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The Reaping

2007 • US HMDB
abril 4, 2007

Después del trágico asesinato de su familia, una misionera cristiana (Hilary Swank) pierde la fe y se convierte en una profesora de teología experta en milagros que investiga el caso de una pequeña ciudad de Louisiana que parece asolada por las diez plagas bíblicas.

Reparto

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Equipo

Produccion: Bruce Berman (Executive Producer)Erik Olsen (Executive Producer)Steve Richards (Executive Producer)Susan Downey (Producer)Joel Silver (Producer)Herb Gains (Producer)Robert Zemeckis (Producer)
Guion: Brian Rousso (Story)Chad Hayes (Screenplay)Carey Hayes (Screenplay)
Musica: John Frizzell (Original Music Composer)
Fotografia: Peter Levy (Director of Photography)

RESEÑAS (1)

Roberto Giacomelli •
Katherine Winter es una ex misionera que perdió la fe después de que su marido y su hija fueran masacrados por un fanático religioso; ahora Katherine enseña en la universidad y se ocupa de "desenmascarar" milagros y eventos paranormales. Un día, Katherine es llamada a investigar algunos extraños eventos que están ocurriendo en un pequeño pueblo de Luisiana, donde parece que se están abatiendo las diez plagas bíblicas. Será muy complicado para la mujer encontrar una explicación científica a lo que está sucediendo en ese lugar! La originalidad no es generalmente el elemento ganador para el género de terror, especialmente en una época de remakes como la que estamos atravesando; sin embargo, la Dark Castle de Joel Silver y Robert Zemeckis, con este "Señales del Mal" ("The Reaping" en el original), logra dar vida a una historia suficientemente original e intrínsecamente fascinante. El punto de partida es la eterna lucha entre el Bien y el Mal, esta vez con mayúsculas, ya que se refiere al Bien supremo y al Mal supremo, cabalgando un poco la línea de las películas de terror de temática religiosa que en estos últimos años no ha logrado arraigar adecuadamente. Una pequeña fuente de inspiración podría encontrarse en un poco conocido fantaterror de 1988, "La séptima profecía", en el que una joven Demi Moore se encontraba combatiendo contra las fuerzas del Mal y los señales de un Apocalipsis inminente; en "Señales del Mal", en cambio, el sabor apocalíptico se deja sabiamente de lado para centrarse en la dimensión más intimista del pueblito de provincia, uno de esos pueblitos casi fuera del mundo, donde el tiempo parece haberse detenido y el fundamentalismo religioso manda. La atmósfera de bigotismo, en este caso, no ha sido particularmente acentuada para dejar un mayor halo de misterio sobre la historia y los personajes que están involucrados, mientras se ha buscado acentuar al máximo el conflicto interior de la protagonista, una bella e siempre buena Hilary Swank (Million Dollar Baby) obligada a combatir el Mal a pesar de que su condición de atea convencida le lo hace ideológicamente imposible de aceptar. Quizás sea aquí donde reside el mayor defecto de "Señales del Mal", es decir, el querer retratar el carácter de la protagonista sobre un estereotipo ya visto y revisto en prácticamente todos los terrores de temática religiosa, hasta el punto de que en este momento se puede considerar (injustamente) este elemento una "costante de obligación" para este tipo de películas. El atractivo principal de esta película, es decir, las diez plagas bíblicas, se representa de manera muy efectiva y logra mostrarse como hilo conductor para toda la historia: entre inquietantes ríos de sangre, una letal invasión de langostas, horribles pústulas y matanzas de primogénitos, hay realmente todo lo que fue descrito en el Antiguo Testamento, mostrado en toda su macabra espectacularidad (el ataque del enjambre de langostas está visualmente muy bien logrado). La dirección de Stephen Hopkins ("Nightmare 5 - El Mito", "Lost in Space") es segura y atenta a los detalles (admirable la elección de acompañar los viajes de los protagonistas con planos desde arriba, como si se tratara de una "mirada divina"), así como el guion de Carey y Chad Hayes (La Máscara de Cera), capaz de tratar el tema con credibilidad y sin caer nunca en lo ridículo, un peligro muy frecuente cuando se tratan temas religiosos. Bueno el reparto, en el que, además de la ya citada Swank, aparecen David Morissey (Basic Instinct 2), en el papel del hombre de fe racionalista Doug, Idris Elba (28 Semanas Después), en los papeles del asistente de Swank y la pequeña Anna Sophia Robb (La Fábrica de Chocolate) en los diabólicos papeles de Loren McConnell. En una escena aparece curiosamente, reflejada en una pared, la efigie de Pazuzu, el demonio que posee a Regan en el clásico "El Exorcista". "Señales del Mal" es, por lo tanto, una película decididamente original en el enfoque que decide seguir y que, aunque cae en algunas obvias y conocidas elecciones narrativas, no dejará de satisfacer a quienes buscan un buen terror de temática religiosa. Recomendado.
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RESEÑAS DE LA COMUNIDAD (4)

The Movie Diorama

The Movie Diorama

4 /10

The Reaping harvests souls of the religiously devoted by subjecting them to this. “What hath God wrought?”. If ever there was a tagline that would instantly persuade audiences to leap up from their sofas, drive to the nearest cinema complex and purchase a couple of tickets, it’s this one. Sure, using a phrase from the Book of Numbers (as opposed to Exodus which is the primary plot device of the film...) certainly sets the religiously inclined tone, that eventually dissolves into the plagued river of blood but more on that later. It also indicates the unimaginative stupidity that ensues, leaving logic and science behind for a faith-based apocalyptic tale that is in need of some serious stoning. A professor in debunking miracles is invited to investigate a “river of blood” in the nearby town of Haven, but is quickly ensnared in an apocalyptic mystery.

