DRACULA 73
Dracula A.D. 1972
Johnny Alucard, un jeune dandy, entraîne sa bande de copain dans une messe noire sans savoir qu'il vont ressusciter le vampire mythique Dracula. Les jeunes seront poursuivis par le vampire qui n'a aucun mal à s'adapter au XXème siècle. C'est le descendant d'Abraham Van Helsing, Lorrimer, et sa fille qui poursuivront le vampire pour le mettre hors d'état de nuire.
Réalisateurs
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Christopher Lee
Count Dracula
Peter Cushing
Professor Van Helsing
Stephanie Beacham
Jessica Van Helsing
Christopher Neame
Johnny Alucard
Michael Coles
Inspector
Marsha Hunt
Gaynor
Caroline Munro
Laura Bellows
Janet Key
Anna
William Ellis
Joe Mitcham
Pip Miller
Bob
Michael Kitchen
Greg
David Andrews
Detective Sergeant
Lally Bowers
Matron
Constance Luttrell
Mrs. Donnelly
Michael Daly
Charles
Artro Morris
Police Surgeon
Jo Richardson
Crying Matron
Brian John Smith
Hippy Boy
Penny Brahms
Hippy Girl
Equipe
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talisencrw
Yes, I know I'm giving this WAY TOO MANY marks, but, hey, I love all of the clashes between Sir Christopher Lee's 'Count Dracula' and Sir Peter Cushing's 'Van Helsing' (perhaps the greatest characterizations of those two characters, over a series of films, in cinema), and the then-contemporary (now almost 45 years ago!) update certainly is intriguing. So sue me.
John Chard
A misjudged mess.
Good grief! Hammer Horror Films were very much in a flux come 1972, so in a bold (yet ultimately ill conceived) attempt to move with the times and grasp a new audience, they turned to old faithful to resurrect their hopes - Count Dracula. Pic starts with an exciting prologue in 1872, where we see Dracula (Christopher Lee) and Van Helsing (Peter Cushing) battling to the death. We witness Drac's ashes buried near to the grave of Helsing, and then it's fast forward to 1972...
It must have seemed like a good idea at the time - letting loose one of the most iconic monsters in movie history in contemporary London - but it never works, lacking horror vibrancy and very much coming off as a pastiche of former glory. A rather excellent resurrection section of film aside, pic is just too quirky and kitsch for its own good, more laughable than anything remotely scary.
Other major problems hurt the possibility of enjoying it on some sort of parodic level. Dracula never actually does much, confined to a small location (again!), so not really tearing up contemporary London as it happens, while the 1972 "youths" who form the core of the narrative are actually out of date themselves! Something further compounded by the quite dreadful musical score, which should have been confined in a locked safe a decade earlier. Some of the more notable Hammer touches try to battle there way through the murk, but it's a losing battle, the company's visual identity lost amongst a daft script and cartoonish direction.
It has fans, and viewing it now some decades later one can at least embrace it with a modicum of endearment, but it's a poor pic and signals the start of a sad era for a great production company. 4/10
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