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KILLER INSTINCT

Split Second

1992 GB HMDB
mai 1, 1992

En 2008 Londres est en plein chaos. Le niveau de la mer a monté et une grande partie des terres est immergée sous les eaux. Une créature diabolique erre dans la ville. La rencontrer signifie souvent terminer le coeur arraché. Le nombre de victimes augmente d'une manière inquiétante. Le policier Harley Stone flanqué de ses deux collègues part à la recherche du monstre.

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Equipe

Production: Laura Gregory (Producer)Keith Cavele (Executive Producer)Chris Hanley (Executive Producer)
Scenario: Gary Scott Thompson (Writer)
Musique: Stephen W. Parsons (Original Music Composer)Francis Haines (Original Music Composer)
Photographie: Clive Tickner (Director of Photography)

CRITIQUES (1)

Emiliano Ranzani
À Londres en 2008, le détective Stone, assisté d'un jeune collègue, mène une chasse impitoyable à un féroce tueur en série qui mange les cœurs de ses victimes et trace des symboles et des messages ésotériques avec leur sang sur la scène du crime. Doté d'une atmosphère à la "Blade Runner" (obscurité dominante et pluie battante), avec quelques références à "Aliens" et même une "rivière" à "Les Dents de la Mer", ce film fait partie de cette série de films fantastiques-horreur comme on en faisait à foison dans les années 1980 et au début des années 1990 ("Leviathan", "La Créature des Abysses", "CHUD", etc.). L'atmosphère gothique n'est pas mauvaise, et l'histoire non plus, bien qu'elle soit parfois un peu trop confuse et ne donne pas beaucoup d'explications (mais peut-être était-ce ce que l'on voulait... bah). Les effets spéciaux font leur effet sans excès, tandis que certaines scènes sont bien réussies et offrent quelques moments de bonne (mais pas excellente) tension. Dans le rôle du protagoniste, on reconnaît le grand Rutger Hauer ("The Hitcher", mais surtout "Blade Runner"), malheureusement resté piégé dans la production de série B. En définitive, un film correct, sans infamie ni louanges. Peut-être méritait-il un demi-crâne de plus.
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John Chard

John Chard

7 /10

We are not chasing it, it's chasing us.

Split Second is directed by Tony Maylam and Ian Sharp and written by Gary Scott Thompson. It stars Rutger Hauer, Kim Cattrall and Neil Duncan. It was filmed in London, England, predominantly at the Hartley Jam Factory in Southwark, with Clive Tickner the cinematographer.

London, 2008.

"After forty days and nights of torrential rain, the city is largely submerged below water, a result of the devastating effects of continued global warming. The warnings ignored for decades have now resulted in undreamed of levels of pollution where day has become almost endless night..."

and something is stalking the watery city and tearing hearts out of its victims...

Plot follows a familiar course, and in truth there's no surprises here. A psychic link between Stone and the killer is sadly never fully formed, which is a shame because it had the potential to make the film more interesting. To offset that though, is that there is some nice babble involving astrological and satanic matters which are thrown up during the search/investigation. In its favour as well, is that Maylam and his team sensibly keep the perpetrator hidden for most of the film, instead choosing the odd flashing glimpse of a clawed hand, or a murky torso running across the frame, while the idea to only show the bloody aftermath of a kill hits home harder than if we had actually viewed it.

The look is spot on for an apocalyptic sci-fi piece, all greys, silvers and low lights, while the cheap production design works well in context of the tone of the picture. There's even some Schwarzenegger like cheese dialogue, the likes of which the big Austrian would have got paid millions to speak at around the same time Split Second was released. The killer, once revealed, will disappoint many, mainly because it looks overly familiar, but it does impact for the finale set at a flooded tube station. While the music (co-scored by three different people) is ideal as it sounds very tinny, in fact it's very 1980's like.

Judging by the critical reaction to it you have to think some folk were taking it a bit too seriously. Never fully convincing as a lead man, Hauer pitches this just right, with tongue in cheek, a grizzled personage and a swagger to match the glint in is eyes. He's playing a burned out cop character called Harley Stone, his partner, who of course is the polar opposite, is named Dick Durkin! Take this seriously? Never! Cattrall is merely here to be a love interest, to scream and show some flesh for the discerning hound dog, while her haircut, some black dyed German Helmet effort, is totally unflattering. Duncan does a fine job as the nerdy copper, working the comedy off of Hauer very well, while fleeting support comes from great British actors Alun Armstrong and Pete Postlethwaite. In cameos we get song man Ian Dury and Michael J. Pollard.

Leave the brain at the door and you have a good chance of enjoying this low-budget British sci-fier. 7/10

JPV852

JPV852

6 /10

Tonally awkward at times and mismatch of various genres with apocalyptic-future science fiction horror mixed with buddy cop comedy, but for all its flaws, found this to be an absurdly entertaining film thanks to Rutger Hauer's charmingly gruff performance. Some interesting production design clearly inspired by Blade Runner, especially early on, and the brief moments we see the creature looks like a cross of the xenomorph and Venom. 3.0/5

Avis fournis par TMDB