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VIERNES 13. PARTE VIII: JASON VUELVE... PARA SIEMPRE

Friday the 13th Part VIII: Jason Takes Manhattan

1989 US HMDB
julio 28, 1989

Jason ha escogido como víctimas a un grupo de escolares que se encuentra en Crystal Lake. Tras una primera masacre, decide ir a Manhattan para acabar con los supervivientes de su primera embestida

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Equipo

Produccion: Randy Cheveldave (Producer)Barbara Sachs (Producer)
Guion: Rob Hedden (Screenplay)
Musica: Fred Mollin (Original Music Composer)
Fotografia: Bryan England (Director of Photography)

RESEÑAS (1)

Roberto Giacomelli
Tras ser resucitado por una descarga eléctrica, Jason se pone inmediatamente a buscar nuevas víctimas. Se encuentra con un grupo de estudiantes que están a punto de emprender un viaje de Crystal Lake a Nueva York: Jason se embarca furtivamente en su barco y comienza su serie de asesinatos. Entre los pasajeros del barco también hay una aspirante a escritora aterrorizada por el agua después de que, de pequeña, fuera atacada en el lago Crystal por Jason. Al llegar al puerto de Manhattan, el asesino enmascarado persigue a los supervivientes, sembrando el pánico entre los habitantes de la Gran Manzana. "Viernes 13 Parte 8" es un notable avance en comparación con el decepcionante séptimo episodio. Esta vez, nuestro "héroe" enmascarado se encuentra inmerso en un entorno metropolitano, completamente ajeno a él; como un nuevo King Kong, Jason representa el exacto opuesto de lo que se puede esperar de la civilización. Jason es la encarnación de los impulsos primordiales más destructivos, es Thanatos, la muerte opuesta a la vitalidad frenética de la gran metrópolis. Ver a Jason vagando por las calles de Nueva York (en pocas secuencias, lamentablemente) es extremadamente divertido (destacar la escena con los matones y la irrupción en el vagón del metro) y distrae la atención de la siempre más delgada y monótona trama de la película. En este episodio, las muertes vuelven a ser creativas, aunque el nivel de gore no es particularmente alto, y la historia (casi completamente ambientada en el barco) tiene un buen ritmo. El enfrentamiento final, con la consiguiente muerte de Jason, representa el final ideal de toda la saga, ya que Jason recupera sus rasgos originales de niño, a través de un renacimiento metafórico de las aguas que actúan como líquido amniótico. La dirección es del habitual desconocido, Rob Hedden; entre el reparto figura Kelly Hu, conocida en Italia por el anuncio del queso "Philadelphia" y posteriormente en todo el mundo gracias a blockbusters como "El Rey Escorpión" y "X-Men 2". "Pesadilla en Manhattan" es, por lo tanto, ligeramente superior a los últimos capítulos de la saga, pero sigue siendo un producto apreciable solo por los seguidores de las hazañas cinematográficas de Jason Voorhees.
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RESEÑAS DE LA COMUNIDAD (3)

John Chard

John Chard

5 /10

Friday the 13th VIII: Jason Takes a Boat.

Jason Vorhees is once again brought back to life and goes on a kill crazy spree aboard a boat bound for Manhattan.

As is the norm with the "Friday 13th" sequels, this one garners scorn and praise in equal measure, so you roll the dice and take your chance really. By now the makers were trying to come up with new ideas to keep the series afloat, here the gimmick is to take Vorhees out of his Camp Crystal Lake "comfort" zone, and pitch him on a boat - a boat which naturally is full of ripe high schoolers who are ripe for killing in variously gruesome ways.

The presence of Manhattan in the title is not wholly accurate since three quarters of the pic is set on the said boat, with standard series rules applying, though Vorhees seems to have attained the dexterity of a paratrooper given that he remarkably appears in kill scenes where the time frame is impossible for him to do so. The sequences in Manhattan are fun, which only makes one lament that more time wasn't spent on this particular gimmick.

The acting is generally weak, while the effects work is standard fare - though the cinematography (Bryan England) is very impressive. So all told, it's another divisive "Friday" sequel, from breasts and butts, to blood and bone, and onto The Big Apple, part 8 you will either hate or think it's great. 6/10

Gimly

Gimly

4 /10

Absolutely ridiculous, and a totally misleading title. Jason still kills stuff, and that's fun I guess, but what a trashfire ending to an already pretty bad movie.

Final rating:★★ - Had some things that appeal to me, but a poor finished product.

Wuchak

Wuchak

6 /10

Jason takes a cruise to the big city!

Released in 1989, "Friday the 13th Part VIII: Jason Takes Manhattan" is a nice change of pace as the series was suffering from banality at this point; the previous installment is a prime example (people complain about Part V but at least it had an interesting new story angle with Tommy Jarvis going to the halfway house in the woods seeking succor for his psychological trauma, etc.). Part VII tried something new with the Carrie-like protagonist, and that entry has a great finale, but it was hampered by a subpar, amateurish script.

Part VIII changes things up by switching the normal location of Crystal Lake (and surrounding area) to a ship going to Manhattan with a group of high school kids and adults aboard. Of course, Jason also gets on the vessel and starts systematically wiping out the youths. A handful of them make it to Manhattan, but so does Jason! The different setting is what distinguishes Part VIII.

The story is split into four parts: The prologue takes place on Crystal Lake and features Jason's resurrection, which is a great opening. The brief first act takes place down the river from Crystal Lake at a docking inlet where the youths & adults board the vessel. The long second act takes place on the ship and the final act involves the survivors on a lifeboat and their adventures in Manhattan pursued by Jason.

Winsome Jensen Daggett stands out as the heroine Rennie and places as one of my top 3 or 4 Friday girls. Peter Mark Richman is also notable as Rennie's peculiar uncle/guardian and Scott Reeves as Rennie's sort-of boyfriend. Sharlene Martin is a highlight as Tamara and the filmmakers show off her physique, but she's so devious that she's a turn-off despite her good looks. Kelly Hu is also on hand.

The main complaint I hear about this entry is that it's called "Jason Takes Manhattan" but only the final act takes place in the city. This criticism never made any sense to me as the film spends more than enough time in the big city, the final 37 minutes, not to mention an opening snippet. The fact that the entire second act occurs on the ship keeps the movie from being one-dimensional.

This installment reveals that a fairly large river flows from Crystal Lake to an inlet with access to the ocean. The yacht in the beginning drifts down the river to the bay where the ship is docked. This is how Jason inconspicuously reaches the inlet. If there’s any doubt about this (due to the mistaken claim that the docking inlet IS Crystal Lake), pay attention to what the crazy deckhand says later on.

As far as locations go, Part VIII was shot in Vancouver & Britannia Beach, British Columbia; Los Angeles (the alley way & wharf scenes); and New York City.

BOTTOM LINE: Part VIII is a worthy entry in the series and is notable for trying something new by placing the main cast in a cruise ship environment and the big city, plus Jensen Daggett is a highlight as the female protagonist. It's actually better than Part III and VII. Interestingly, Jason's facial F/X (shown at the end) aren't as good as the previous two installments, but they're serviceable.

The film runs 100 minutes.

GRADE: B-

Reseñas proporcionadas por TMDB