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DAY OF THE DEAD

1985 US HMDB
July 3, 1985

As the world is overrun by zombies, scientists and military personnel in an underground Florida bunker must decide on how they should deal with the undead.

Cast

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Crew

Production: Richard P. Rubinstein (Producer)Salah M. Hassanein (Executive Producer)
Screenplay: George A. Romero (Screenplay)
Music: John Harrison (Music)
Cinematography: Michael Gornick (Director of Photography)

REVIEWS (1)

Marco Castellini
The Verdict

Zombies are now masters of the world, only a small group of men, mostly soldiers and researchers, remains, forced to live in a well-protected underground hangar. The surviving scientists, having understood that they can no longer eliminate the zombies, now too numerous, decide to conduct experiments to try to "educate" these creatures and make them harmless.

Zombies are now masters of the world, only a small group of men, mostly soldiers and researchers, remains, forced to live in a well-protected underground hangar. The surviving scientists, having understood that they can no longer eliminate the zombies, now too numerous, decide to conduct experiments to try to "educate" these creatures and make them harmless. These attempts will not succeed, the underground base will be invaded by the monsters and only a few will manage to save themselves... Third chapter of the "zombesque" saga by the great George Romero. The director stages a world in total disintegration: what remains of humanity is represented by a group of survivors, mostly bloodthirsty and ruthless men (except for the three positive protagonists of the story) who deserve the end they are heading towards. Still discomfort, chaos, collapse of institutions for this "Day of the Dead" which undoubtedly represents the "least successful" chapter of the Romerian trilogy, but which remains one of the best zombie films in the history of the genre. The film, a bit too slow in the first part, becomes definitely more intriguing in the second half to culminate in a gory splatter ending with the undead invading the humans' refuge, devouring and tearing them apart. In the last half hour of the film, there are some sequences that will remain in the history of the splatter genre and that even manage to surpass the already excellent levels reached in "Zombi". It probably deserves half a point more. Curiosity: the film was supposed to have, according to the director's intentions, a partially different story, but budget problems and pressures from distributors made Romero change his plans. To know what the director's original project was, we refer you to our special on Romero.
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Questions about Day of the Dead

Where can I watch Day of the Dead in streaming?

Day of the Dead is currently available on fuboTV, Apple TV, Google Play Movies, Peacock Premium, YouTube, FlixFling, Shudder, Fandango At Home.

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How long is Day of the Dead?

Day of the Dead runs 102 minutes.

When did Day of the Dead come out?

Day of the Dead was released in 1985.

Who directed Day of the Dead?

Day of the Dead was directed by George A. Romero.

What rating does Day of the Dead have?

The HorrorCult editors give Day of the Dead 4.0 skulls out of 5, from a single review.

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COMMUNITY REVIEWS (1)

CinemaSerf

CinemaSerf

7 /10

We learn pretty quickly that the world has been zombified and that scientist "Sarah" (Lori Cardille) might be part of the last dozen or so people left in the world who still prefer their food cooked! They use an helicopter to get about the place then take refuge deep underground in a military bunker run by the slightly maniacal "Rhodes" (Joseph Pilato). It's fair to say that there's quite a degree of tension amongst these survivors. The military element is asserting itself over the folks who are trying to find a cause for and solution to the plague on the surface. Things come to an head with "Prof Logan" (Richard Liberty) takes his experiments trying to re-humanise these creatures just one step too far for the heavily armed soldiers, and a deadly split occurs that could spell doom for everyone! Now the acting here is pretty terrible, and the writing does little to help with that but George Romero does well to create an increasing sense of claustrophobic menace as tempers fray and the human beings factionalise into groups more dangerous to each other than their topside terrors. It's the last half hour than enlivens this, though, as the civilian conclude that they need to get airborne and head for a quiet Caribbean beach. The plot is a little more sophisticated, there is the semblance of science here, but essentially it's all about hordes of marauding corpses - I'm sure I saw a tutu-clad ballet dancer amongst them - bent of a bit of gobbling. Even when the odds are stacked against people, they can still find reasons not to trust each other!

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