Vendredi 13, chapitre 8 : L'Ultime Retour backdrop
Vendredi 13, chapitre 8 : L'Ultime Retour poster

VENDREDI 13, CHAPITRE 8 : L'ULTIME RETOUR

Friday the 13th Part VIII: Jason Takes Manhattan

1989 US HMDB
juillet 28, 1989

Jason repose dans les eaux de Crystal Lake, mais deux adolescents, en jetant l'ancre de leur bateau, heurtent un câble électrique qui le ramène à la vie. Le carnage peut alors reprendre de plus belle… jusqu'à New York !

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Equipe

Production: Randy Cheveldave (Producer)Barbara Sachs (Producer)
Scenario: Rob Hedden (Screenplay)
Musique: Fred Mollin (Original Music Composer)
Photographie: Bryan England (Director of Photography)

CRITIQUES (1)

Roberto Giacomelli
Après avoir été ressuscité par une décharge électrique, Jason se met immédiatement à la recherche de nouvelles victimes. Il tombe sur une classe d'élèves qui s'apprête à entreprendre un voyage de Crystal Lake à New York : Jason s'embarque furtivement sur leur navire et commence sa série de meurtres. Parmi les passagers du navire se trouve également une aspirante écrivaine terrifiée par l'eau après avoir été agressée, petite, dans le lac Crystal par Jason lui-même. Arrivé au port de Manhattan, le tueur masqué se lance à la poursuite des survivants, semant la panique parmi les habitants de la Grande Pomme. "Vendredi 13 Partie 8" est un progrès notable par rapport au décevant septième épisode. Cette fois, notre "héros" masqué se retrouve immergé dans un environnement métropolitain, complètement étranger pour lui ; comme un nouveau King Kong, Jason représente l'exact opposé de ce à quoi on peut s'attendre de la civilisation. Jason est l'incarnation des pulsions primordiales les plus destructrices, c'est Thanatos, la mort opposée à la vitalité frénétique de la grande métropole. Voir Jason errer dans les rues de New York (pour quelques séquences, malheureusement) est extrêmement divertissant (à retenir la scène avec les voyous et l'irruption dans le wagon de métro) et détourne l'attention de l'intrigue toujours plus mince et incolore du film. Dans cet épisode, les morts redeviennent créatives, bien que le taux de gore ne soit pas particulièrement élevé, et l'histoire (presque entièrement située sur le navire) a un bon rythme. Le combat final, avec la mort consécutive de Jason, représente la fin idéale de toute la saga, puisque Jason retrouve ses apparences originelles d'enfant, à travers une renaissance métaphorique des eaux qui font office de liquide amniotique. La réalisation est de l'habituel inconnu, Rob Hedden ; parmi le casting figure Kelly Hu, devenue connue en Italie pour la publicité du fromage "Philadelphia" et ensuite dans le monde entier grâce à des blockbusters comme "Le Roi scorpion" et "X-Men 2". "Cauchemar à Manhattan" est donc légèrement supérieur aux derniers chapitres de la saga, mais reste tout de même un produit appréciable uniquement par les adeptes des exploits cinématographiques de Jason Voorhees.
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AVIS DE LA COMMUNAUTÉ (3)

John Chard

John Chard

5 /10

Friday the 13th VIII: Jason Takes a Boat.

Jason Vorhees is once again brought back to life and goes on a kill crazy spree aboard a boat bound for Manhattan.

As is the norm with the "Friday 13th" sequels, this one garners scorn and praise in equal measure, so you roll the dice and take your chance really. By now the makers were trying to come up with new ideas to keep the series afloat, here the gimmick is to take Vorhees out of his Camp Crystal Lake "comfort" zone, and pitch him on a boat - a boat which naturally is full of ripe high schoolers who are ripe for killing in variously gruesome ways.

The presence of Manhattan in the title is not wholly accurate since three quarters of the pic is set on the said boat, with standard series rules applying, though Vorhees seems to have attained the dexterity of a paratrooper given that he remarkably appears in kill scenes where the time frame is impossible for him to do so. The sequences in Manhattan are fun, which only makes one lament that more time wasn't spent on this particular gimmick.

The acting is generally weak, while the effects work is standard fare - though the cinematography (Bryan England) is very impressive. So all told, it's another divisive "Friday" sequel, from breasts and butts, to blood and bone, and onto The Big Apple, part 8 you will either hate or think it's great. 6/10

Gimly

Gimly

4 /10

Absolutely ridiculous, and a totally misleading title. Jason still kills stuff, and that's fun I guess, but what a trashfire ending to an already pretty bad movie.

Final rating:★★ - Had some things that appeal to me, but a poor finished product.

Wuchak

Wuchak

6 /10

Jason takes a cruise to the big city!

Released in 1989, "Friday the 13th Part VIII: Jason Takes Manhattan" is a nice change of pace as the series was suffering from banality at this point; the previous installment is a prime example (people complain about Part V but at least it had an interesting new story angle with Tommy Jarvis going to the halfway house in the woods seeking succor for his psychological trauma, etc.). Part VII tried something new with the Carrie-like protagonist, and that entry has a great finale, but it was hampered by a subpar, amateurish script.

Part VIII changes things up by switching the normal location of Crystal Lake (and surrounding area) to a ship going to Manhattan with a group of high school kids and adults aboard. Of course, Jason also gets on the vessel and starts systematically wiping out the youths. A handful of them make it to Manhattan, but so does Jason! The different setting is what distinguishes Part VIII.

The story is split into four parts: The prologue takes place on Crystal Lake and features Jason's resurrection, which is a great opening. The brief first act takes place down the river from Crystal Lake at a docking inlet where the youths & adults board the vessel. The long second act takes place on the ship and the final act involves the survivors on a lifeboat and their adventures in Manhattan pursued by Jason.

Winsome Jensen Daggett stands out as the heroine Rennie and places as one of my top 3 or 4 Friday girls. Peter Mark Richman is also notable as Rennie's peculiar uncle/guardian and Scott Reeves as Rennie's sort-of boyfriend. Sharlene Martin is a highlight as Tamara and the filmmakers show off her physique, but she's so devious that she's a turn-off despite her good looks. Kelly Hu is also on hand.

The main complaint I hear about this entry is that it's called "Jason Takes Manhattan" but only the final act takes place in the city. This criticism never made any sense to me as the film spends more than enough time in the big city, the final 37 minutes, not to mention an opening snippet. The fact that the entire second act occurs on the ship keeps the movie from being one-dimensional.

This installment reveals that a fairly large river flows from Crystal Lake to an inlet with access to the ocean. The yacht in the beginning drifts down the river to the bay where the ship is docked. This is how Jason inconspicuously reaches the inlet. If there’s any doubt about this (due to the mistaken claim that the docking inlet IS Crystal Lake), pay attention to what the crazy deckhand says later on.

As far as locations go, Part VIII was shot in Vancouver & Britannia Beach, British Columbia; Los Angeles (the alley way & wharf scenes); and New York City.

BOTTOM LINE: Part VIII is a worthy entry in the series and is notable for trying something new by placing the main cast in a cruise ship environment and the big city, plus Jensen Daggett is a highlight as the female protagonist. It's actually better than Part III and VII. Interestingly, Jason's facial F/X (shown at the end) aren't as good as the previous two installments, but they're serviceable.

The film runs 100 minutes.

GRADE: B-

Avis fournis par TMDB