Urban Legend 2 : Coup de grâce backdrop
Urban Legend 2 : Coup de grâce poster

URBAN LEGEND 2 : COUP DE GRÂCE

Urban Legends: Final Cut

2000 US HMDB
septembre 22, 2000

La prestigieuse Alpine University forme les futurs grands réalisateurs américains. Tous les élèves préparent leur film de fin d’études. Amy, l’une des étudiantes, opte pour un film d’épouvante. Mais la réalité va rattraper la fiction : un mystérieux tueur élimine l’un après l’autre les membres de l’équipe de tournage dans des circonstances de plus ne plus spectaculaires !

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Equipe

Production: Neal H. Moritz (Producer)Gina Matthews (Producer)Nick Osborne (Executive Producer)Brad Luff (Executive Producer)Richard Luke Rothschild (Producer)
Scenario: Paul Harris Boardman (Screenplay)Scott Derrickson (Screenplay)
Musique: Damon Intrabartolo (Original Music Composer)John Ottman (Original Music Composer)
Photographie: Brian Pearson (Director of Photography)

CRITIQUES (1)

Marco Castellini
Les étudiants en cinéma de l'Alpine University se préparent à concourir, comme chaque année, pour le prix Hitchcock du meilleur projet cinématographique, qui leur ouvrira les portes d'Hollywood. Amy, l'une des filles les plus brillantes de sa classe, décide de s'inspirer, pour son film, d'une légende urbaine de l'Université de Pendleton. Mais peu après le début du tournage, les membres de l'équipe d'Amy commencent à mourir, un par un, dans des "étranges accidents"... Inévitable comme la mort, voici le suite (l'horreur américaine semble désormais vivre uniquement de "suites") de "Urban Legend", slasher-movie de succès modéré réalisé en 1998. Le réalisateur et les protagonistes (à l'exception de la corpulente policière noire, personnage déjà présent dans le premier film) ont changé, et l'histoire est également différente : plus basée sur les légendes urbaines (qui ne servent que de "fond" à l'histoire) et plus centrée sur la figure du "habituel" tueur, qui cette fois, en plus de la tenue noire classique, porte également un ridicule masque d'escrime, se révélant une parodie involontaire du maniaque de la série "Scream". Par conséquent, entre une intrigue invraisemblable et confuse, les clichés habituels du cinéma de genre et une bande-son plate, la seule séquence à "sauver" du film reste celle du meurtre de la première fille, à qui on retire d'abord un rein puis on lui coupe la tête ; mais trois minutes "réussies" sur une heure quarante de film sont un peu trop peu...
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AVIS DE LA COMMUNAUTÉ (1)

slayrrr666

8 /10

Attempting to finish film school, a director doing her film about a serial killer killing his victims on urban legends starts to realize that a serial killer is running around behind the scenes killing off the crew, and must stop the madman before killing off everyone on the film.

This here was a pretty surprising entry. One of the things it does well is that it really features a lot of suspenseful work at times as this makes a hard time of determining if what's being seen is real or just being shot for the movie. It plays the movie-within-a-movie trick to nice effect, since it features enough to make hard to distinguish one from the other including it's wonderful opening sequence that takes a while before realizing after the fact it's been faked, a sequence where the assembled cast watch the dailies only for a strange cut-shot to play where one of the cast is viciously stalked and killed is screened where all but one thinking it to be shot for the film but the other positive that it's real and a later scene where a murder done during the recording of a scream-test loud enough to drown out the victim's own being great scenes. Even going away from that formula, there’s some rather fun stalking here from the bathroom chase featuring the woman trying to escape from the killer out into the alleyway or a thrilling chase through the recording studio and out into the surrounding countryside and pool while an attack at a carnival ride hidden by the darkness and fog comes off rather nice as well. The final confrontation in the movie-set graveyard setting is just fun, being creepy, exciting and all-around a blast with the true revelation and the different twists featured throughout make for a nice time here. The last big feature here is a really nice and healthy mix amongst the kills, which along with the mask worn are the film's rather good parts. This one here only has a few flaws to it. The main one here is that the main explanation for the killing has a lot of ways for how to interpret it, and it feels just too clumsy and unrealistic to be considered as believable. The fact that the violence is toned down from anything that it should have, since, for all the creativity displayed in the kills, it isn't very bloody and with a couple of kills that could've been in here. These are the same thing that really should've fixed by taking more of those and making them more bloody. It would've taken out a mild flaw in the film rather simply. The last flaw in here is the film's maddening ability to switch between the film shoot and the real world. It's fun at times, but there's also the fact that the film tries to be clever with changing around the two and it gets a little harder to defend the longer they go on. These here are the film's flaws.

Rated R: Graphic Violence, Graphic Language, Brief Nudity and a sex scene.

Avis fournis par TMDB