Nightbreed backdrop
Nightbreed poster

NIGHTBREED

1990 US HMDB
February 16, 1990

A troubled young man is drawn to a mythical place called Midian where a variety of friendly monsters are hiding from humanity. Meanwhile, a sadistic serial killer is looking for a patsy.

Directors

Cast

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Crew

Production: James G. Robinson (Executive Producer)Gabriella Martinelli (Producer)Mark Alan Miller (Producer)Michael G. Plumides Jr. (Executive Producer)David Robinson (Executive Producer)
Screenplay: Clive Barker (Screenplay)
Music: Danny Elfman (Original Music Composer)Tom Brown (Music)
Cinematography: Robin Vidgeon (Director of Photography)

REVIEWS (1)

Marco Castellini
A man is wrongfully accused of committing several murders; the expertise of his psychiatrist convinces the police of his patient's madness. But in reality, the unbalanced killer is the doctor himself. The innocent young man flees and chooses an old cemetery as a hiding place; he soon discovers that the place is inhabited by a horde of monsters and night creatures that, unexpectedly, turn out to be friendly towards him. The police will manage to find him, but to capture him they will first have to get rid of the undead… After the successful debut of "Hellraiser", Clive Barker returns to direct a horror film based on one of his most successful bestsellers. At the time, it was defined as "the Star Wars of the horror genre" for the extensive use of special effects and the fantasy setting. "Cabal" is undoubtedly a film with a strong visual impact (especially thanks to the excellent makeup) that, however, does not fully convince, mainly due to a rather slow central part and a not very convincing protagonist. It is worth mentioning, however, the excellent performance of David Cronenberg (for once in the role of a "simple" actor) in the role of the mad doctor Decker.
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COMMUNITY REVIEWS (3)

tmdb15214618

6 /10

The movie fails to provide vital information about its world, either early enough or altogether. Without an understanding of what's happening on the screen, the initial story developments fail to make an emotional connection. What the viewer is left with is an appreciation for the darkly fantastical world and the technical prowess it would have required by the film crew to create. (Some of us will also appreciate the protagonist's beauty.)

TheTenth

What a difficult thing it is to review this movie. First the movie most people have seen is not the movie Clive Barker created, as the studio did the final cut without Barker's approval or even contacting him at all. So the studio (and the infamous test audience, people with no intelligence and movie or art knowledge) released what they thought ot be a summer monster movie ... The Director's cut released way later is closer to what Barker wanted, but with time, some tapes had disappeared, and Barker had moved on, so what the prognal movie should have been is a mystery. So we have Boone, a guy plagued with nightmares of monsters living in a strange city, living with his girlfriend Lori that is a singer in a bar. He wants to live a normal life and has hopes his psychiatrist will help him. To make things short, the psychiatrist is interested in the monsters and Boone gets killed but is reborn as a monster. Then "humans" to eradicate them. I never go in the subtext of the movies as I look for entertainment in watching movies. So of course here its obvious that the theme is human instinct is to fear and kill what's different, either other humans or animals. But if you see only the in this movie, you'll lose 2 hours and won't like it as the monsters and Boone will just seem stupid to explore this theme. I prefer to think most Directors / writers will write a story based on the world they live in and the knowledge they have of it and the memories they have of history, what happeded to them and their close ones. Here Barker is much more interested in creating a world and legend of monsters than really showing humanity's weaknesses. And he does it brillantly. His monster society and history is deep, the craftsmanship of the costumes is insane, and even Dekker (played by David Cronenberg) is a good character, even the priest os a good character, even Lori is a good character, and that makes a good and enjoyable movie. I even enjoyed the "theatrical cut" as at the time we didn't know it was an awkward stodio cut.

misubisu

misubisu

10 /10

This review is of the Director's Cut which has 45 minutes of changed footage (a lot added and some removed/replaced)... The Director's cut is basically a different movie, that tells a different and much more complete story. Way more footage of the monsters in Midian... backstory on the main monsters... an ending that makes total sense. The movie that Clive Barker wanted to release, before the studio tried to turn it into a slasher flick. The story in the Director's Cut is much closer to the story in the book [Cabal]. The movie as it should have been in the theatrical release. Well worth a watch (now).

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