Blood and Chocolate backdrop
Blood and Chocolate poster

BLOOD AND CHOCOLATE

2007 RO HMDB
January 26, 2007

A young teenage werewolf is torn between honoring her family's secret and her love for a man.

Cast

👍 👎 🔥 🧻 👑

Comments

Comments (0)

Crew

Production: Robert Bernacchi (Executive Producer)Wolfgang Esenwein (Producer)Hawk Koch (Producer)Gary Lucchesi (Producer)Ehren Kruger (Executive Producer)Tom Rosenberg (Producer)Richard S. Wright (Producer)
Screenplay: Christopher Landon (Screenplay)
Music: Reinhold Heil (Original Music Composer)Johnny Klimek (Original Music Composer)
Cinematography: Brendan Galvin (Director of Photography)

REVIEWS (1)

Roberto Giacomelli
Vivian is a werewolf, who fled the United States when she was just a child, now lives in Bucharest, Romania, where she has found refuge in a clan of her kind, led by the pack leader Gabriel. Vivian spends her days jogging and working in a chocolate shop, while she spends the night in the city's "in" clubs and hunting expeditions organized by Gabriel. The leader of the werewolves has a plan for her, wanting to make her his next companion, but when Vivian meets and falls in love with Aiden, a comic book artist on the run from his family, the girl's relationship with her people begins to become conflictual. Let the fanatic viewer of werewolf films be warned: "Blood and Chocolate" is probably not the movie you are looking for! The blood mixed with the chocolate of the title is only an unfulfilled promise and the famous representatives of the little-exploited werewolf genre have little or nothing to do with this fashionable and faux arty operetta. In fact, talking about horror for "Blood and Chocolate" is perhaps incorrect because it deals with a love story for teens in which blood, violence, horror, and in a certain sense werewolves are completely excluded. "Blood and Chocolate" is the typical fake horror that could be calmly broadcast by national TVs within the afternoon slot for kids, it is a film thought addressing with great probability a young and especially female audience, given the predominant importance given to the romantic aspects of the story. The core of the film is the overused assumption of impossible love, presented in all its forms and all literary and cinematic genres (even in werewolf cinema in the previous "Underworld" with which "Blood and Chocolate" shares the producers), here shown as love between human and supernatural creature. Beyond the absolute lack of originality, the situation was not even set up with sufficient care, due to the total lack of the right depth for any character and the absolute flatness of the narration. The dividing line that separates good from evil is clear: the good are good and the bad are bad. Strange! In a film where the protagonist is a creature that turns into a beast, one would have expected at least some psychological and moral struggles, even the most obvious ones, about the nature of her condition... and instead nothing: Vivian is good, she constantly scolds her mischievous cousin who feels the "Call of the Wild", she abstains from hunting humans and rejects her lover to not put him in danger. On the other hand, we have a bad clan leader who promises a way of salvation to his victims but in reality does not grant it and who, although respecting the human race, indulges in feasts of flesh, even of criminals. What bothers the most about this film is the lack of respect for a figure like the werewolf. In addition to the usual and useless ramblings that would rewrite the myth of the werewolf (here it turns out that werewolves can be killed even with fire, if injured they show their true nature and do not need the full moon to transform), we have one of the most sordid transformations ever shown in a film of this kind. The creatures transform into wolves (canines, not monstrous humanoids) always while making incredible leaps, then are enveloped by a blinding light and when they touch the ground again they are animals; a transformation that greatly resembles those of the girls who become superheroes in manga! On the technical side, the film is saved. The direction of German Katja von Garnier ("Donne senza trucco") is careful and often allows for beautiful framing games, as is the adequate gloomy photography of Brendan Galvin. Among the performers, we find Agnes Bruckner ("Il mistero del bosco"; "Venom"), quite suitable for the role of Vivian, but the rest of the cast does not leave a positive impression. In short, "Blood and Chocolate" is a film that with great probability will arouse some interest outside the circle of horror viewers, especially if they are female and if they are aged between 14 and 19. All others can calmly go back to watching "L'ululato" once more.
👍 👎 🔥 🧻 👑

Comments

Comments (0)

COMMUNITY REVIEWS (2)

slayrrr666

6 /10

Now living in Romania, an American living under the rules of her guardian finally relents to a romance with a stranger he discovers her and the whole clan are werewolves and when they fear he could expose them try to do whatever they can to keep the two of them apart.

