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LA VÍCTIMA PERFECTA

The Resident

2011 • GB HMDB
febrero 10, 2011

Juliet Deverau (Hilary Swank) es una doctora que está buscando un apartamento de alquiler en Nueva York, ya que ha decidido cambiar de hogar. En su búsqueda encuentra un apartamento a su gusto en el que conoce a Max (Jeffrey Dean Morgan), el propietario del bloque de apartamentos donde se encuentra y a su abuelo August (Christopher Lee). Por las noches, con el paso cercano de un tren, tiembla la casa y los objetos se caen. Este ruido produce que Juliet no se de cuenta de que hay un acosador en su casa que la está observando. Poco a poco, Juliet se dará cuenta de que están pasando cosas sospechosas y empezará a preguntarse si hay alguien más en la casa.

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Equipo

Produccion: Tobin Armbrust (Producer)Cary Brokaw (Producer)Guy East (Producer)Simon Oakes (Producer)Alexander Yves Brunner (Executive Producer)Renny Harlin (Executive Producer)Tom Lassally (Executive Producer)Hilary Swank (Executive Producer)Nigel Sinclair (Executive Producer)
Guion: Antti J. Jokinen (Writer)Robert Orr (Writer)
Musica: John Ottman (Original Music Composer)
Fotografia: Guillermo Navarro (Director of Photography)

RESEÑAS DE LA COMUNIDAD (1)

John Chard

John Chard

4 /10

Generic Cat and Mouse Thriller.

When young doctor Juliet Dermer (Hilary Swank) moves into a spacious New York apartment, she can’t believe her luck. More so as she is attracted to her landlord, Max (Jeffrey Dean Morgan). However, something isn’t quite right with the apartment and Juliet soon comes to regret having ever moved in.

There has been a number of similar thrillers over the years, the type where a humble home is turned into a nightmare by the presence of some psychopath. The Resident, in spite of some lovely technical touches, sits comfortably on auto-pilot and hopes that is enough to seal the thriller deal. Sadly it isn’t!

Director Antii Jokinen and his co-writers Robert Orr and Erin Cressida Wilson have forgot to add twists and shocks to their picture. Things are further compounded by the fact that Morgan’s villain (it’s signposted a mile away) is about as scary as a puppy letting out its first bark.

Swank gives it a good go as the woman in peril, while Christopher Lee is a reassuring presence even if he is utterly set up as a token character. The sexual violation angle feels like a lame attempt to put some horror into a standard thriller set up, while the script is wooden and kills what chance of suspense there briefly was.

Some impressive cinematography and camera techniques keep it interesting to the eyes at least, but this is a waste of acting talent and a waste of time for those looking for something to chill the blood. In all honesty you would be better off renting The Tenant or Single White Female instead. 4/10

Reseñas proporcionadas por TMDB