Andres Gomez
8
/10
Good thriller from Alfred Hitschcock.
LES ENCHAÎNÉS
Notorious
août 21, 1946
Alicia, fille d'un espion nazi, mène une vie dépravée. Devlin lui propose de travailler pour les États-Unis afin de réhabiliter son nom. Elle épouse donc un ancien ami de son père afin de l'espionner. Devlin et elle s'aiment sans oser se l'avouer, attendant chacun que l'autre fasse le premier pas. Lorsque le rôle qu'elle tient est découvert, son mari décide de l'empoisonner.
Réalisateurs
Distribution
Cary Grant
T.R. Devlin
Ingrid Bergman
Alicia Huberman
Claude Rains
Alexander Sebastian
Leopoldine Konstantin
Madame Anna Sebastian
Louis Calhern
Captain Paul Prescott
Alex Minotis
Joseph
Reinhold Schünzel
Dr. Anderson
Ivan Triesault
Eric Mathis
Eberhard Krumschmidt
Emil Hupka
Moroni Olsen
Walter Beardsley
Ricardo Costa
Dr. Julio Barbosa
Charles Mendl
Commodore
Wally Brown
Mr. Hopkins
Fay Baker
Ethel
Friedrich von Ledebur
Knerr (uncredited)
Peter von Zerneck
Wilhelm Rossner (uncredited)
Fred Nurney
John Huberman (uncredited)
Charles D. Brown
Judge (uncredited)
Eddie Bruce
Reporter (uncredited)
Ben Erway
Reporter (uncredited)
Equipe
Production:
Alfred Hitchcock (Producer)
Scenario:
John Taintor Foote (Story) — Ben Hecht (Writer)
Musique:
Roy Webb (Original Music Composer)
Photographie:
Ted Tetzlaff (Director of Photography)
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AVIS DE LA COMMUNAUTÉ
(2)
CinemaSerf
7
/10
Ingrid Bergman and Cary Grant just ooze charisma in this classic Hitchcock story of espionage and romance. She ("Alicia") has taken to the bottle following the conviction of her Nazi father and is heading down the slippery slope when she is approached by "Devlin" (Grant) who offers her a chance to redeem herself. She is to ingratiate herself with a group of her father's cohorts in Rio and feed back her intelligence to the CIA. Once in Rio, she is reunited with her arch-Nazi admirer "Alexander" (Claude Rains) and, at the insistence of her new boss (Louis Calhern) she marries him. What now ensues is a cleverly developing tale of treachery and betrayal tempered with plenty of humour and a little romance (of course she and "Devlin" fall for each other). The photography is both grand and intimate, Roy Webb has scored this perfectly and Hitchcock uses Ben Hecht's story to full effect. This is a classic piece of cinema that I saw quite recently on a big screen - and it is well worth watching again!
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