8 millimètres backdrop
8 millimètres poster

8 MILLIMÈTRES

8MM

1999 DE HMDB
février 26, 1999

« Privé » à Harrisburg, Pennsylvanie, Tom Welles mène une vie banale avec sa femme Amy et leur petite fille. Entre deux filatures pour adultère, il rêve de l'affaire exceptionnelle qui fera de lui un grand parmi les grands. Lorsqu'une richissime veuve lui demande d'enquêter sur le film 8 mm qu'elle a découvert dans le coffre de son défunt mari, Tom bascule dans un univers dont il ne soupçonnait pas l'existence. Les sévices et le meurtre de la jeune inconnue filmés sur la bobine sont-ils seulement une perverse mise en scène ou bien une terrifiante réalité ?

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Equipe

Production: Joel Schumacher (Producer)Judy Hofflund (Producer)Gavin Polone (Producer)Joseph M. Caracciolo (Executive Producer)
Scenario: Andrew Kevin Walker (Writer)
Musique: Mychael Danna (Original Music Composer)
Photographie: Robert Elswit (Director of Photography)

CRITIQUES (1)

Marco Castellini
Le détective privé Tom Welles est chargé par la veuve d'un industriel de Miami d'enquêter sur l'authenticité d'un film en 8 mm, trouvé dans le coffre-fort de son mari récemment décédé, où l'on voit le viol et le meurtre d'une jeune fille. S'agit-il de l'un des horribles et célèbres snuff-movies ou n'est-ce qu'un porno sordide pour pervers ? L'enquête conduit le détective à "danser avec le Diable", l'immerge dans une incursion dans le microcosme horrible de la perversion audiovisuelle, creusant dans les zones les plus sordides de l'âme humaine. Réalisé par Joel Schumacher ("Linea Mortale", "Ragazzi Perduti"), le film aborde un sujet difficile et, à certains égards, tabou : les versions dégénératives du cinéma porno et le "mythe" des snuff-movies. Il le fait de manière détaillée en créant un bon mélange de thriller, de mystère et d'action, et en s'appuyant sur d'excellents acteurs comme Nicholas Cage, Joaquin Phoenix et Peter Stormare. Non dépourvu de séquences plutôt fortes (surtout celles des vidéos visionnées par le détective Welles/Cage) et soutenu par un bon rythme et un scénario solide, "8 mm" est certainement un thriller réussi et, à certains égards, original et courageux. Recommandé.
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AVIS DE LA COMMUNAUTÉ (4)

Wuchak

Wuchak

7 /10

Into the perverse underworld of smut, S&M and snuff films

RELEASED IN 1999 and directed by Joel Schumacher, "8MM" chronicles events when a private investigator (Nicolas Cage) is hired by an aged wealthy woman whose husband recently passed away. A snuff film was found in his safe and she wants to see if the girl in the movie (Jenny Powell) really died or not. Amy Morton appears as the girl’s mother while Joaquin Phoenix plays a wannabe rock musician in Los Angeles who works in the porn trade. Catherine Keener is on hand as the P.I.’s wife.

The movie combines the basic plot of “Hardcore” (1979) with the style of late 90’s crime thrillers, like “Kiss the Girls” (1997). The first half involves the P.I.’s tracking down the makers of the snuff film. While it’s tedious work (which I wouldn’t want to do) this part of the movie is gritty and compelling. The second half of the movie goes into material that’s difficult to pull off with a straight face, like the smut-obsessed underbelly of Los Angeles & New York. The main villains come off cartoonish somehow rather than gritty realistic, but it’s a fine line.

Still, I like the message of the movie. My wife & I knew a wealthy man who passed away a few years ago. He often didn’t pay the people he did business with, not to mention his employees who were living paycheck to paycheck. Someone asked him how he could own two Cadillacs and regularly go on globetrotting vacations while treating people like this and he arrogantly responded: “Because I caaAAAN.” The low-lifes in “8MM” have a similar attitude.

THE MOVIE RUNS 2 hours 3 minutes and was shot in Miami, Pennsylvania (Wormleysburg/Harrisburg), New York (Hastings-on-Hudson, Elmsford, Yonkers, Queens & Long Island) and S. Cal. (Los Angeles & Long Beach). WRITER: Andrew Kevin Walker. ADDITIONAL CAST: Anthony Heald plays the rich woman’s lawyer while James Gandolfini, Peter Stormare and Chris Bauer appear as smut pervs.

GRADE: B

tmdb44006625

5 /10

8MM probably only got greenlit due to the success of Se7en. Like Se7en, 8MM explores the existence of people who are simply pure evil while the main character wants to know why they are like this. 8MM doesn't provide many answers but it also isn't thematically complex. It follows a standard whodunit plot. While Nicolas Cage gives a solid performance, there are times where he takes us out of the story with his signature freak outs. Joel Schumacher manages to create a gritty tone but he has a rather bland style.

Regardless of its flaws, 8MM is still a decent movie. It prefers plot over exploitation and story over violence. For those reasons, I recommend it.

Andre Gonzales

Andre Gonzales

6 /10

Another one of Nicholas Cage's crazy movies. Like all the rest of his movies, this one was good too.

GenerationofSwine

GenerationofSwine

1 /10

Joel Schumacher does it again. Look into how this film was made, what went into it, the intended directors, the intended stars, the intended budget.

It started as a low budget "Dark and Gritty" film that was going to be "hand held" and star Russel Crowe and be directed by David Fincher... that would probably have worked. Look at the release date, 1999, when audiences welcomed low budget movies done well. Back in the 90s audiences accepted low budgets and dark and gritty films.

It could have been the sleeper success that Se7en was.

Instead you got Schumacher that lightened it up, and Cage that brought in more of a budget that in turn brought in more studio interference that wanted it lightened even more... with a director that agreed.

And what could have been a great movie turned to be throwaway junk... that Joel was "Still proud of" decades later, but saw the writer throw up his hands, walk away, and disown the mess.

And this was written by Andrew Kevin Walker, he tells a good story, especially if you keep things on the darker side.

This COULD have been a moody, dark, thriller with a tone so ominous that it stays with you decades later. A film that took off out of nowhere like Se7en did...

... instead it was junk and a film so forgettable that I had to be reminded that I had seen it, and, after 15 minutes, reminded why I blacked it out.

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