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Sick Girl poster

SICK GIRL

2006 US HMDB
January 13, 2006

A shy entomologist named Ida—whose girlfriend has left her, due to her interest in insects—develops a crush on a strange girl, Misty. After Ida receives a mysterious insect in the mail, the two women spend the night together, and Ida awakens to find that Misty has stumbled upon her insect collection and has a great interest in them herself.

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Crew

Production: Stephen R. Brown (Executive Producer)Tom Rowe (Producer)Lisa Richardson (Producer)
Screenplay: Sean Hood (Story)
Music: Jammes Luckett (Original Music Composer)
Cinematography: Attila Szalay (Director of Photography)

REVIEWS (1)

Roberto Giacomelli
Ida is a homosexual entomologist who cannot establish a lasting relationship with a partner due to her passion for insects. In fact, her house is populated by numerous species of small animals and her collection often causes disgust in her partners. One day, Ida meets Misty, an introverted girl who spends her days drawing fairies in the lobby of the building where Ida works. The two fall in love and Misty moves in with Ida, since she also adores insects. Meanwhile, Ida receives a mysterious package from Brazil containing a strange insect that apparently does not belong to any cataloged race. The insect, which immediately proves very aggressive, manages to escape from its terrarium and bites Misty. From that moment on, the girl begins to undergo a disturbing... both character and physical mutation! "Masters of Horror" is a unique project born from the mind of Mick Garris, a director known in the horror field especially for the adaptations of Stephen King's novels. Garris thought of bringing together the most representative directors of horror cinema in a project destined for cable TV Showtime and home video, the result is "Masters of Horror", a series of 13 half-hour films of 60 minutes each, each directed by a great name in genre cinema; each episode has a budget of 1.8 million dollars, the location set in the Canadian city of Vancouver and total creative freedom was granted to each director. The names involved in the project are: Don Coscarelli, Tobe Hooper, Dario Argento, Lucky McKee, Stuart Gordon, Joe Dante, John McNaughton, Larry Cohen, Takashi Miike, John Carpenter, William Malone, John Landis and Mick Garris himself. In reality, "Creatura Maligna" fits somewhat awkwardly into a TV series that makes horror its watchword. In fact, for almost 50 minutes, the short film signed by Lucky McKee is a comedy, at times sentimental, populated by strange but sympathetic protagonists; then, in the last minutes, one can witness a sharp turn that veers decisively towards the most genuine horror, with splatter elements and monster movie. This eccentric and unbalanced mixture could seem counterproductive for a project entitled "Masters of Horror", considering that the same author of the film could not yet be defined as a "master" at the time, since he had only one film to his credit ("May"). Yet, despite the cards on the table not seeming to be able to win, in front of the vision of "Creatura maligna" one cannot but remain totally satisfied, so much so that one can affirm that McKee's work is inserted among the most successful episodes of the first season of "Masters of Horror". A large part of the success of "Creatura maligna" is due to the actors and especially to the protagonist Angela Bettis, an actress particularly linked to dark or suffering characters of the horror universe. From Carrie White in the remake of "Carrie - Lo sguardo di Satana" to May of the eponymous film, passing through problematic girls in "La mossa del diavolo" and "Ragazze interrotte", Bettis offers here her best performance, a sweet entomologist with a visible affective deficiency and a character too docile and submissive. A girl victim of her passions and the prejudices of those who see her as a "deviant" because of her sexual tastes, but always extremely positive in facing life and the obstacles that arise. On the other hand, we have Misty, an introverted and mysterious girl, played by an equally talented Erin Brown, an actress with a long list of fantasy-erotic films under the pseudonym Misty Mundae. The face covered by a long mane of brown hair, the gaze lost in the void of someone who is daydreaming, a passion for fairies, Misty is presented to us as an eternal teenager, an innocent who will find herself facing the horror of mutation. A mutation that first involves the character, transforming a fragile soul into an emancipated and uninhibited girl; then a physical change, announced by a putrid wound that cannot heal and closed by a complete metamorphosis that cites the legendary Seth Brundle of the cronenberghian "The Fly", but also the old b-movies with mutant creatures. The light and carefree tone of comedy that hovers over much of the film gives "Creatura maligna" that right dose of originality that distinguishes it from the other episodes of "Masters of Horror", without subtracting from the main theme of the TV series, adequately rendered by the excellent makeup effects of Berger, Nicotero and their team. Irresistibly grotesque ending! It certainly deserves half a pumpkin more.
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COMMUNITY REVIEWS (1)

