Hush... Hush, Sweet Charlotte backdrop
Hush... Hush, Sweet Charlotte poster

HUSH... HUSH, SWEET CHARLOTTE

1964 • US HMDB
December 16, 1964

An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative.

Cast

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Crew

Production: Robert Aldrich (Producer)
Screenplay: Henry Farrell (Screenplay)Lukas Heller (Screenplay)
Music: Frank De Vol (Original Music Composer)
Cinematography: Joseph F. Biroc (Director of Photography)

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Marco Castellini •
An old house in Louisiana, full of shadows and eerie noises, is inhabited by an elderly lady tormented by terrible nightmares (perhaps she committed a murder), by two guests who try to drive her crazy by staging "scary" tricks, and by an old housekeeper. A thriller masterfully directed and brilliantly acted by a great Bette Davis; no particularly violent scenes, no blood, but still plenty of suspense and unsettling atmospheres created through plays of light and shadow, hisses, and noises. Rather long and somewhat slow in some parts, it is recommended to those who appreciate the horror cinema of the sixties, far from the tastes and rhythms to which the modern viewer is accustomed.
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John Chard

John Chard

8 /10

Glorious Southern Gothic Delirium.

Hush…Hush, Sweet Charlotte is directed by Robert Aldrich and written by Henry Farrell and Lukas Heller. It stars Bette Davis, Olivia de Havilland, Joseph Cotton, Agnes Moorehead, Cecil Kellaway and Mary Astor. Music is by Frank De Vol and cinematography by Joseph F. Biroc.

It’s 1927, the Louisiana plantation home of Sam Hollis (Victor Buono), and Charlotte Hollis (Davis) is having an affair with a married man, John Mayhew (Bruce Dern). After a heated argument between Sam and John, John is brutally slain by an unseen assailant, only Charlotte appears on the scene covered in blood. Then it’s the present day and just Charlotte and her house keeper, Velma (Moorehead) live at the Hollis mansion, Sam having passed away many years ago. Charlotte is mentally scarred from the echoes of the past, she’s a recluse and seen by the townsfolk as the local mental case. As developers try to plough a road through the Hollis home, Charlotte sends for her cousin Miriam (Havilland), but then strange things start happening and Charlotte might once and for all tip over the edge.

A bit long at 2 hours 13 minutes and a bit too bonkers at times, Hush…Hush, Sweet Charlotte still comes out as glorious Guignol entertainment. The setting is perfect, a Baton Rouge locale of whispering trees and ominous foliage, the Hollis mansion a place of dark secrets, shadowy halls and mental disintegration. Biroc’s black and white photography seems to revel in the misery and emotional turmoil that blows about the place, and the brilliant Aldrich unleashes delirious turns from Davis and Moorehead as the others play perfectly restrained foil. There’s a strong mystery element driving the plot forward, because what we think is true may not actually be the case? The narrative deftly reveals back stories as film progresses, hints at means and motives dangle tantalisingly in the Gothic tinged air, and then the finale doesn’t disappoint, it has some surprises in store and closes the picture down handsomely.

Best served with a good helping of Sour Mash, Hush…Hush, Sweet Charlotte is Southern Gothicana with bells on. Or should that be Belles? 8/10

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