Whilst not the worst horror film in the existence of cinema, with a tepid schlocky tone that somewhat juxtaposes the devoted Christian ideologies presented, yet is so inexplicably dumb that it will leave you questioning why such a film was created in the first place. Its initial introduction commenced with much promise. Science against religion. Simple logical explanations explaining what many describe as religious miracles. Yes, it’s relatively on the nose and misses the point of acquiring faith, yet remained an interesting direction for the first half that managed to conjure up various problematic conversations.

Hot off her Oscar win, swanky Swank muddles through this unusual mystery with much trepidation, choosing not to believe that the plagues of Egypt condemning Haven are in fact coincidental, offering scientific explanations. Algae bloom for the “blood river” that has the consistency of red-dyed water (sorry not sorry...). Infections terminating frogs, that is never explained how they fell from the sky, but whatever. Flies consuming the flesh of the frogs, and you get the idea. She remains unconvinced throughout these biblical mishaps, and provides an interesting angle.

Well, that is until about halfway through when she switches from being Bill Nye the Science Guy to Pope Francis of the Vatican. Suddenly she has faith, despite her tragic backstory clumsily spliced with the main plot, and holy reaping balls do events get crazy. CGI locust infestation, satanic cult crazes and a thunderstorm of fire that incinerates life in a matter of seconds. It went from a minor science experiment to absolute chaos, quicker than a snap of your fingers. The change of pace is so jarring and bewildering, that when the predictably obtuse third act arrives you’re stunned into silence. The tantalising debunking approach now plagued by, well, the plagues. The mystery is ham-fisted and makes no sense whatsoever. Constant flashbacks providing clues, more like clear answers mind you, were choppy and fragmented. It’s not scary in the slightest. Main characters are expended and forgotten about almost instantly, a shame considering Elba was decent as always. And what’s Rea’s purpose in this? No seriously. Except for providing basic exposition, he seemed pointless in this endeavour.

A very minuscule part of my soul wants to like this for being the barking mad mystery that it is. To an extent, it is watchable if you know to turn your brain off and devour all the spiel on religious provocations, despite the interesting first act. It has this surreal allure, making each watch tolerable. But then I think back to the last thirty minutes and I then really want to experience all ten plagues for myself. Incomprehensibly ludicrous. What hath God wrought you ask? This.

Wuchak

Wuchak

6 /10

Intriguing first act gives way to dull second act, but decent ending

Released in 2007, "The Reaping" is a about a former ordained missionary who's now a professor who debunks supposed miracles around the world (Hilary Swank). She and her assistant (Idris Elba) venture to a bayou town where, amazingly, the ten plagues of Exodus are manifesting (!). David Morrissey plays their host in the town while AnnaSophia Robb plays the 12 year-old focal point of the plagues. Are the plagues real or can they be scientifically explained? If they're real, who's the source, God or the devil?

This is a haunting mystery horror film rather than a monster/slasher movie, so if you're looking for the latter don't bother. That said, this is an extremely well-made production. The visuals of the various plagues are awesome, particularly the bayou turning to blood, the locusts and fire raining from the sky. Moreover, Swank looks super sharp in the manner of Raquel Welch (neither are my type, but who can deny their looks that kill?). Elba is a likable partner and Morrissey seems creepy from the get-go. As for AnnaSophia, it's clear even at 12 years of age that she was gonna morph into a curvy cutie.

Where the movie goes wrong are elements of the story/script. It starts out good and is intriguing for the first 45 minutes or so, but then the next 30 minutes seriously lag. When the plot twist is revealed in the last act it turned me off the first time I watched the film, but I was braced for it with my second viewing and was able to accept it. The ending, while cartoonish, is spectacular in the manner of the end of "Raiders of the Lost Ark." So this is a solid mystery/horror movie, but it could've been better if they worked out the kinks in the screenplay, like the draggy second act and unsavory plot twist.

The film runs 99 minutes and was shot in St. Francisville, Louisiana (the bayou town), Louisiana State University in Baton Rouge, Shreveport & New Orleans, Louisiana, as well as San Juan, Porta Rico (the opening sequence) and Austin Texas.

GRADE: B-

JPV852

JPV852

6 /10

Watchable enough supernatural horror (in the vein of The Omen I guess), there's not a whole lot that was memorable save maybe for the finale. Hilary Swank felt like she was mailing it in as I didn't have much emotion in spite of her character's tragic background while Idris Elba, as great of an as he is, didn't make much of a mark and felt wasted. Can't say I was once scared but in fairness, these type of horror movies rarely do much for me. 2.75/5

Dr_Nostromo

Dr_Nostromo

6 /10

59/100

A fallen ordain minister, who now debunks miracles, goes to a small, secluded hamlet in Louisiana called Haven where the river appears to have turned to blood. This was a pretty entertaining "science vs religion" story centering around a creepy little girl. Is she an angel? the devil? or something else? The plagues were effectively presented as well as how you'd expect people in that culture to react. Not particularly scary but well worth a watch with an ending that, although not great, did the job just fine. -- DrNostromo

Reseñas proporcionadas por TMDB