La Casa
N/A
EL ESTIGMA DEL MAL
The Quiet Ones
abril 25, 2014
El estigma del mal nos cuenta la historia de un profesor que utiliza métodos pocos ortodoxos, que llevarán a los mejores alumnos de su clase a participar en un peligroso experimento: deberán crear un poltergeist. Los nuevos científicos se basarán en la teoría de que la actividad paranormal es causada por la energía negativa del ser humano, para ello no dudarán en hacer experimentos con una joven. Debido a sus ensayos una serie de aterradores acontecimientos empiezan a sucederse, por lo que se darán cuenta de que han desencadenado una espeluznante fuerza incontrolable.
Directores
Reparto
Equipo
Produccion:
Tobin Armbrust (Producer) — James Gay-Rees (Producer) — Steven Chester Prince (Producer) — Ben Holden (Producer) — Simon Oakes (Producer)
Guion:
Craig Rosenberg (Screenplay) — Oren Moverman (Screenplay) — John Pogue (Screenplay)
Musica:
Lucas Vidal (Original Music Composer)
Fotografia:
Mátyás Erdély (Director of Photography)
TAMBIÉN PODRÍA GUSTARTE
Dónde Ver
Streaming
Amazon Prime Video
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Apple TV
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Timvision
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Comprar
Apple TV
Rakuten TV
Google Play Movies
Timvision
Chili
RESEÑAS DE LA COMUNIDAD
(1)
John Chard
6
/10
Boom!
Out of Hammer Films, The Quiet Ones is loosely based on the Philip Experiment in Toronto 1972. It involves paranormal research that seeks to prove supernatural entities are in fact manifestations of the human mind.
The complete opposite of Hammer's hugely successful The Woman in Black, The Quiet Ones is set in the 70s (Oxford, England). The house the action is set in is naturally remote, though it lacks the Gothic chill required for maximum impact. The makers are more intent on jolts and screeches to get their scares, which sadly gets a bit tiresome come the mid-point. It's effectively chilling at times, with some well mounted spooky atmospheric moments - while Olivia Cooke as the focal point of the "happenings" gives a sturdy and impressive turn, but it feels old hat and fails to deliver on its promise. 6/10
Reseñas proporcionadas por TMDB
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