Les fantômes de Hurlevent - Edgar Poe chez les morts vivants backdrop
Les fantômes de Hurlevent - Edgar Poe chez les morts vivants poster

LES FANTÔMES DE HURLEVENT - EDGAR POE CHEZ LES MORTS VIVANTS

Nella stretta morsa del ragno

1971 DE HMDB
août 26, 1971

Un journaliste accepte un pari proposé par lord Blackwood et Edgar Poe : survivre une nuit dans une maison hantée.

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Equipe

Production: Giovanni Addessi (Producer)
Scenario: Bruno Corbucci (Screenplay)Giovanni Grimaldi (Screenplay)Antonio Margheriti (Screenplay)
Musique: Riz Ortolani (Original Music Composer)
Photographie: Sandro Mancori (Director of Photography)Guglielmo Mancori (Director of Photography)

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Marco Castellini
Lécrivain Edgar Allan Poe fait un pari avec un jeune journaliste : s’il parvient à passer la nuit dans un château hanté par des fantômes, il recevra une récompense de cent livres sterling. Le journaliste accepte courageusement, mais dans le château, les esprits sont bien réels et arriver à l’aube sain et sauf ne sera pas chose facile. Margheriti dirige cette nouvelle version en couleurs de son «Danse macabre», avec Klaus Kinski dans le rôle de Poe et Antony Franciosa dans celui du journaliste courageux, mais malgré les bonnes performances des deux acteurs, cette réédition ne parvient pas à avoir le charme de l’original. Ne le regardez que si vous ne parvenez pas à trouver «Danse macabre».
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Wuchak

Wuchak

7 /10

A macabre dance at Blackwood Castle in England on All Hallows' Eve

In the late 1840s, an American writer (Anthony Franciosa) meets Edgar Allan Poe (Klaus Kinski) on his visit to London and questions the authenticity of his tales. He is thus challenged to spend the night in Blackwood castle, which is reportedly haunted and no one has yet fulfilled the bet and come back alive.

“Web of the Spider” (1971) was called “In the Spider’s Tight Grip” in Italian (translated) and is a remake of the director’s 1964 B&W film “Castle of Blood,” aka “Dance Macabre.” It was erroneously advertised as based on Poe’s “Night of the Living Dead,” but no such story exists (although he has a poem called “Spirits of the Dead”). Scriptwriters Bruno Corbucci (Sergio’s brother) and Giovanni Grimaldi drew from Poe's literary traditions rather than from a particular text.

Franciosa is seriously reminiscent of William Shatner in this particular production, although he was actually older by 2.5 years, not to mention four inches taller. On the feminine side of things, redhead Michèle Mercier is stunning. She was 32 during shooting in March, 1971, but looked older (her character was only 26, but I guess it works out since she’s actually dead). Brunette Irina Maleeva is also lovely while Karin Field is worth a mention, but the latter’s character, Julia, is a turn-off.

I prefer this to “Castle of Blood” simply because it’s in color, not to mention the presence of Michèle Mercier and Irina Maleeva. I also favor Franciosa as the protagonist. There’s an exquisiteness to the proceedings, particularly the pre-Victorian Age costumes and dance sequences, mixed with the creepy ghostly element and the castle setting. I also valued the insights on spectral happenings.

I saw the English version, which runs about 90-93 minutes and is better than the 85-minute German rendition, but I’d love to see one of the fuller Italian versions, which run like 15-18 minutes longer. Needless to say, we’re being shortchanged by the butchered English print!

It was shot at Castello Massimo, which is 37 miles northeast of Rome, and at Dino De Laurentiis’ Italian studio.

GRADE: B

Avis fournis par TMDB