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L'HALLUCINÉ

The Terror

1963 US HMDB
juin 17, 1963

Lors de la retraite de Russie, André Duvalier, jeune lieutenant, est secouru par une fort belle jeune femme sur les côtes baltiques. Elle l'emmène au château du baron von Leppe et disparaît. André Duvalier est frappé par la ressemblance de la jeune fille et le portrait de la femme du baron, morte il y a vingt-cinq ans.

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Equipe

Production: Harvey Jacobson (Executive Producer)Roger Corman (Producer)
Scenario: Jack Hill (Screenplay)Leo Gordon (Screenplay)
Musique: Les Baxter (Music)Ronald Stein (Original Music Composer)
Photographie: John M. Nickolaus Jr. (Director of Photography)

CRITIQUES (1)

Marco Castellini
Au début du XIXe siècle, un officier napoléonien assiste au suicide d'un homme dans un château mystérieux, hanté par le fantôme de sa femme assassinée. Après avoir accompli sa mission, l'apparition fond comme si elle était en cire. Un film d'horreur correct réalisé par le spécialiste Corman, dont le point fort réside dans le casting : outre l'icône Karloff, on trouve un très jeune Jack Nicholson et une excellente Sandra Knight.
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AVIS DE LA COMMUNAUTÉ (1)

Wuchak

Wuchak

7 /10

RELEASED IN 1963 and directed by Roger Corman & Francis Ford Coppola (with the help of a few others), “The Terror” stars Jack Nicholson as a young officer in Napoleon's Army who is infatuated by an intriguing woman (Sandra Knight) he meets on the coast of the Confederation of the Rhine. After a run-in with a witch (Dorothy Neumann) he tracks the mysterious girl to the castle of an elderly Baron riddled with guilt (Boris Karloff).

INTERESTING BEHIND-THE-SCENES INFO: After the shooting for Corman’s “The Raven” was completed, the castle sets were still available for a few days before demolition. Corman acted quickly to concoct a script via Leo Gordon and enlisted 75 year-old Karloff, who costarred in “The Raven.” Boris later said it was amusing the way Roger dashed around with him & the other principles filming scenes just two steps ahead of the wreckers.

After a few days of shooting, Corman couldn’t film the rest of the movie himself due to union legalities, so he enlisted several young filmmakers to assist, including sending Coppola up to the Big Sur area for eleven days. Sets from other AIP movies were also used, notably “The Haunted Palace” with Vincent Price.

COMMENTARY: I’ve heard people complain about the story supposedly not making sense, but I found the plot easy to follow and even had it figured out by the halfway point, not including the dubious curveball thrown-in at the end (you’ll know what I mean).

As my title blurb points out, “The Terror” is very Hammer-esque, albeit made in California and on a lower budget than the typical Hammer flick (which weren’t expensive films by any means). So if you like haunting Gothic horror with mysterious castles, ghosts and witches in the mold of Hammer flicks you’ll probably like “The Terror.” It’s particularly reminiscent of “Dracula, Prince of Darkness” (1966), which came out three years later. As far as 60’s spooky MOOD goes, this movie’s superb, which includes the Gothic score (Ronald Stein). Unfortunately, Nicholson’s voice is noticeably incongruous and his lines are sometimes delivered in a stilted manner, but that’s a minor quibble.

THE MOVIE RUNS 1 hours & 21 minutes and was shot in Los Angeles (studio), Santa Monica, Point Lobos & Palos Verdes Peninsula, California. WRITERS: Gordon and Jack Hill. ADDITIONAL CAST: Dick Miller (Stefan) and Jonathan Haze (Gustaf).

GRADE: B/B-

Avis fournis par TMDB