They backdrop
They poster

THEY

2002 US HMDB
November 1, 2002

A psychology student who experienced night terrors as a child must face the chilling realization that her nightmares were not all in her head.

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Crew

Production: Scott Kroopf (Producer)Ted Field (Executive Producer)Tom Engelman (Producer)David Linde (Executive Producer)
Screenplay: Brendan Hood (Writer)
Music: Elia Cmiral (Original Music Composer)
Cinematography: Rene Ohashi (Director of Photography)

REVIEWS (1)

Roberto Giacomelli
Julia is a psychology student about to graduate. One day, the girl receives a phone call from Billy, a childhood friend; after meeting, Billy confides in Julia that "They" are pursuing him and have returned to take him to the world of shadows, immediately taking his own life. From that moment on, the girl begins to remember that as a child she suffered from night terrors and Billy was also affected; over time, Julia had convinced herself that her fear was simply a childhood fear, but recent events make her realize that "They" really exist, they are evil creatures that hide in the dark with the intention of terrifying and kidnapping the children they have marked. Produced by Wes Craven and directed by Robert Harmon (the director of the cult film "The Hitcher"), "They" is one of the first attempts, in recent horror productions, to exploit the darkness and what lives within it to scare the viewer. The result is undoubtedly pleasant and the film succeeds in its main intention: to create an atmosphere that manages to instill in the viewer a fair dose of terror. The film in question, in fact, relies entirely on suggested horror and suspense, supported by a series of unsettling locations, such as the nighttime subway, and other places of daily routine that are nevertheless made dirty and degraded, capable of making the viewer feel uncomfortable, especially thanks to an effective photography that favors dark and dull colors. As mentioned earlier, the horror is only suggested, so there are no violent or bloody scenes (although the moment when the protagonist removes the organic probe from her skull is quite disgusting) and the creatures that live in the dark are never clearly shown, but can only be seen fleetingly in some scenes: in this case, one can speak of a more than successful choice, since showing the monsters clearly could easily have led to unintentional ridicule; instead, in this case, the focus is more on the effect that precedes the arrival of the creatures, since their presence is announced by children's moans and sudden blackouts or electrical interruptions: a script device of sure effect. Unlike contemporary films ("Al calare delle tenebre") or epigones ("Boogeyman"), in "They" there is a greater characterization of the characters, a lesser use of effects and gimmicks, and an appreciable care for the narrative plot. The screenplay is credited to Brendon William Hood, but in reality, it is only the subject, since the production entrusted the writing of the script to a team of ten screenwriters. Harmon's direction is elegant and at the same time fluid; while the cast is composed of little-known young actors, among whom the brave protagonist, played by Laura Regan ("Unbreakable" and "My little eye"), stands out. In conclusion, "They" is a good film that manages to successfully exploit the theme of the fear of the dark, proving superior to many recent films centered on the same theme. Excellent atmosphere and well-executed tension scenes. Recommended.
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COMMUNITY REVIEWS (1)

tmdb76622195

4 /10

You have probably seen the plot summary a hundred times before, and if you haven't, then you have seen scenes from this film in other films a hundred times before. Julia (Laura Regan) is a master's degree student in psychology. A troubled childhood friend, Billy (Jon Abrahams), contacts her, meets her, rambles incoherently to her, and then shoots himself in front of her. The viewer has already seen Billy, as a young boy, grabbed by monsters in the night, so he probably had some problems even Julia could not help him with. At Billy's funeral, Julia meets Billy's other friends Sam (Ethan Embry) and Terry (Dagmara Dominczyk). The friends have had night terrors as children, and they now bear strange markings on their bodies that seem to say "hey, mysterious computer generated creatures, come and get me!" Julia goes to former childhood psychiatrist Dr. Booth (Jay Brazeau), who does the shrink thing. Julia's boyfriend Paul (Marc Blucas) doesn't really get it all, either. Come to think of it, neither did I.

The basic flaw with "They" is the lousy execution of the premise. Childhood monsters coming back for adult victims is a good idea, but the script was given the go-ahead without any explanation as to where the creatures come from, why they mark certain victims, etc. This is huge in a film that is otherwise not very compelling. The cast is fine, acting scared at just the right moment. The instrumental score is terrible, it sounds like incidental music for "The Music Man." Director Harmon's talents are wasted on the screenplay. He needs a script that will not fail his eye. The screenplay borrows from tons of other films like "Jacob's Ladder," "Phantasm," the remake of "The Blob," and "The Sixth Sense," to name a few, and thinks nothing of ripping off the pool scene from "Cat People." Sure, the DVD has the alternate ending, which is a ripoff of "The Cabinet of Dr. Caligari," but that ending was better than the one that made the final cut. The special effect monsters are wisely kept out of view through most of the film, they look like giant bats. They do deliver a few scares, but in context with the mindless script, it is not enough. Eventually, you will figure out that most of the special effects here consist of some grip flicking lights on and off. "They" had a promising director, nice cast, and a low budget. The script is what never should have seen the light of day.

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