Cabal backdrop
Cabal poster

CABAL

Nightbreed

1990 US HMDB
febbraio 16, 1990

Boone (Craig Sheffer) e Lori (Anne Bobby) sono molto innamorati, ma Boone ha una personalità inquieta e tormentata. Perciò è in cura dal dottor Decker (David Cronenberg), uno psicanalista che peraltro non fa molto per rasserenarlo, facendogli anzi balenare la possibilità di essere il maniaco omicida recentemente protagonista di sanguinosi omicidi. Di conseguenza, Boone parte alla ricerca della mitica Midian, luogo misterioso abitato da mostri dove forse potrà ottenere il perdono per quelle che crede siano le sue malefatte. Quando vi giunge scopre un cimitero dove un mostro lo morde alla spalla, contagiandolo. Boone fugge, ma viene ucciso dalla polizia guidata dall’infido Decker. Una volta morto, però, Boone raggiunge di nuovo Midian.

Cast

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Troupe

Produzione: James G. Robinson (Executive Producer)Gabriella Martinelli (Producer)Michael G. Plumides Jr. (Executive Producer)David Robinson (Executive Producer)Mark Alan Miller (Producer)
Sceneggiatura: Clive Barker (Screenplay)
Musica: Danny Elfman (Original Music Composer)Tom Brown (Music)
Fotografia: Robin Vidgeon (Director of Photography)

RECENSIONI (1)

Marco Castellini
Un uomo viene ingiustamente accusato di aver commesso alcuni omicidi, ad incastrarlo è la perizia del suo psichiatra che convince la polizia della pazzia del suo paziente. Ma in realtà lo squilibrato assassino è proprio il medico. Il giovane innocente fugge e sceglie per nascondiglio un vecchio cimitero; scopre ben presto che il luogo è abitato da una schiera di mostri e di creature della notte che, inaspettatamente, si rivelano amichevoli nei suoi confronti. La polizia riuscirà a scovarlo ma per catturarlo dovrà prima liberarsi dei non-morti… Dopo il fortunato esordio di “Hellraiser” Clive Barker torna a dirigere un horror tratto da uno dei suoi best-seller di maggior successo. A suo tempo definito “il Guerre Stellari del genere horror per l’ingente uso di effetti speciali” e per l’ambientazione in chiave fantasy, “Cabal” è sicuramente un film di grande impatto visivo (soprattutto per merito degli ottimi trucchi di make-up) che però non convince appieno soprattutto a causa di una parte centrale piuttosto lenta e di un protagonista non molto convincente. Merita invece una segnalazione l’ottima interpretazione di David Cronenberg (per una volta in veste di “semplice” attore) nella parte del folle dottor Decker.
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RECENSIONI DALLA COMMUNITY (3)

tmdb15214618

6 /10

The movie fails to provide vital information about its world, either early enough or altogether. Without an understanding of what's happening on the screen, the initial story developments fail to make an emotional connection. What the viewer is left with is an appreciation for the darkly fantastical world and the technical prowess it would have required by the film crew to create. (Some of us will also appreciate the protagonist's beauty.)

TheTenth

What a difficult thing it is to review this movie. First the movie most people have seen is not the movie Clive Barker created, as the studio did the final cut without Barker's approval or even contacting him at all. So the studio (and the infamous test audience, people with no intelligence and movie or art knowledge) released what they thought ot be a summer monster movie ... The Director's cut released way later is closer to what Barker wanted, but with time, some tapes had disappeared, and Barker had moved on, so what the prognal movie should have been is a mystery. So we have Boone, a guy plagued with nightmares of monsters living in a strange city, living with his girlfriend Lori that is a singer in a bar. He wants to live a normal life and has hopes his psychiatrist will help him. To make things short, the psychiatrist is interested in the monsters and Boone gets killed but is reborn as a monster. Then "humans" to eradicate them. I never go in the subtext of the movies as I look for entertainment in watching movies. So of course here its obvious that the theme is human instinct is to fear and kill what's different, either other humans or animals. But if you see only the in this movie, you'll lose 2 hours and won't like it as the monsters and Boone will just seem stupid to explore this theme. I prefer to think most Directors / writers will write a story based on the world they live in and the knowledge they have of it and the memories they have of history, what happeded to them and their close ones. Here Barker is much more interested in creating a world and legend of monsters than really showing humanity's weaknesses. And he does it brillantly. His monster society and history is deep, the craftsmanship of the costumes is insane, and even Dekker (played by David Cronenberg) is a good character, even the priest os a good character, even Lori is a good character, and that makes a good and enjoyable movie. I even enjoyed the "theatrical cut" as at the time we didn't know it was an awkward stodio cut.

misubisu

misubisu

10 /10

This review is of the Director's Cut which has 45 minutes of changed footage (a lot added and some removed/replaced)... The Director's cut is basically a different movie, that tells a different and much more complete story. Way more footage of the monsters in Midian... backstory on the main monsters... an ending that makes total sense. The movie that Clive Barker wanted to release, before the studio tried to turn it into a slasher flick. The story in the Director's Cut is much closer to the story in the book [Cabal]. The movie as it should have been in the theatrical release. Well worth a watch (now).

Recensioni fornite da TMDB