The Horrible Dr. Hichcock backdrop
The Horrible Dr. Hichcock poster

THE HORRIBLE DR. HICHCOCK

L'orribile segreto del Dr. Hichcock

1962 IT HMDB
August 1, 1962

In late 19th century London, a woman weds a necrophiliac doctor whose first wife died under mysterious circumstances - and who might be returning from the grave to torment her successor.

Cast

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Crew

Production: Luigi Carpentieri (Producer)Ermanno Donati (Producer)
Screenplay: Ernesto Gastaldi (Writer)
Music: Roman Vlad (Original Music Composer)
Cinematography: Raffaele Masciocchi (Director of Photography)

REVIEWS (1)

Marco Castellini
A London doctor, with an unstable and sick psyche, is sexually attracted to the dead; for this reason, he forces his wife to inject herself with a strange substance that puts her in a state of apparent death. One night, he makes a mistake with the doses and causes the death of his wife. Ten years later, the doctor remarries, but his new companion is haunted by the spirit of his first wife, thirsty for revenge. Considered one of the classics of the Italian horror-gothic tradition, this film by Freda is to be appreciated especially for the courage of having addressed a taboo subject for that time, such as necrophilia. Effective plot, excellent cast but inevitable slowness in the narration of the events. Beautiful but especially suitable for an audience that knows how to appreciate the gothic genre.
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COMMUNITY REVIEWS (1)

CinemaSerf

CinemaSerf

6 /10

There are definitely shades of Daphne du Maurier in this slightly hysterical telling of a supernatural tale. Robert Flemyng is an eminent surgeon who has a penchant for necrophilia - he drugs them first then has his fun; they awaken none the wiser some hours later. However, when he overdoses his first wife and she dies he is bereft and departs for twelve years. When he returns to his home with a new wife (not entirely dissimilar to her predecessor) he picks up where he left off - not just with his wife, but with the cadavers in his hospital mortuary too. When wife No. 2 (Barbara Steele) starts hallucinating and gets suspicious, she confides in her husband's colleague (Silvano Tranquilli) and instead of finding a ghost, they find something altogether more sinister. It's certainly formulaic, but the film has a good look about it and the two stars keep it eerie and suspenseful for most of it.

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