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DISTURBIA

2007 US HMDB
March 27, 2007

Kale has a life most teenagers would envy. He spends his days endlessly playing video games, surfing the net, eating junk food and watching cable. He has complete free reign of the house, and a beautiful young hottie named Ashley has just moved in next door. There’s only one problem—he’s not allowed to leave the house. Kale’s under court-ordered house arrest for three months, and if he takes one step beyond a 100-foot perimeter of the house, his next confinement will be in a real prison.

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Crew

Production: Jackie Marcus Schaffer (Producer)Kwame Parker (Producer)Tom Pollock (Producer)Ivan Reitman (Executive Producer)E. Bennett Walsh (Producer)Joe Medjuck (Producer)
Screenplay: Christopher Landon (Screenplay)Carl Ellsworth (Screenplay)
Music: Geoff Zanelli (Original Music Composer)
Cinematography: Rogier Stoffers (Director of Photography)

REVIEWS (1)

Roberto Giacomelli
Seventeen-year-old Kale is surly and introverted since he lost his father in a violent car accident, for which he feels responsible. One day, Kale punches his Spanish teacher who had made useless allusions to his deceased father, and for his act, the boy is placed under house arrest for the entire summer period, forced to stay home with an ankle monitor that alerts the police if he leaves a 300-meter radius from his home. Bored with the daily routine, Kale begins to take an interest in the private lives of his neighbors, whom he spies on with binoculars from his bedroom window. Between a glance at the newcomer Ashley who is sunbathing by the pool and a look at Mr. Carlson who is cheating on his wife with the cleaning lady, Kale comes across Mr. Tarner, a mysterious neighbor who seems to be the man who kidnaps and kills young women as reported on television. The boy begins to investigate. A true cinematic phenomenon of the past U.S. season, "Disturbia" managed to gross a considerable sum at the box office, becoming a real hit among young people and cementing Shia LaBeouf's (Transformers) status as a star capable of drawing crowds to theaters with his name alone. In reality, the small thriller directed by D.J. Caruso (Disturbing Behavior) and produced by Spielberg's Dreamworks did not seem to promise such success, as the story of the voyeur entangled in a thriller situation due to his curiosity has been told so many times and in so many ways, serving up a film without surprises from the outset. Yet, despite the absolute lack of originality and the predictability of every plot twist, "Disturbia" manages to be quite enjoyable, both for those who know "Rear Window" by Hitchcock by heart and for teenagers with still innocent minds. The nearly two hours of the film fly by without ever boring the viewer, thanks to a skillful blend of genres that effectively mixes family and existential drama (in the first twenty minutes), teen comedy (the central part of the film), and thriller with horror elements in the long final climax. Thus, Caruso, with a screenplay by Christopher Landon and Carl Ellsworth, gives the audience a film simple in structure and predictable in its twists, but with a good pace, some easy scares, and a touch of the macabre in the horror finale. What could be considered the original twist of a well-known story is the technological accent given to the protagonist's voyeuristic endeavor, which is not limited to the camera lens and binoculars to observe his neighbors' antics but uses an array of modern technology, including video cameras, digital cameras, and videophones, to add a touch of modernity that would make one reflect a lot on the contemporary situation of the common individual's privacy. The cast is another strong point of "Disturbia," which boasts, in addition to the already mentioned and excellent protagonist Shia LaBeouf, David Morse (The Green Mile) as the mysterious neighbor, Carrie-Anne Moss (Trinity in the "Matrix" saga) as the protagonist's mother, and the young and fascinating Sarah Roemer as the new neighbor. It's not a film that will be remembered in cinema history, but "Disturbia" manages to entertain with brazen nonchalance and rare effectiveness, despite dealing with a story now classic for the thriller genre. Definitely enjoyable. Trivia. The fascinating title "Disturbia" is a play on words to combine the terms "disturb" (disturb) and "suburbia" (suburb).
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COMMUNITY REVIEWS (3)

John Chard

John Chard

7 /10

Oh my god, you've made the tower of Twinkie! Is that in a stalker's handbook somewhere?

As the all mighty great and powerful Hollywood continued to mine "Hitchcock's" works for inspiration, they landed upon the idea of re-imaging "Rear Window" for a modern audience. Directed by D.J. Caruso, Disturbia actually turns out to be a solid suspense thriller. The first half of the pic is all jocular with hormonal character introductions that come with giggly slices of humour, and then there's the big shift to the thriller that most viewers were expecting, as the makers manage to pull it off with a great final act that is edge of the seat viewing.

There's nothing new on offer here, the formula has been (and will for ever more be) done a zillion times, but the two fold splicing of genres works well and the makers aren't trying to fool anyone with their approach work. Cast are fine, Shia LaBeouf's follows on from his enjoyable turn in "Transformers" with this pleasing on the eye show, he shows signs of some good acting chops around some rougher edges. Sarah Roemer is solid enough, and nails down that teen love interest characterisation, whilst Carrie-Anne Moss puts a bit of meat onto the adult bones of the Mother character.

Unfortunately, in what is one of the key roles, David Morse is underused, he does OK with what he has to work with, and convinces in a two layer role, but one feels his talent doesn't quite come to the fore here. Still, it's a minor complaint, for this is a solid genre entry with both halves of the film never less than entertaining - even if you might find yourself yearning for some "Hitchcock" genius afterwards. 7/10

Wuchak

Wuchak

5 /10

Shia LaBeouf in a Rear Window-like thriller

Five months shy of 18 years-old, a teen in suburbia (LaBeouf) finds himself under house arrest but, thankfully, an attractive new girl moves in next door (Sarah Roemer) to stir his interest. He starts to suspect that a neighbor might be a notorious serial killer (David Morse). Carrie-Anne Moss is on hand as his mother.

"Disturbia" (2007) has a set-up similar to Hitchcock’s “Rear Window” and later imitations, such as “Fright Night” and “Abominable.” LaBeouf’s star was rising at the time and he’s fine as the everyman teen protagonist. Roemer’s star was also rising, but her career never panned out into anything significant.

It’s perfectly fine as a psychological thriller with a one-dimensional milieu in the mold of “Rear Window” or “What Lies Beneath,” but never becomes anything more than that and is easily the least of ’em. It’s strangely dull. But, if you like the cast, give it a try.

It runs 1 hour, 44 minutes, and was shot in the heart of Greater Los Angeles in the town of Whittier.

GRADE: C+

RalphRahal

8 /10

Disturbia is a modern thriller that captures the essence of suspense through a clever blend of drama, tension, and relatable characters. The film introduces us to Kale, played by Shia LaBeouf, a teenager under house arrest who finds unexpected ways to pass the time. His curiosity about the lives of his neighbors quickly escalates into something far more gripping. The movie's strong setup in the first act establishes both the stakes and Kale's emotional depth, making the story feel grounded despite its escalating tension.

David Morse's performance as a mysterious neighbor is one of the film's highlights, delivering an understated but chilling presence that keeps the audience guessing. The cast as a whole is well-chosen, with Sarah Roemer and Carrie-Anne Moss rounding out the ensemble in complementary roles. One of the more thought-provoking aspects of the film is how it toes the line between innocent curiosity and intrusive stalking, making you question Kale’s actions as well as your own perspective as a viewer. This layered tension adds depth to the experience, even as the story transitions into its action-packed third act.

What sets Disturbia apart is its ability to combine an intimate, character-driven story with moments of real suspense. The film may flirt with familiar tropes, but it does so with enough charm and style to stand out. With a solid script, strong performances, and a touch of modern flair, Disturbia is an engaging thriller that’s well worth revisiting for fans of suspenseful storytelling.

Reviews provided by TMDB