The Crow: Wicked Prayer backdrop
The Crow: Wicked Prayer poster

THE CROW: WICKED PRAYER

2005 US HMDB
May 4, 2005

After ex-con Jimmy and his girlfriend are brutally murdered by a biker gang, he is resurrected by the power of The Crow to avenge their deaths and reunite with her in the afterlife.

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Crew

Production: Gregory G. Woertz (Executive Producer)Jon Katz (Executive Producer)Daymond John (Executive Producer)Edward R. Pressman (Producer)
Screenplay: Lance Mungia (Screenplay)Sean Hood (Screenplay)Jeff Most (Screenplay)
Music: Jamie Christopherson (Original Music Composer)
Cinematography: Kurt Brabbee (Director of Photography)

REVIEWS (1)

Roberto Giacomelli
Jimmy Cuervo is serving his last days of forced labor for killing a boy who was harassing his girlfriend Lilly. One day, Luc Crash, the leader of a satanic gang, kidnaps Jimmy and Lilly and kills them to complete a ritual that will transform him into an invincible being. But Jimmy comes back to life, awakened by the power of the crow, to take revenge on his executors and prevent Luc from transforming into a demonic being. Produced for the home video of 2005, "Il Corvo 4 – Preghiera Maledetta" was inexplicably distributed in Italy with the title "The Cult" and only a few months later re-edited with the correct title. Strange maneuver by Dnc, perhaps pushed to change the title by the poor commercial success obtained by the previous "Il Corvo 3", but in any case a poor choice given the sure appeal that a franchise like "Il Corvo" still enjoys today and the total indifference with which the film was received with the title "The Cult". Setting aside the distribution indiscretions, "Il Corvo 4" appears to us as a poor summer schedule film, which shares little with the previous chapters except the story of the hero's resurrection in search of revenge through a crow. However, it is worth appreciating the choice of the screenwriters (Lance Mungia, Jeff Most, and Sean Hood) to completely detach themselves from the atmosphere of the three previous films to focus the story in a sunny land, between sand and dust, in pure Rodriguez style; it is a bold and appreciable choice, although it must be recognized that a story of the "Il Corvo" saga and its characters adapt poorly to this location and this western atmosphere, probably due to the dark imagery that this title has already created in the collective imagination. Moreover, the aforementioned six-handed screenplay, inspired by a story by Norman Partridge, is not particularly fluid and, if it initially struggles to get to the heart of the matter, in the final part it becomes too rushed and messy, dwelling on ridiculous satanic rituals and disposing of the legendary executions of the Crow in a few seconds. The great point in favor of "Corvo 4" is an all-star cast; although it is probably the most poorly used cast in cinema history, both due to the total inability of the director (such Lance Murgia, also among the screenwriters) to direct his actors and the indecorous choice in the assignment of roles. Therefore, we will have a Jimmy Cuervo played by Edward Furlong (the John Connor of "Terminator 2"), absolutely unsuited for a dark role like the one assigned to him due to a too childish face and little conviction in the performance; the great villain Luc is played by David Boreanaz ("Valentine – Appuntamento con la morte" and the TV series "Angel"), a particularly inexpressive actor unsuitable for playing the role of the bad guy. Among the supporting characters, we find Tara Reid ("American Pie", "Alone in the dark") in the role of the wicked dark lady, Luc's sidekick; while in the role of Lilly's reverend father, there is the man who least of all would have been able to play the role of a man of the church, that is, Danny Trejo ("Dal tramonto all'alba", "La Casa del Diavolo"). In a small role, we also see the very underutilized Dennis Hopper, in an increasingly slow decline in B-movie productions. It should also be noted the indecent Italian dubbing that, in addition to mangling the names (Jimmy Cuervo becomes ridiculously Jimmy il Corvo), underscores and highlights the already bad dialogues exhibited by the screenplay. Therefore, "Il Corvo 4 – Preghiera Maledetta" is nothing more than a useless sequel that, despite some good ideas, sinks into the sea of products so mediocre that they are immediately forgotten after viewing. Not recommended.
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COMMUNITY REVIEWS (2)

tmdb28039023

3 /10

Sooner rather than later every franchise ends up, by design or accident, a parody of itself; The Crow: Wicked Prayer never stood a chance of avoiding this fate, but then what movie starring Eddie Furlong, David Boreanaz, Tara Reid, and Danny Trejo would? On the other hand, we have Dennis Hopper as a pimp named El Nino who says things like "You stole daddy's car keys, but you can't handle the horsepower," so it's not a total loss.

We know that the Crow, like the Dude, must face a gang of nihilists; in this case a multi-ethnic gang whose members each identify with one of the Four Horsemen: Luc 'Death' Crash, War (Marcus Chong), Famine (Tito Ortiz), and Pestilence (Yuji Okumoto).

None of them really do anything thematically tied to their noms de guerre, so I guess they just thought they sounded cool. By the way, in a group of characters with thematic names, sometimes one just doesn't fit the pattern (a trope known as Aerith and Bob); in this case that would be Lola (Reid), Luc's girlfriend.

Luc is the "leader of a satanic cult" whose "motive" is that his "father [was] killed by an Indian." This doesn't make much sense until we discover that Moses (Richard Cumba), the "Indian" who murdered Luc's father, is a priest of some religious denomination — Catholic in appearance but that allows its priests to marry and have children, and to which also belongs father Harold (Trejo), whose daughter Lilly (Emmanuelle Chriqui) is the girlfriend of Jimmy Cuervo (Furlong), who is on parole after serving a prison sentence for killing a rapist, who happened to be Moses’s son. It’s a small world, indeed.

War, Famine, Pestilence, and Lola help Luc escape from prison, and the five proceed to ritualistically murder Jimmy and Lilly; the rest, as they say, is history: Jimmy returns from the afterlife to exact revenge on his killers one by one, reserving for them such cruel and unusual punishments as death-by-bug zapper.

Oddly enough, no one besides Jimmy seems interested in pursuing the escaped convict whose gang leaves a trail of blood wherever they go. Then again, this is a movie that uses the word “Aztec” to refer to a Native American tribe.

All things considered, I’m tempted to believe that TC: WP's self-parody is intentional; for example, Luc offering his henchmen a banquet consisting of deviled ham, deviled eggs, and devil's cake “al flambeau”. I'm not saying it is to The Crow what Army of Darkness is to The Evil Dead but, incoherent or not, it's the only one apart from the original that’s even close to watchable.

r96sk

r96sk

5 /10

So ridiculous that it's kinda watchable.

<em>'The Crow: Wicked Prayer'</em> is not a good movie. However, it commits so hard to what it wants to do that I was kinda locked on to just see where it would go next. It particularly goes off the rails towards the conclusion, especially with David Boreanaz's Luc. There are many, many issues with this 2005 release, but I honestly didn't hate viewing it.

I think what helps (relatively speaking) is that there are quite a few familiar faces on the cast, which definitely keeps you watching - or it does for me, at least. You have the aforementioned Boreanaz, as well as Tara Reid, Danny Trejo and Dennis Hopper. Emmanuelle Chriqui is in there too. The main face that I didn't know of was actually Edward Furlong, who plays the titular character.

Furlong's performance isn't, like the film in general, anything worth praising. Again though, he proper goes for it so his onscreen presence never annoyed me. Nothing about this really irritated me to be honest, it's just plainly obvious from pretty much the get-go that the flick isn't anything all that good so I guess my expectations were low.

I'd rather rewatch this than <em>'The Crow: City of Angels'</em>, so that's something. Eager to now see how this year's reboot does things.

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