La posesión del gato negro backdrop
La posesión del gato negro poster

LA POSESIÓN DEL GATO NEGRO

Il gatto nero

1989 IT HMDB
abril 9, 1989

Mark Ravenna, un famoso director de cine de terror italiano, se propone guiar su última película titulada 'Suspiria: De Profundis'. Su película está basada en 'Suspiria' e 'Inferno' de Dario Argento y trata sobre la historia de Levana, Reina de todas las Brujas. Levana es la mayor de las tres amantes de la oscuridad, madre de la locura, la más poderosa de todas las maldades. Se advierte a Ravenna que no haga su película por temor a convocar a Levana hasta nuestros días. Él no hace caso a estas advertencias y lanza a su esposa Anne para interpretar el papel principal de Levana. Anne lee el guión y luego es perseguida y aterrorizada por la malvada bruja que le dice que sufrirá terribles torturas si continúa, y que todos los involucrados en la producción sufrirán graves consecuencias.

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Equipo

Produccion: Lucio Lucidi (Producer)
Guion: Daria Nicolodi (Writer)Luigi Cozzi (Screenplay)
Musica: Vince Tempera (Original Music Composer)
Crew: Pasquale Rachini (Cinematography)

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As Chianese
Esta es la última película dirigida por el director de "Starcrash", quien, después de este último trabajo en el horror, se dedicará a un ocio estoico en la tienda de Argento y a varias colaboraciones. Caroline Munro está en el papel de una chica acusada de brujería porque está dotada de poderes psicocinéticos y es rechazada por todos, pero la joven sabrá vengarse desatando un alboroto con sus poderes. Efectos especiales poco convincentes, un discreto Urbano Barberini ("Opéra", "Dèmoni") que sostiene la escena a una Munro descontrolada y un elenco de desconocidos (excepto por el desorientado Michele Soavi). Cozzi dirige algo comercial que se acerca a "Carrie" y confecciona un trabajo visible (nunca estrenado en el cine pero solo en VHS) en el que nadie esperaba, quizás porque fue escrito en pareja con Daria Nicolodi, ya autora del malo "Paganini Horror" siempre de Cozzi.
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tmdb17996075

Ugh, such a frustrating and ridiculous mess.

I am usually very "forgiving" when it comes to horror movies, to the point where I can acknowledge and value the general idea and overlook the narrative flaws. If the film as a whole is fun to watch, it has a well developed atmosphere and it features a decent amount of horror elements, I'm pretty much okay with it ... but the story has to make SOME sense, at least. Well, "The Black Cat" (or any of the many other titles that this movie has) is an example of a flick that is just frustrating to sit through. Director Luigi Cozzi may not entirely be at fault, perhaps the producers forcibly squeezed things into the movie for the sole purpose of shock value... or something. I have read many times that several directors end up unhappy with the final results of their films, because they were asked to add random creatures, murders or over-the-top sequences, even if they only add confusion to the story, just to make the film more marketable. I don't know the reasons behind this mess, but this is just a really confusing and convoluted film that had no business being that way, because it could have been told in a much simpler way. Actually, the first half an hour of the film is decent and it keeps it simple, but "The Black Cat" progressively becomes more and more random, to the point where inexplicable situations just happen constantly, and eventually, you just stop even trying to make any sense out of it (at least, I know I did). I can only assume that several random sequences and shots were probably added at the last minute because it was unused footage from a different film and they didn't want to let it go to waste. It's the only reasonable explanation I can come up with.

As for the photography, the director clearly took inspiration in Dario Argento's "Suspiria" and "Inferno" (both films are referenced here), but the strident color scheme ends up being a little bit over the top. Besides the artificial color palette, the use of CGI, which is very frequent during the second half of the film, cheapens the visuals considerably and it could have been a lot better without it.

A few creative deaths and stylish sequences don't save this film from being a big pile of randomness, so, skip this, unless you just want to have a good laugh. "The Black Cat" is just a frustrating experience and a waste of time.

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