Children Shouldn't Play with Dead Things backdrop
Children Shouldn't Play with Dead Things poster

CHILDREN SHOULDN'T PLAY WITH DEAD THINGS

1972 US HMDB
juin 9, 1972

Six acteurs se rendent dans un cimetière d'une île isolée pour jouer un rituel nécromantique. Le rituel fonctionne, et bientôt les morts se promènent et mangent de la chair humaine.

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Equipe

Production: Gary Goch (Producer)Ted V. Mikels (Executive Producer)Peter James (Executive Producer)
Scenario: Bob Clark (Writer)Alan Ormsby (Screenplay)
Musique: Carl Zittrer (Original Music Composer)
Photographie: Jack McGowan (Director of Photography)

CRITIQUES (1)

Marco Castellini
Quelques jeunes gens, pour s'amuser, se réunissent dans un cimetière et célèbrent un rituel pour ressusciter un mort, mais le rituel a un effet inattendu. Un film de zombies plutôt négligeable et presque inconnu ; après le faible succès de son premier film, le réalisateur se consacrera aux comédies, signant la saga de "Porky's".
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AVIS DE LA COMMUNAUTÉ (1)

Wuchak

Wuchak

6 /10

A cabin in the woods on an island with a book of spells and a graveyard

A theatre troupe is misled by their crackpot leader (Alan Ormsby) to spend the night on an infamous isle off the coast of Miami known for its cemetery of outcast criminals. There he tries his hand at raising the dead using a grimoire.

"Children Shouldn’t Play with Dead Things” (1972) is a horror indie by Bob Clark (director/writer) & Ormsby (writer) inspired by “Night of the Living Dead” (1968). It only cost $70,000 (about $45,000 less than “Night”), but the spooky atmosphere is effective (with eerie sounds for the soundtrack rather than conventional music), the zombie make-up is well done and the amusing characters were written & performed with personality and spunk.

Brunette Jane Daly stands out in the female department as Terry (the girl with the yellow shirt) while Anya Ormsby is reminiscent of Parker Posey as the spiritually sensitive lass (she was married to Alan at the time of shooting). Meanwhile Valerie Mamches is entertaining as the quasi-Gypsy woman.

While watching I couldn’t help think of Steve Gerber’s Man-Thing comics from 1973-1975. The location and vibe are similar, just without a swamp monster. He was obviously influenced by this cult flick.

The film runs 1 hour, 27 minutes, and was shot in the Coconut Grove area of Miami.

GRADE: B-

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