Scanners 4: Scanner Cop backdrop
Scanners 4: Scanner Cop poster

SCANNERS 4: SCANNER COP

Scanner Cop

1994 CA HMDB
julio 27, 1994

Cuando el científico Sigmund Glock (Lynch) escapa de la prisión jura vengarse de Peter Harrigan (Grove), el policía que lo encarceló. Para tal fin se sirve de una droga que altera los estados naturales de conciencia.

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Equipo

Produccion: René Malo (Executive Producer)
Guion: John Bryant Hedberg (Writer)Pierre David (Story)George Saunders (Writer)
Musica: Louis Febre (Original Music Composer)
Fotografia: Jacques Haitkin (Director of Photography)

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Marco Castellini
Sam desde pequeño demuestra ser un niño "especial": es de hecho un "scanner", que gracias a poderes psíquicos especiales es capaz de leer la mente de las personas y controlar su voluntad. Al hacerse adulto se alista en la policía para poner sus poderes al servicio de la comunidad; pronto se encuentra investigando a un médico loco, un neurocirujano que logra controlar la mente de los individuos y luego se sirve de ellos para cometer crímenes atroces. El sujeto de este fanta-horror es el mismo que el del famoso (y seguramente mejor) "Scanner" de David Cronenberg. Dirección escolar, actores discretos, algunas buenas secuencias splatter pero poca originalidad para una película que, aunque bastante fluida, no "deja nada" al espectador.
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RESEÑAS DE LA COMUNIDAD (1)

tmdb76622195

6 /10

The producers of the "Scanners" series decided to take this in a whole new direction. This time out, we meet young scanner Samuel whose birth father goes insane. He is adopted by an understanding cop. Years later, his adopted dad is police commander and Samuel Staziak (Daniel Quinn) is a rookie cop. He is on drugs to keep his scanning under control, but helps out his dad after a bunch of cops are shot by usually normal people. It seems Karl Glock (perennial villain Richard Lynch) is programming people to kill cops as revenge for his being shot by the commander.

The whole plot is just fine and dandy, but this film feels like one of those old syndicated TV action shows like "VIP" or "Silk Stalkings." Better action has been witnessed on "T.J. Hooker." It seems all the budget was spent on the special effects by John Carl Buechler, which are fine except for a hilarious finale involving a defibrillator. The film makers also do not remember their own mythology, as we see the scanner cop chase someone in an elevator by taking the next elevator that comes along. As we know, and the film shows us, scanners can "control" machines, so why doesn't he just scan and tell the elevator with the criminal in it to stop? In the finale, as the scanner cop is running all over a hospital looking for his injured dad, he scans everyone he comes in contact with. The facial contortions and scanning take longer than just using his mouth and asking where his father is. I had the same reaction to this that I did with "Scanners" I and II. Fine, I have now seen them, time to go outside. This is average in the purest sense of the word, and I wish the film makers had taken more chances with this by-the-numbers production.

Reseñas proporcionadas por TMDB