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Scanner Cop poster

SCANNER COP

1994 CA HMDB
July 27, 1994

Rookie cop Sam Staziak has a unique gift: he is a Scanner, which gives him the power to read the thoughts of others, and also to inflict great bodily harm. When a mad scientist begins using mind control to murder police officers, Sam realizes that only he and his unique gift can put an end to the mayhem.

Directors

Cast

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Crew

Production: René Malo (Executive Producer)
Screenplay: John Bryant Hedberg (Writer)Pierre David (Story)George Saunders (Writer)
Music: Louis Febre (Original Music Composer)
Cinematography: Jacques Haitkin (Director of Photography)

REVIEWS (1)

Marco Castellini
Sam from a young age shows he is a "special" child: he is indeed a "scanner", who thanks to special psychic powers is able to read people's minds and control their will. As an adult, he enlists in the police to put his powers at the service of the community; he soon finds himself investigating a mad doctor, a neurosurgeon who manages to control people's minds and then uses them to commit heinous crimes. The subject of this fanta-horror is the same as the famous (and surely better) "Scanner" by David Cronenberg. School-level direction, discreet actors, some good splatter sequences but little originality for a film that, although quite fluid, "leaves nothing" to the viewer.
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COMMUNITY REVIEWS (1)

tmdb76622195

6 /10

The producers of the "Scanners" series decided to take this in a whole new direction. This time out, we meet young scanner Samuel whose birth father goes insane. He is adopted by an understanding cop. Years later, his adopted dad is police commander and Samuel Staziak (Daniel Quinn) is a rookie cop. He is on drugs to keep his scanning under control, but helps out his dad after a bunch of cops are shot by usually normal people. It seems Karl Glock (perennial villain Richard Lynch) is programming people to kill cops as revenge for his being shot by the commander.

The whole plot is just fine and dandy, but this film feels like one of those old syndicated TV action shows like "VIP" or "Silk Stalkings." Better action has been witnessed on "T.J. Hooker." It seems all the budget was spent on the special effects by John Carl Buechler, which are fine except for a hilarious finale involving a defibrillator. The film makers also do not remember their own mythology, as we see the scanner cop chase someone in an elevator by taking the next elevator that comes along. As we know, and the film shows us, scanners can "control" machines, so why doesn't he just scan and tell the elevator with the criminal in it to stop? In the finale, as the scanner cop is running all over a hospital looking for his injured dad, he scans everyone he comes in contact with. The facial contortions and scanning take longer than just using his mouth and asking where his father is. I had the same reaction to this that I did with "Scanners" I and II. Fine, I have now seen them, time to go outside. This is average in the purest sense of the word, and I wish the film makers had taken more chances with this by-the-numbers production.

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