Razas de noche backdrop
Razas de noche poster

RAZAS DE NOCHE

Nightbreed

1990 US HMDB
febrero 16, 1990

Las razas de la noche son unas criaturas mutantes, monstruosos e infernales seres de ultratumba, que han permanecido escondidos durante siglos en la subterránea ciudad de Midian. A este inframundo llega un joven obsesionado por terribles y recurrentes pesadillas.

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Equipo

Produccion: James G. Robinson (Executive Producer)Gabriella Martinelli (Producer)Mark Alan Miller (Producer)Michael G. Plumides Jr. (Executive Producer)David Robinson (Executive Producer)
Guion: Clive Barker (Screenplay)
Musica: Danny Elfman (Original Music Composer)Tom Brown (Music)
Fotografia: Robin Vidgeon (Director of Photography)

RESEÑAS (1)

Marco Castellini
Un hombre es injustamente acusado de haber cometido varios asesinatos, a incriminarlo es la pericia de su psiquiatra que convence a la policía de la locura de su paciente. Pero en realidad el asesino desequilibrado es el médico. El joven inocente huye y elige como escondite un viejo cementerio; descubre pronto que el lugar está habitado por una horda de monstruos y criaturas de la noche que, inesperadamente, se revelan amigables hacia él. La policía logrará encontrarlo, pero para capturarlo deberá primero librarse de los no muertos… Tras el exitoso debut de "Hellraiser", Clive Barker vuelve a dirigir una película de terror basada en uno de sus best-sellers más exitosos. En su momento, fue definido como "la Guerra de las Galaxias del género de terror" por el ingente uso de efectos especiales y la ambientación en clave de fantasía. "Cabal" es sin duda una película de gran impacto visual (sobre todo gracias a los excelentes maquillajes) que, sin embargo, no convence del todo, especialmente debido a una parte central bastante lenta y a un protagonista no muy convincente. Merece, sin embargo, una mención la excelente interpretación de David Cronenberg (por una vez en el papel de "simple" actor) en el papel del loco doctor Decker.
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RESEÑAS DE LA COMUNIDAD (3)

tmdb15214618

6 /10

The movie fails to provide vital information about its world, either early enough or altogether. Without an understanding of what's happening on the screen, the initial story developments fail to make an emotional connection. What the viewer is left with is an appreciation for the darkly fantastical world and the technical prowess it would have required by the film crew to create. (Some of us will also appreciate the protagonist's beauty.)

TheTenth

What a difficult thing it is to review this movie. First the movie most people have seen is not the movie Clive Barker created, as the studio did the final cut without Barker's approval or even contacting him at all. So the studio (and the infamous test audience, people with no intelligence and movie or art knowledge) released what they thought ot be a summer monster movie ... The Director's cut released way later is closer to what Barker wanted, but with time, some tapes had disappeared, and Barker had moved on, so what the prognal movie should have been is a mystery. So we have Boone, a guy plagued with nightmares of monsters living in a strange city, living with his girlfriend Lori that is a singer in a bar. He wants to live a normal life and has hopes his psychiatrist will help him. To make things short, the psychiatrist is interested in the monsters and Boone gets killed but is reborn as a monster. Then "humans" to eradicate them. I never go in the subtext of the movies as I look for entertainment in watching movies. So of course here its obvious that the theme is human instinct is to fear and kill what's different, either other humans or animals. But if you see only the in this movie, you'll lose 2 hours and won't like it as the monsters and Boone will just seem stupid to explore this theme. I prefer to think most Directors / writers will write a story based on the world they live in and the knowledge they have of it and the memories they have of history, what happeded to them and their close ones. Here Barker is much more interested in creating a world and legend of monsters than really showing humanity's weaknesses. And he does it brillantly. His monster society and history is deep, the craftsmanship of the costumes is insane, and even Dekker (played by David Cronenberg) is a good character, even the priest os a good character, even Lori is a good character, and that makes a good and enjoyable movie. I even enjoyed the "theatrical cut" as at the time we didn't know it was an awkward stodio cut.

misubisu

misubisu

10 /10

This review is of the Director's Cut which has 45 minutes of changed footage (a lot added and some removed/replaced)... The Director's cut is basically a different movie, that tells a different and much more complete story. Way more footage of the monsters in Midian... backstory on the main monsters... an ending that makes total sense. The movie that Clive Barker wanted to release, before the studio tried to turn it into a slasher flick. The story in the Director's Cut is much closer to the story in the book [Cabal]. The movie as it should have been in the theatrical release. Well worth a watch (now).

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