Sola in quella Casa backdrop
Sola in quella Casa poster

SOLA IN QUELLA CASA

I, Madman

1989 US HMDB
aprile 7, 1989

Il pazzo psicopatico dottor Kessler perseguita Virginia, una bilbiotecaria ammiratrice dei suoi romanzi horror. Ma sarà divorato da suo figlio, orrenda creatura frutto dei suoi progetti dementi.

Cast

👍 1 👎 🔥 🧻 👑 (1)

Commenti

Commenti (0)

Troupe

Produzione: Paul Mason (Executive Producer)Helen Szabo (Executive Producer)Eduard Sarlui (Executive Producer)Moshe Diamant (Executive Producer)Rafael Eisenman (Producer)
Sceneggiatura: David Chaskin (Screenplay)
Musica: Michael Hoenig (Music)
Fotografia: Bryan England (Director of Photography)

RECENSIONI (1)

Marco Castellini
Una giovane bibliotecaria, patita di romanzi dell’orrore, viene perseguitata dal dottor Kessler, uno psicopatico alchimista autore dei suoi libri preferiti. L’uomo intende ricostruire il suo corpo orribilmente mutilato con organi altrui. Verrà eliminato da una delle sue creature. Vincitore del Festival di Avoriaz, la pellicola, nonostante contenga più di una citazione dal maestro Dario Argento e da altri autori horror, riesce ad essere solo mediocre. Una trama lenta e confusionaria, alcune sequenze apparentemente scollegate dall’evolversi della storia e una regia piuttosto precaria sono i suoi più evidenti limiti. Peccato per l’occasione sprecata! Ancora una raccomandazione non fidatevi troppo del premio di Avoriaz, alcune tra le pellicole premiate sono delle vere “bufale” come ad esempio “La casa di Helen”.
👍 👎 🔥 🧻 👑

Commenti

Commenti (0)

Dove Guardare

Streaming

Amazon Prime Video Amazon Prime Video
Amazon Prime Video with Ads Amazon Prime Video with Ads

RECENSIONI DALLA COMMUNITY (2)

Wuchak

Wuchak

6 /10

An infatuated Frankenstein-like killer is loose in the City of Angels

A secondhand book store clerk & aspiring actress (Jenny Wright) becomes aware that what she sees in her imagination while reading books by a weird pulp author is coming to life in the form of a madman who murders people for body parts. Clayton Rohner plays her detective beau and Stephanie Hodge the owner of the book shop.

Shot in November, 1987, but not released until 1989, “I, Madman” mixes elements of the Frankenstein story with the popular slasher genre along with the milieu of an attractive bookworm in downtown Los Angeles. In short, don’t expect a formulaic or one-dimensional slasher.

Also, while the titular madman is grotesque and his slayings are shocking, don’t expect grim seriousness. The artistic proceedings are decidedly cartoonish, which is to be anticipated with the colorful pulp fiction angle. The remake of "Maniac" (2012) was obviously inspired by it, just grimmer and more arty.

Jenny Wright is a highlight as the protagonist. She was a rising star in the 80s with “Near Dark” (1987) to her credit, but “I, Madman” was her last major role, although she had a memorable part in “Young Guns II” (1990). Her career fell apart shortly after due to substance abuse, but she thankfully overcame eventually, although she lost interest in acting.

Michelle Fozounmayeh is notable in a bit part.

The film runs 1 hour, 29 minutes, and was shot in Los Angeles.

GRADE: B-

GenerationofSwine

GenerationofSwine

10 /10

I'm a bit shocked that this doesn't have a cult following, but it is yet another example why Tubi is my favorite of the streaming services. I can just subsist off of what Tubi has to offer and have most of my entertainment needs met.

It's low budget as all get out, but what it lacks in budget it makes up for in atmosphere. You really get sucked into it on that... and a bit on the lack of budget too, the snippets you get of the book while our protagonist is reading it are just off enough, just staged enough to work as someone's imagination.

And despite the budget you have little details, cop cars parking outside the window of a police station, little moans coming form the adult theater on the street, etc, that let you know there is more thought behind each scene than your average B-Movie.

The acting is fair to middling. It has just enough camp to fit the budget, none of it seems to take itself too seriously they are all aware of what sort of movie they are making, what genre it's going to fill, and approach it accordingly. It's never too much camp to loose you and never too serious to seem out of place. It walks that line.

The idea isn't new, book and reality merging, but it's not so overdone that you've seen it a thousand times so even decades on it still feels fresh enough to enjoy.

This is a movie that is screaming for a cult following, but, unfortunately, doesn't have one yet. Hopefully Tubi will change that and it will get the following it deserves.

Recensioni fornite da TMDB