Parker

Parker

10 /10

Half body horror and half lesbian romance, Lucky McKee's Sick Girl is bursting at the seems with underappreciated cinematic talent. While much of McKee's filmography is dedicated to the lowly weird girl, his best-known work being May (2002), I think Sick Girl is where his cinematic skills come together best.

Let's start with the talent, because I have a lot to say that's contrary to popular opinion. Erin Brown, while constantly being brought into the conversation to say she cannot act, is nothing if not committed to her role. If you've ventured into her filmography, you'll see that she isn't afraid to get weird (have y'all seen Dickshark), and so she jumps into bug posession and lesbianism with such conviction. She also has features that are actors on their own. Her piercing blue eyes shift from endearing to freaky depending on what the scene requires, and her long hair is both mesmerizingly elegant, and reminiscent of the girl from the ring. When combined, they work the horror comedy to their advantage.

Then you pair her with Angela Bettis, who is one of the most under-appreciated actors I've ever seen on screen (her horror scream at the end of this movie is one of the best), and it only amplifies Brown's performance. Bettis transforms into the awkward, socially inept Ida, and in her deliberate choice to play her character this way, makes Misty's more awkward line deliveries look like they're intentional too. Together, the two play off each other perfectly and, outside of their obvious chemistry, that shines even beyond their characters' clumsy natures, enhance each other's performances. (Also, sorry, but sometimes bad acting just adds to the autism coding,,, Oh, you don't speak how people expect you to? Girl, same. This, however, is a bias I am not including in the argument, no matter how comforting it is to me, personally.)

Then McKee comes in with his directoral flare. Combining his distinctly 2000s style with the influence of 40s powerhouses Emeric Pressburger and Alfred Hitchcock, he creates a unique visual experience that should not work as well as it does. It is this deep understanding of what makes a movie good that truly earns him his place as a Master of Horror.

I will also add that going into a lesbian film directed by a man is almost always scarier than any horror movie will ever be, but McKee handles Ida and Misty with so much respect. Their romance is soft and silly, and while there is a particularly steamy scene, it is within reasonable bounds, and feels so far from exploitative. This is the reasonable progression of a drunk, lustful, first night together, not the director's sick fantasies. And any other moments they have together, we don't see. They're mentioned off hand, or we fade to black, which is again in the spirit of the 40s films McKee is trying to emulate.

And this doesn't even include McKee's script, which is simply FUN!!! The humor is certainly for a specific type of person, but that type of person is me. It's very unserious, which makes the cheesier portions fit right in. In fact, McKee wrote in a lot of Hlubik's scenes while the two were drunk, which totally checks out when you watch them back with this knowledge. Besides that, though, McKee creates a very thoughtful metaphor about the dangers of moving in with someone too quickly, suggesting that, while it isn't inherently bad, it WILL have its road bumps, but with patience and kindness, these things can be worked through, and two people can live together in harmony. He is also very clever in how he subverts expectations. Horror movies like this typically end rather devastating (see Cronenberg's The Fly), and lesbians in horror tend to get the short end of the stick on top of this (bury your gays), but McKee gives Ida and Misty a happy, comfortable ending, following in the footsteps of other horror anthologies like Tales From The Crypt, which usually concluded its stories in the last way someone would expect.

As a final point, I love the practical effects. The bug design and transformation are so simple but so effective. And Misty's gooey ear!!! Beautifully yucky!!!

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