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LA LOCATAIRE

The Resident

2011 • GB HMDB
février 10, 2011

Récemment séparée, Juliet tente de se trouver un nouvel appartement. Lorsqu’elle déniche un magnifique loft à Brooklyn, la jeune femme se dit qu’elle a beaucoup de chance. L’endroit est fabuleux et le propriétaire, Max, est vraiment charmant. Pourtant, certains faits étranges alertent bientôt Juliet. Son appartement n’est peut-être pas le paradis espéré. La troublante impression de ne pas y être seule commence à l’effrayer. Elle sent des regards, des présences... Entre passages secrets et obsessions, commence alors une terrifiante partie de cache-cache. Pour avoir une chance d’échapper au piège qui se referme sur elle, Juliet va devoir faire face au pire des cauchemars.

Réalisateurs

Distribution

Commentaires

Equipe

Production: Cary Brokaw (Producer)Tobin Armbrust (Producer)Guy East (Producer)Simon Oakes (Producer)Renny Harlin (Executive Producer)Tom Lassally (Executive Producer)Alexander Yves Brunner (Executive Producer)Hilary Swank (Executive Producer)Nigel Sinclair (Executive Producer)
Scenario: Antti J. Jokinen (Writer)Robert Orr (Writer)
Musique: John Ottman (Original Music Composer)
Photographie: Guillermo Navarro (Director of Photography)

AVIS DE LA COMMUNAUTÉ (1)

John Chard

John Chard

4 /10

Generic Cat and Mouse Thriller.

When young doctor Juliet Dermer (Hilary Swank) moves into a spacious New York apartment, she can’t believe her luck. More so as she is attracted to her landlord, Max (Jeffrey Dean Morgan). However, something isn’t quite right with the apartment and Juliet soon comes to regret having ever moved in.

There has been a number of similar thrillers over the years, the type where a humble home is turned into a nightmare by the presence of some psychopath. The Resident, in spite of some lovely technical touches, sits comfortably on auto-pilot and hopes that is enough to seal the thriller deal. Sadly it isn’t!

Director Antii Jokinen and his co-writers Robert Orr and Erin Cressida Wilson have forgot to add twists and shocks to their picture. Things are further compounded by the fact that Morgan’s villain (it’s signposted a mile away) is about as scary as a puppy letting out its first bark.

Swank gives it a good go as the woman in peril, while Christopher Lee is a reassuring presence even if he is utterly set up as a token character. The sexual violation angle feels like a lame attempt to put some horror into a standard thriller set up, while the script is wooden and kills what chance of suspense there briefly was.

Some impressive cinematography and camera techniques keep it interesting to the eyes at least, but this is a waste of acting talent and a waste of time for those looking for something to chill the blood. In all honesty you would be better off renting The Tenant or Single White Female instead. 4/10

Avis fournis par TMDB