Hell's Highway backdrop
Hell's Highway poster

HELL'S HIGHWAY

2002 US HMDB
February 12, 2002

Four college friends take a fateful road trip. The road, Hell's Highway--a direct route to terror. They pick up Lucinda: A hot young hitchiker, full of sexual deviance and lust for the bloody kill. After being terrorized and nearly killed, the group manages to turn the tables. They thought they killed her, but around the next ben--around every ben-- she appears like a mirage ready to murder again. Is she the devil? Can anyone stop her killing spree?

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Crew

Production: David S. Sterling (Producer)Darrin Ramage (Executive Producer)
Screenplay: Jeff Leroy (Writer)
Music: Jay Woelfel (Original Music Composer)

REVIEWS (1)

Roberto Giacomelli
A group of seven young people returning from a rave party are about to cross the dusty Nevada desert in a camper to return to their respective homes. But the news (learned at the rave party) that there is a hidden marijuana plantation in those areas pushes them to leave the main road to look for the coveted weed. An accident, caused by the presence of a child in the middle of the road (who will then disappear without a trace), will put the camper out of service and force the young people to separate to look for help. But, unknown to the unfortunate protagonists, those areas are inhabited by a population of miners turned cannibals by the effects of some mysterious radioactive waste that has contaminated the area. As can be easily guessed from the plot, this film has many points in common with the much nobler "The Hills Have Eyes", directed by Wes Craven in 1977; but, as expected, Taylor's film does not come close to the result obtained by Craven's cannibal movie. This "Hell's highway" is a "direct to video" product and it is very noticeable from the poor performance of the "actors", Taylor's flat direction and the television photography. The young protagonists are as obnoxious and stupid as can be found in a production of this kind: they have no psychological development at all (but no one would have ever dared to ask for it) and represent the classic stereotype of libertine teens present in horror films: the couple that only thinks about secluding themselves, the dark girl rather introverted, the silly girls who love to show off, the group's buffoon with hormones at a thousand and so on. The population of cannibals turns out to be rather disappointing both for their physical characterization (they look like simple tramps) and for the importance given to them in the story (they only appear in the second half and always in passing). The only positive note is a decent dose of gore that includes severed limbs, impaled bodies and various tortures. In conclusion, "Hell's highway" is a poor product for home video that partly follows the plot of "The Hills Have Eyes" without coming close to the result obtained by Craven. Incompetent actors, amateur direction and ridiculous dialogues. Only some gore scenes are appreciable. To avoid. Curiosity: also known by the title "Cannibal highway"; in Italy it was distributed with the title "Hell's highway" which would be the title adopted during the production phase and then replaced with "Detour".
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COMMUNITY REVIEWS (1)

Wuchak

Wuchak

5 /10

Tacky, but very entertaining micro-budget horror trash with Phoebe Dollar

Two couples traveling through Death Valley to the California coast pick up a hitchhiker from hell (Phoebe Dollar). Havoc ensues. The infamous Ron Jeremy is featured in a glorified cameo.

“Hell’s Highway” (2002) proves that an ultra-low budget doesn’t mean a movie can’t be entertaining. Yes, some of the gory parts are cheesy (while others are pretty impressive) and a miniature set is obvious, but both are serviceable (and somewhat charming) and keep the story flowing. Viewing the trailer, I thought this was going to be a horror comedy, but it’s not; it’s essentially a serious slasher with cheesy effects and campy elements, particularly Phoebe as the over-the-top nefarious hitchhiker. Jeff Leroy shows his genius in that “Hell’s Highway” is adept spare-change filmmaking and genuinely amusing DESPITE the obvious cheapness of it all.

Without Phoebe in the key role, however, it wouldn’t be half as effective as it is. She’s not blow-your-mind beautiful or anything, but she has a unique look and there’s something alluring about her demeanor, not to mention she has curves in all the right places. Beverly Lynne (Monique), with her conventional “hot blonde” look, can’t hold a candle to her (she has an unnecessary softcore sex scene, for anyone who might be offended). Kiren David, as Sarah, is the third main female in the cast and is a convincing actress. Actually, all the main cast members take the material seriously and offer respectable performances.

The score/soundtrack didn’t do much for me, unfortunately. This is a movie that needs a few quality rockin’ numbers. The last act features a couple of creative twists in the story and shows that Leroy put some time into the script. But, as semi-enjoyable as this flick is, there are regrettably too many unnecessary nasty elements to give it a higher grade.

The film has little filler at a mere 70 minutes and looks like it was shot in Southern California.

GRADE: C+

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