Split Second backdrop
Split Second poster

SPLIT SECOND

1992 GB HMDB
May 1, 1992

In a flooded future London, Detective Harley Stone hunts a serial killer who murdered his partner and has haunted him ever since — but he soon discovers what he is hunting might not be human.

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Crew

Production: Laura Gregory (Producer)Keith Cavele (Executive Producer)Chris Hanley (Executive Producer)
Screenplay: Gary Scott Thompson (Writer)
Music: Stephen W. Parsons (Original Music Composer)Francis Haines (Original Music Composer)
Cinematography: Clive Tickner (Director of Photography)

REVIEWS (1)

Emiliano Ranzani
In London in 2008, Detective Stone, assisted by a young colleague, conducts a ruthless hunt for a ferocious serial killer who eats the hearts of his victims and traces esoteric symbols and messages with their blood at the crime scene. With an atmosphere reminiscent of "Blade Runner" (dominant darkness and heavy rain), with some nods to "Aliens" and even a "river" to "Jaws", this film is part of that series of fantasy-horror films that were made in abundance in the 1980s and early 1990s ("Leviathan", "The Creature from the Deep", "CHUD", etc.). The gothic atmosphere is not bad, and neither is the story, although it is sometimes a bit too confusing and does not provide many explanations (but perhaps that was the intention... bah). The special effects hold up without excess, while some scenes are well done and offer some moments of good (but not excellent) tension. In the role of the protagonist, we recognize the great Rutger Hauer ("The Hitcher", but especially "Blade Runner"), unfortunately trapped in a B-movie production. In conclusion, a decent film, neither infamy nor praise. Maybe it deserved half a skull more.
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COMMUNITY REVIEWS (2)

John Chard

John Chard

7 /10

We are not chasing it, it's chasing us.

Split Second is directed by Tony Maylam and Ian Sharp and written by Gary Scott Thompson. It stars Rutger Hauer, Kim Cattrall and Neil Duncan. It was filmed in London, England, predominantly at the Hartley Jam Factory in Southwark, with Clive Tickner the cinematographer.

London, 2008.

"After forty days and nights of torrential rain, the city is largely submerged below water, a result of the devastating effects of continued global warming. The warnings ignored for decades have now resulted in undreamed of levels of pollution where day has become almost endless night..."

and something is stalking the watery city and tearing hearts out of its victims...

Plot follows a familiar course, and in truth there's no surprises here. A psychic link between Stone and the killer is sadly never fully formed, which is a shame because it had the potential to make the film more interesting. To offset that though, is that there is some nice babble involving astrological and satanic matters which are thrown up during the search/investigation. In its favour as well, is that Maylam and his team sensibly keep the perpetrator hidden for most of the film, instead choosing the odd flashing glimpse of a clawed hand, or a murky torso running across the frame, while the idea to only show the bloody aftermath of a kill hits home harder than if we had actually viewed it.

The look is spot on for an apocalyptic sci-fi piece, all greys, silvers and low lights, while the cheap production design works well in context of the tone of the picture. There's even some Schwarzenegger like cheese dialogue, the likes of which the big Austrian would have got paid millions to speak at around the same time Split Second was released. The killer, once revealed, will disappoint many, mainly because it looks overly familiar, but it does impact for the finale set at a flooded tube station. While the music (co-scored by three different people) is ideal as it sounds very tinny, in fact it's very 1980's like.

Judging by the critical reaction to it you have to think some folk were taking it a bit too seriously. Never fully convincing as a lead man, Hauer pitches this just right, with tongue in cheek, a grizzled personage and a swagger to match the glint in is eyes. He's playing a burned out cop character called Harley Stone, his partner, who of course is the polar opposite, is named Dick Durkin! Take this seriously? Never! Cattrall is merely here to be a love interest, to scream and show some flesh for the discerning hound dog, while her haircut, some black dyed German Helmet effort, is totally unflattering. Duncan does a fine job as the nerdy copper, working the comedy off of Hauer very well, while fleeting support comes from great British actors Alun Armstrong and Pete Postlethwaite. In cameos we get song man Ian Dury and Michael J. Pollard.

Leave the brain at the door and you have a good chance of enjoying this low-budget British sci-fier. 7/10

JPV852

JPV852

6 /10

Tonally awkward at times and mismatch of various genres with apocalyptic-future science fiction horror mixed with buddy cop comedy, but for all its flaws, found this to be an absurdly entertaining film thanks to Rutger Hauer's charmingly gruff performance. Some interesting production design clearly inspired by Blade Runner, especially early on, and the brief moments we see the creature looks like a cross of the xenomorph and Venom. 3.0/5

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