FRANKENSTEIN

Guillermo del Toro's new Frankenstein stands out for its ability to blend visual wonder with narrative melancholy. The director does not attempt a simple retelling of the classic but offers an intimate reinterpretation, shifting the focus from pure horror to a more emotional and introspective reading of the story. Victor Frankenstein, portrayed by Oscar Isaac, is presented as a fragile man consumed by his own ambition, far from the traditional image of the mad scientist. The Creature, brought to life by Jacob Elordi, emerges as the heart of the film: not a monster, but a complex being dominated by conflicting emotions and a profound need for identity. Visually, the film confirms del Toro's recognizable style. The gothic sets, dark and elegant cinematography, and meticulous attention to detail create a coherent and evocative world, halfway between a dark fairy tale and a tragedy. Alexandre Desplat's score accompanies the narrative with a bittersweet tone that amplifies the emotional impact of key scenes. The film does have some flaws. Certain sequences feel stretched, and viewers more attached to the philosophical or scientific aspects of Mary Shelley's novel might perceive a departure from the original material. The adaptation prioritizes emotional connections, traumas, and the inner dynamics of the characters over moral reflections on creation and the scientist's responsibility. Overall, Frankenstein stands as a powerful and visually refined work, characterized by a strong thematic core and solid performances. It does not aim to instill fear but to offer a deep immersion into the fragilities and tensions of its protagonists. It is one of del Toro's most personal works, capable of leaving a lasting impression on the viewer.