House IV backdrop
House IV poster

HOUSE IV

1992 US HMDB
January 21, 1992

Unaware that it's plagued by a host of supernatural phenomena, a mother and her daughter, still reeling from a car crash which claimed the life of Roger Cobb, move into the hold family homestead to start a new life.

Cast

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Crew

Production: Sean S. Cunningham (Producer)
Screenplay: Geof Miller (Screenplay)Jim Wynorski (Story)R.J. Robertson (Story)Deidre Higgins (Story)
Music: Harry Manfredini (Original Music Composer)
Cinematography: James Mathers (Director of Photography)

REVIEWS (1)

Marco Castellini
Kelly, after the death of her husband, finds herself alone in the large house owned by her late spouse. From that moment on, strange phenomena begin to occur, attributable to the restless soul of her deceased husband, whose body seems to be buried in the foundations of the house. The first thing to say is that, despite the title that might mislead (with that "House" on the cover of the cassette), here there is nothing to do with the "The House" saga; we are dealing with a bad film in every respect: non-existent screenplay, ridiculous effects (notable is the sequence in which a "presence" appears on the scene with a rubber mask resembling an ant) and bad actors. What else to add if not the warning of "do not enter this house..."?
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COMMUNITY REVIEWS (1)

Wuchak

Wuchak

6 /10

William Katt returns for the final “House” film

After the grim previous flick in the franchise, “The Horror Show,” this one returns to the creative horror-comedy of the first two movies, minus the spirit of high adventure of the second. Since, “House III” wasn’t successful at the box office, this was the first installment to be released direct-to-video. Yet several of the same people were involved behind the camera, including main-man Sean S. Cunningham.

Katt is also back as Roger Cobb from the first film, although his role isn’t as prominent. Despite the happy ending of “House,” Roger and ex-wife Sandy didn’t get back together, and she evidently got custody of Jimmy. So, Roger married Kelly (Terri Treas) and they have a daughter, Laurel (Melissa Clayton), which might be Roger’s stepdaughter (if we are to go by the mere seven years between films). Details of such things are never explained; they’re just assumed.

In any case, Roger inherits the family manor out in the middle of nowhere in SoCal and that’s the focus of the movie. His stepbrother (Scott Burkholder) wants him to break his oath to not sell the house for reasons revealed. Meanwhile noble neighbor Ezra (Ned Romero) offers interesting revelations.

The story is mundane compared to the first two films and therefore less ambitious. In this sense it’s similar to “House III,” along with its focus on the family, which creates welcome human interest. However, like I said, it’s not as grim. The quirky amusement returns as the story progresses. As with the prior movie, there’s some influence from the “A Nightmare on Elm Street” flicks.

Kelly is the focus, and I appreciate Terri Treas’ unique winsomeness. The camera doesn’t fail to capture her beauty. As for Melissa Clayton as the 12-13 years-old daughter, she was actually 19 years-old during shooting.

This is the final film in the franchise, but a movie was announced in 2023 to relaunch the series, which has yet to manifest (and maybe never will). If you’re interested in a similar film (to this one) that’s not part of the official series, try Frank Peretti’s “House” from 2008.

It runs 1h 35m and was filmed in 1991. The house exterior scenes were shot in Veluzat Motion Picture Ranch in Saugus, California, which is located 36 miles north of Hollywood (just north of Santa Clarita), as well as Thomas W. Phillips Residence in Los Angeles for the house interior scenes, which is located 7-8 miles south of the Hollywood Sign.

GRADE: B-

Reviews provided by TMDB