Nosferatu backdrop
Nosferatu poster

NOSFERATU

Nosferatu, eine Symphonie des Grauens

1922 DE HMDB
February 16, 1922

The mysterious Count Orlok summons a happily married real estate agent to his castle, located up in the Transylvanian mountains, to finalise a terrifying deal.

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Crew

Production: Albin Grau (Producer)Enrico Dieckmann (Producer)
Screenplay: Henrik Galeen (Screenplay)
Music: Hans Erdmann (Original Music Composer)
Cinematography: Fritz Arno Wagner (Director of Photography)Günther Krampf (Director of Photography)

REVIEWS (1)

Marco Castellini
The first cinematic adaptation of Bram Stoker's story and one of the earliest horror films in history. This initial appearance of Dracula on screen is unforgettable, with his rigid, skeletal figure, long claw-like nails, hollow eyes, and Max Schreck's gaunt face. Despite limited resources and the inevitable constraints of the time, Murnau managed to direct a film steeped in dark atmospheres, which remains unmatched in many respects even to this day. The film was shot without the permission of the writer's family, which led to a lawsuit filed by Stoker's widow against the production company. However, the company prevailed and obtained permission to distribute the film (albeit belatedly). A cult classic that has defined the entire genre and should be watched at least once in a lifetime!
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COMMUNITY REVIEWS (2)

Gimly

Gimly

7 /10

Did I kill one of your people, Murnau? I can't remember.

Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time.

CinemaSerf

CinemaSerf

7 /10

If you were ever to be able to commit your imagination to film when you read Bram Stoker's "Dracula" then I expect you would struggle to come up with anything more vivid than this. What is most striking is the wonderful detail as poor old estate agent "Hutter" is despatched to the home of "Count Orlok" (Max Schreck) to negotiate the acquisition of an isolated house for him. Once he arrives at the castle, we are subsumed in the eeriness and wickedness as it becomes clear that "Orlok" is an epitome of evil. Our story follows the travels of the "Count" from his castle to his new home - wreaking plague and havoc as he goes - until he arrives in the town inhabited by "Ellen" (a superbly vulnerable yet strong Greta Schröder) - the wife of the estate agent who is hot on their heals. "Ellen" has an inkling as to how to kill their nemesis, but that would involve the ultimate sacrifice. Now I have a few slight niggles with it - the inter-titles in a gothic script are, frequently, very difficult to read and that does interrupt the narrative; the editing is just a little too brutal at times and I found the score oppressive - even on the more joyous, or optimistic, scenes it seemed just a bit too overpowering than is necessary, but these are trifles when compared to the beautiful photography. Schreck is magnificent in the title role, exuding menace and malevolence, Gustav von Wangenheim ("Hutter") conveys the sense of desperation and terror in a truly evocative manner and it all adds up to a taut horror film the likes of which you'll never see in any subsequent treatment of this story.

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