There was some good stuff to this one when it mattered. One of it's best parts was it's big actions scenes early on with there being two really great chase scenes through the forest in here. The first one is really great, with the suspense of not knowing what's going to happen during the course of the scene, and that makes the initial set-ups with the group appearing at the ceremonial grounds with the prisoner stuck in the middle. Once it switches over to the hunt, it becomes all the greater with the atmosphere from the imposing forest being used to perfection, the wolves' chase is rather fun and the whole thing is a big plus. The second one works with pretty much the same points but with the added benefit of featuring a really nice werewolf battle at the same time. The battle is quite long and enjoyable, using the surroundings and setting quite nicely with the action coming from the realistic wolves that can only be done that way, and it becomes quite exciting. Another rather good part about it is the film's action-packed ending, which is all sorts of awesome from the energetic and engaging street chase where they're jumping around the buildings to the big confrontations inside the hideout. The hideout sequences are the best, with a fine mixture between gunfights, brawling, wanton destruction and even some explosions placed in the mix to end the film on a high-point. The last plus here is the fact that the mythology with the werewolves is impressive and incredibly original, using a lot of the facts known while mixing it in with the new facts presented make for some great times. These here are the film's good points while there were some pretty big flaws to this one. One of the biggest problems is that the film uses real wolves for the transformation into werewolves. It's a cheap ploy, doesn't for the slightest look anywhere near convincing and makes it seem like a horror film was the furthest thing possible from the makers, which isn't a good sign. This is just lazy and makes the whole movie feel quite cheap in the process, besides looking wrong and oddly out-of-place. That feeling also works on the romance angle in here which just feels so tacked on just to have it here that it serves no point. Add onto that the fact that they constitute so much time in the middle segment of the film that almost nothing at else takes place during these scenes, making them quite dull and boring all around. The last flaw is the tameness of the film which is perfectly captured by the rating, which takes out much of the opportunities for this one to be entertaining since it can't show too much blood or gore, and the werewolf kills can't be too intense as the rating implies, which is what really hampers this one here with a series of off-screen or completely bloodless kills in here. These here are the big damaging factors to this one.

Rated PG-13: Violence and Language.

Wuchak

Wuchak

7 /10

Dynamic Bucharest werewolf flick feels like it’s in a rush

Two former-American youths meet in Bucharest, Romania, and develop an affinity for each other (Agnes Bruckner & Hugh Dancy). But one of them is a traditional werewolf (a person who can morph into an actual wolf) and is reluctant to pursue a relationship with a regular human. Meanwhile the city’s pack leader (Olivier Martinez) wants the pretty young thing for himself and so sends his son (Bryan Dick) to get rid of the dude.

"Blood and Chocolate" (2007) was based on the 1997 book by Annette Curtis Klause and debuted 22 months before “Twilight” (2008), which was based on the 2005 novel by Stephenie Meyer. As such, don’t expect a “Twilight” clone.

What’s great about this movie is the magnificent Bucharest locations and the polished kinetic style and great music, not to mention the decent cast. There are elements of “An American Werewolf in Paris” (1997), “The Howling” (1981), “Wolfen” (1981), “Wolves” (2014) and “Twilight” (2008). The last two came out later, of course; I’m just providing reference points.

Unfortunately, "Blood and Chocolate" starts out like it’s in a rush, like it’s trying to cram too much material into the first 15 minutes plus cater to people with ADHD. It eventually finds its footing just enough to enjoy it, for the most part, but it needed more room to breathe. The flick only runs 97 minutes; another 20-22 minutes would’ve done wonders. As it is, it feels like it lacks the confidence to slow down and take its time.

As far as comparisons to the book go, the filmmakers dumbed down the plot (naturally) and made it more "hip.” The book's message was to accept who you are and don't try to be something you're not while the movie's moral is to not let others determine your identity, customs or destiny; go after what you want and do not allow yourself be limited by the hand dealt you or what others say.

GRADE: B/B- (6.5/10)

Reviews provided by TMDB