conclusion, "The Killer Whale" is an excellent film, well directed and magnificently interpreted, engaging and touching, and in which it is inevitable not to side with the mammal, because the true killer in the film is not the orca but man. A film to see.
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COMMUNITY REVIEWS (1)

Wuchak

Wuchak

7 /10

Not great like “Jaws,” but a moving maritime tragedy and, in ways, magnificent

RELEASED IN 1977 and directed by Michael Anderson, "Orca" stars Richard Harris as a Newfoundland fisherman trying to make some big money by capturing a killer whale for a marine park. Unfortunately he ends up horribly botching the job, which incurs the vengeful wrath of the father killer whale.

Coming out two years after the blockbuster “Jaws,” this is sort of a knockoff, but it’s too different in story/tone to be cheap imitation, although there are obvious similarities: The last third of the film involves a boat crew sailing out to sea to take on the oceanic antagonist; and another scene where an individual slides down a leaning platform toward the marine creature. In any case, “Orca” may not be technically as good as "Jaws" but it certainly has its unique attractions.

The story is a maritime tragedy and utterly serious in tone with no lightness to be seen, like in “Piranha” (1978). The melodramatic plot basically inverts Melville’s “Moby Dick” wherein in the whale takes the place of bitter Ahab. The score by Ennio Morricone (e.g. "The Good, the Bad and the Ugly") is equal-parts beautiful, touching and haunting. Also, the casting is great: Harris is perfect as the aging sea salt, Charlotte Rampling is super sharp & intellectual as the cetacean biologist, Will Sampson ("One Flew Over the Cuckoo's Nest") is great (and clichéd) as the Indian sage with his wise, foreboding words and Bo Derek is, well, you know.

In addition, the Newfoundland locations are fabulous and, at about an hour and a half, the film is short and sweet; so there's not much filler. That said, people suffering ADHD might complain that the pace is a little slow at times.

A couple of notable scenes come to mind: The unsettling sequence where Orca's mate aborts her calf while strung up on the vessel; and the one where Orca causes mass destruction in the village at night whereupon Nolan (Harris) gazes at the havoc while the whale jumps in and out of the water in elation.

Let me close by emphasizing that “Orca” is NOT a Grade B creature-on-the-loose flick (e.g. 2000’s "Crocodile"); it's a serious and moving tragedy.

THE FILM RUNS 92 minutes. WRITERS: Luciano Vincenzoni, Sergio Donati and Robert Towne, based on Arthur Herzog’s novel.

GRADE: B+

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