FRIGHTMARE
Quinze ans après avoir été emprisonné pour avoir commis les crimes les plus horribles et les plus violents, Dorothy et Edmund Yates sont libérés dans la collectivité. Mais malgré les efforts déployés d'Edmund, Dorothy retrouve ses tendances cannibale et elle est bientôt encore rendue à commettre des meurtres horribles. Pendant ce temps, leur fille et belle-fille Debbie et Jackie commencent à être tirées dans leur étrange spirale de violence, et l'une d'elles pourrait même avoir hérité du goût de la chair humaine de Dorothy.
Réalisateurs
Distribution
Rupert Davies
Edmund Yates
Sheila Keith
Dorothy Yates
Deborah Fairfax
Jackie Yates
Paul Greenwood
Graham Heller
Kim Butcher
Debbie Yates
Leo Genn
Dr. Lytell
Gerald Flood
Matthew Laurence
Fiona Curzon
Merle
John Yule
Robin
Trisha Mortimer
Lillian
Pamela Fairbrother
Delia
Edward Kalinski
Alec Marini
David McGillivray
Doctor (uncredited)
Equipe
CRITIQUES (1)
VOUS POURRIEZ AUSSI AIMER
AVIS DE LA COMMUNAUTÉ
(1)
John Chard
Ghastly, Ghoulish, Grotty & Gory.
Frightmare is directed by Pete Walker who also co-writes the screenplay with David McGillivray. It stars Rupert Davies, Shelia Keith, Deborah Fairfax, Paul Greenwood and Kim Butcher. Music is by Stanley Myers and cinematography by Peter Jessop.
Edmund and Dorothy Yates are freed after fifteen years in an asylum, committed for despicable crimes, but is Dorothy cured? And what of their daughters?
Frightmare is what it is, a British exploitation horror made at a time when it was out to get the best rise out of the audience. As much as Pete Walker’s fans don’t want to believe it, there is no social comment being made, no hidden agenda or attempts to push the boundaries of British horror in visual or thematic achievements. Walker, a very likable and honest man, even says his films are not for deep cranial pondering, he couldn’t believe his luck that he got to throw blood and guts about and got paid for it.
Frightmare is a thinly plotted and written picture that serves only to bask in some shock and awe scenes. The ineptitude of the mental health authorities is given a cursory glance, but really the picture plods from one scene to the next waiting for Dorothy to get busy with her tool kit. It’s there, with the wonderfully scary Keith doing her stuff, where Walker excels. Though in today’s desensitised age it’s more fun than frightening, while there’s actually not as much gore on show as you would think. It’s all very basic in truth, but Walker achieved his aims back then, and kudos to him for serving up a truly bleak finale. 5/10
Avis fournis par TMDB
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