Halloween II: Sanguinario backdrop
Halloween II: Sanguinario poster

HALLOWEEN II: SANGUINARIO

Halloween II

1981 US HMDB
octubre 30, 1981

El psicópata Michael Myers sigue vivo y vuelve a ponerse en acción. Ahora se dirige a un pequeño hospital donde se encuentra Laurie Strode, la única víctima que logró sobrevivir a su primer ataque. Mientras tanto, el doctor Loomis sigue buscando a su sanguinario paciente.

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Equipo

Produccion: Moustapha Akkad (Executive Producer)Irwin Yablans (Executive Producer)Joseph Wolf (Executive Producer)Dino De Laurentiis (Producer)
Guion: John Carpenter (Screenplay)Debra Hill (Screenplay)
Musica: Alan Howarth (Original Music Composer)
Fotografia: Dean Cundey (Director of Photography)

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Francesco Mirabelli
Francesco Mirabelli
Laurie Strode, milagrosamente escapada de la cuchilla asesina del "hombre del saco" Michael Myers, es llevada al hospital después de que el doctor Loomis disparara un cargador entero contra la sombra de la bruja (así como lo definió el pequeño Tommy en el primer capítulo). La noche aún es larga, y a pesar de que el insaciable asesino Myers sea considerado muerto, los asesinatos continúan y no terminarán hasta que... La historia retoma punto por punto donde termina el primer capítulo, es decir, de la aparente muerte de Mychael Myers. A partir de esta afirmación, se aprende cuán conectadas están las dos películas entre sí; comenzando por la elevada suspense que se respira a lo largo de los 90 minutos, que es más o menos análoga a la del film de Carpenter. "Halloween 2" es indudablemente una de las mejores secuelas de la historia del cine de terror, porque caracterizada por un profundo e incesante sentido de claustrofobia que se combina con los perfectos aunque sangrientos asesinatos. Detrás de la cámara está Rick Rosenthal, quien sale airoso: honor a él por cómo supo dirigir una secuela del clásico "Halloween – La noche de las brujas". De fundamental importancia fue la contribución de Debra Hill, quien, además de producir la película, escribió el guion junto a John Carpenter: un dúo ganador, gracias al cual el primer "Halloween" tuvo un éxito planetario inesperado. Igualmente convincentes fueron las interpretaciones de Donald Plesence (que desempeña el delicado papel del doctor Loomis) y Jamie Lee Curtis (la Laurie Strode que intenta nuevamente matar al demonio, buscando también entender por qué motivo grave Mychael desencadenó una furiosa caza en su contra). En definitiva, "Halloween 2" es sin duda una película slasher bien realizada, cuyas músicas, efectos de maquillaje, la tensión constante y los asesinatos atroces, hacen de esta secuela un producto valioso "made in Usa" a considerar. Quizás un poco perjudicada por el hecho básico de que se trata de una secuela, y estas suelen ser ignoradas por el público, para evitar ver la misma historia repetirse. Para ver, sobre todo para entender finalmente los antecedentes, que quedaron ocultos en el primer "Halloween".
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RESEÑAS DE LA COMUNIDAD (3)

Gimly

Gimly

6 /10

I might be the only person who thinks this, but Halloween II is just as good as the original.

Final rating:★★★ - I liked it. Would personally recommend you give it a go.

Filipe Manuel Neto

Filipe Manuel Neto

5 /10

An honorable continuation, which respects the previous work without bringing anything new.

I don't like Halloween, and I've had time to say it before, but I recognize that it's the best time for good horror films to be broadcast on television. These days, I saw this film as a follow-up to “Halloween”. I have no doubt that it is a worthy sequel, perhaps one of the best I have seen, in that it is strictly faithful to the original and is made with quality.

It is directed by Rick Rosenthal, but the team and cast remained the same, with the addition of specific names, and John Carpenter's inspiration continues in the script he wrote and in the attention he undoubtedly gave to the entire project. Pleasance is the actor who looks in the best shape here. He finally had better material and more time to show some value on stage. Jamie Lee Curtis has essentially stayed the same and retains much of what he did. It doesn't disappoint, but it doesn't bring any surprises either. The soundtrack also doesn't bring anything new, maintaining the essence of the first film's score, which is positive.

After its initial success, it is no wonder that this film's budget was more substantial than that of the first, and that the number of corpses that fall throughout the plot also increases. A plot that is not particularly brilliant, well written and elegant, and that falls into the most basic clichés of slasher horror without any shame, but that manages, at least, to respect coherence with the original film and give the villain an almost iconic aura, an invulnerability that makes him unstoppable and impossible to kill, and that turned him into a cinema icon. In addition to these points of relative quality, we also have good lighting and cinematography, good use of sets and filming locations, better quality effects that are as well executed and practical as those previously used. Everything comes together, therefore, to form the image of a film that is not surprising, but manages to respect and stand alongside its predecessor.

CinemaSerf

CinemaSerf

If you recall the conclusion of the first part (1979) then you’ll know that “Michael Myers” is now the deadliest critter alive (that’s assuming that term actually applies!). He’s certainly not forgotten “Laurie” (Jamie Lee Curtis) who’s recovering in the local hospital and luckily for him, this is a dimly lit and largely empty facility that he can wander around with relative impunity slaughtering all who come onto his path. Perhaps the only hope for the bed-ridden gal is the determined doctor “Loomis” (Donald Pleasence) who has teamed up with the sheriff (Charles Cyphers) to try to thwart this latest attempt on her life. What’s pretty clear is that this new, improved, version of “Myers” isn’t going to give up easily and that bullets and knives aren’t going to work. How to stop him? It starts off quite strongly, this film, but once the scenario switches to the hospital it becomes all a bit too stage-managed for me. The place is conveniently dark and gloomy; there is but a skeleton staff and so his rampaging is left unfettered whilst the hitherto poorly patient appears to develop live-preserving ninja skills. Also, fortunately for her her nemesis never appears to want to run anywhere so she can always make it to the timely departing elevator or the conveniently positioned window whilst he flails around robotically trying to impale her on/with something. It relies too heavily on trying to build a gradually increasing sense of peril but with has such inevitability about it that I thought it became quite sterile after about half an hour. JLC doesn’t really feature so much and the only real screaming that goes on here is that which suggests sequel. It’s watchable enough, but hasn’t the creepiness of the first one and most of his victims probably deserved their fates!

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