Coraline backdrop
Coraline poster

CORALINE

2009 โ€ข US HMDB
février 5, 2009

Coraline Jones est une fillette intrépide et douée d’une curiosité sans limites. Ses parents, qui ont tout juste emménagé avec elle dans une étrange maison, n’ont guère de temps à lui consacrer. Pour tromper son ennui, Coraline décide donc de jouer les exploratrices. Ouvrant une porte condamnée, elle pénètre dans un appartement identique au sien… mais où tout est différent. Dans cet Autre Monde, chaque chose lui paraît plus belle, plus colorée et plus attrayante. Son Autre Mère est pleinement disponible, son Autre Père prend la peine de lui mitonner des plats exquis, et même le Chat, si hautain dans la Vraie vie, daigne s’entretenir avec elle. Coraline est bien tentée d’élire domicile dans ce Monde merveilleux, qui répond à toutes ses attentes. Mais le rêve va très vite tourner au cauchemar. Prisonnière de l’Autre Mère, Coraline va devoir déployer des trésors de bravoure, d’imagination et de ténacité pour rentrer chez elle et sauver sa Vraie famille…

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Equipe

Production: Michael Zoumas (Executive Producer)Alex Heineman (Executive Producer)Mary Sandell (Producer)Claire Jennings (Producer)Harry Linden (Producer)Bill Mechanic (Producer)
Scenario: Henry Selick (Screenplay)
Musique: Bruno Coulais (Original Music Composer)
Photographie: Pete Kozachik (Director of Photography)

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AVIS DE LA COMMUNAUTÉ (3)

talisencrw

9 /10

Neil Gaiman is so contemporarily vital, both in literature and cinema, because he more than anyone else (with the possible exception of Terry Gilliam) notes that children and adults alike are fascinated with what lies outside our observable and tangible realms of existence. He realized the reasons storytelling have been significantly important since the dawn of mankind, and devised, as the Brothers Grimm did, that fairy tales and children's stories had to be haunting and entertaining to be both memorable and timeless. This is a great film depicting the growing sense as a child approaches adolescence that their parents and their world aren't exactly as they seem, and that through their trials and tribulations (the 'rites of passage', if you will) they'll reach the 'happy medium' they need to in order to find true happiness in their lifetimes.

I definitely hope that all of Gaiman's books and graphic novels are made into movies (I most anticipate the 'Miracleman' graphic novels--both those by him and Alan Moore). Ones so well-written would truly be 'comic book movies' worth watching for me.

ZeBlah

ZeBlah

10 /10

Quite dark, but entertaining and very well done. One of the few american animated movies I liked.

Kamurai

Kamurai

9 /10

Fantastic watch, will watch again, and do recommend.

I really wish more movies would follow this simple and great movie structure. Instead of a typical 3-act structure (not that it isn't technically there), the story is much closer to that of a video game.

You have a standard introductory act, but the rest of the movie is split into video game-esque "levels" that develop and unlock as Coraline makes new discoveries and completes different sections of the "map" / house.

There is a lot of messaging here as well, mostly concerning relationships between children and parents and how to navigate those in regard to real life events, but everything is "do not tell" levels of subtle so it's not in your face at all.

The Beldam itself is a magnificent creation of a "thing that bumps in the night" style of monster. While there is a lot left unexplained, there is plenty that is exampled about the Beldam and her world.

The movie also reminds me a lot of "The Wizard of Oz" in a few different ways so its good that there are family friendly movies of this quality that make vague callbacks to classic movies.

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