A Return to Salem's Lot backdrop
A Return to Salem's Lot poster

A RETURN TO SALEM'S LOT

1987 US HMDB
September 11, 1987

Anthropologist Joe Weber takes his son on a trip to the New England town of Salem's Lot, unaware of its vampire population. When the inhabitants reveal their secret, they seek Weber to write a bible for them.

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Crew

Production: Paul Kurta (Producer)Larry Cohen (Executive Producer)
Screenplay: James Dixon (Screenplay)
Music: Michael D. Minard (Original Music Composer)
Cinematography: Daniel Pearl (Director of Photography)

REVIEWS (1)

Marco Castellini
An anthropologist goes to the town of Salem, where he grew up, to spend a vacation with his young son. He will soon discover that his former fellow citizens have all become vampires and would like to include him and his son in their lineage. Cohen, known for having directed some good horror films (including "Baby killer"), signs one of his worst works by bringing to life a disjointed film and at times unintentionally ridiculous. The effects, let's call them "special" are shoddy and the story (which, despite the title, has nothing to do with the nice story by King) is predictable and lacking any original twist. To be avoided.
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COMMUNITY REVIEWS (1)

kevin2019

1 /10

"A Return to 'Salem's Lot" is a risible low budget washout, especially when compared to the superior spookiness of the original 1979 television production. This ill advised return is hampered throughout by a cast that possesses a persistent streak of amateurishness running through it and a pitifully obvious lack of budget. A dogged and grim weariness seems to overshadow the lacklustre production and it is almost as if everyone involved in front and behind the cameras have belatedly come to realise the folly of this insipid and generally unenthusiastic production after only a matter of days. What we are lumbered with is watchable enough and fortunately the vast majority of it has its tongue firmly in its cheek as the filmmakers have endeavoured to inject some dry black humour into the proceedings, although for the most part such business only raises a half smile at best and instead of producing a film skilfully imbued with genuine horror and some deft comedic touches they have delivered a joke instead.

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