La noche que Evelyn salió de la tumba backdrop
La noche que Evelyn salió de la tumba poster

LA NOCHE QUE EVELYN SALIÓ DE LA TUMBA

La notte che Evelyn uscì dalla tomba

1971 • IT HMDB
agosto 18, 1971

Un hombre, obsesionado con su esposa muerta Evelyn, pasa el tiempo invitando a prostitutas a su castillo, donde las tortura y mata, o realizando sesiones de espiritismo para contactar con su mujer y así purgar sus remordimientos. Cuando conoce a una hermosa joven, todo parece cambiar...

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Equipo

Produccion: Antonio Sarno (Producer)
Guion: Emilio P. Miraglia (Screenplay)Massimo Felisatti (Screenplay)Fabio Pittorru (Screenplay)
Musica: Bruno Nicolai (Original Music Composer)
Fotografia: Gastone Di Giovanni (Director of Photography)

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Marco Castellini

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Un hombre mató a su esposa, ahora está completamente loco y alberga en su castillo a jóvenes mujeres que se parecen de alguna manera a su difunta esposa para luego matarlas. Su segunda esposa lo entiende todo y trata de engañarlo haciéndole creer que el fantasma de su primera esposa ha vuelto para vengarse. Final con sorpresa. Clásico giallo-horror al estilo italiano no carente de algunos buenos elementos, pero nada excepcional. Solo para los aficionados al género.

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Wuchak

Wuchak

6 /10

Giallo madness with several alluring redheads

A psychologically damaged man living in a castle in Europe (Anthony Steffen) handles his grief over his deceased wife, Evelyn, by bringing home redhead prostitutes or strippers for some macabre thrills. His doctor advises him to marry, which he does, but will this solve his problems?

"The Night Evelyn Came Out of the Grave" (1971) is a Giallo film, aka Italian psychological crime/thriller with bits of sexploitation, horror and, maybe, the supernatural. Mario Bava’s contemporaneous “A Bay of Blood” is a good example.

While these kinds of movies can be creepy with slasher elements, they’re also sexy (Erika Blanc's coffin dance), perverse (Blanc in panties and thigh-high boots being chased by a guy with a whip), ridiculous (the bloody catfight in the third act) and highly-stylized, not to mention they function as murder mysteries.

A highlight here is the female cast, including Maria Teresa Toffano (Polly), Blanc (Susie) and Marina Malfatti as new wife, Gladys, not to mention Paola Natale as Evelyn in flashbacks.

It’s curious that the story takes place in the London area because it’s clear that it was shot in Italy. Why not just have the story occur in Italy? In any case, if I’m in the mood for colorful Italian horror from the early 70s, I’ll go with “The Devil’s Nightmare,” which also costars Erika Blanc. Yet there’s enough here to entertain if you like Giallo flicks.

The film runs 1 hour, 43 minutes, and was shot at Thiene Castle, which is an hour’s drive northwest of Venice in northeastern Italy, with studio work being done in Rome.

GRADE: C+/B-

Reseñas proporcionadas por TMDB