The Devil's Advocate backdrop
The Devil's Advocate poster

THE DEVIL'S ADVOCATE

1997 DE HMDB
October 17, 1997

Aspiring Florida defense lawyer Kevin Lomax accepts a job at a New York law firm. With the stakes getting higher every case, Kevin quickly learns that his boss has something far more evil planned.

Cast

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Crew

Production: Anne Kopelson (Producer)Arnold Kopelson (Producer)Arnon Milchan (Producer)Michael Tadross (Executive Producer)Erwin Stoff (Executive Producer)Taylor Hackford (Executive Producer)Barry Bernardi (Executive Producer)Steve White (Executive Producer)
Screenplay: Tony Gilroy (Screenplay)Jonathan Lemkin (Screenplay)
Music: James Newton Howard (Original Music Composer)
Cinematography: Andrzej Bartkowiak (Director of Photography)

REVIEWS (1)

Marco Castellini
Kevin Lomax (Keanu Reeves) is a young successful lawyer from Florida. He has never lost a case, although sometimes aware of the guilt of his clients. He is happily married to Mary Ann (Charlize Theron) and has a good relationship with his mother. A little paradise on Earth. The echo of his successes reaches the ears of John Milton (Al Pacino), head of one of the most prestigious law firms in New York, who makes him an attractive offer: a beautiful house, a good salary, a prestigious position. Why not seize fortune by the hair? But will it really be fortune or will the devil have put his paw in it? A director not specialized in the genre manages to give us an excellent film halfway between thriller and horror. Pleasant despite the abundance of clichés, fluid despite the duration, "The Devil's Advocate" is the classic overseas product that borders on "perfection", a film based on the two main actors and on a murky atmosphere, interspersed with suggestive speeches on man's desires and free will and musings on the coming of the Antichrist. A film that has the classic taste of the mythical series "The Twilight Zone" and an old-fashioned charm that comes from the complacently literary dialogues and deliberately outdated narrative solutions. And if the magnetic performance of an excellent Al Pacino, perfect in demonic roles that perhaps only he and Jack Nicholson can carry with such naturalness, cannot certainly surprise, it is with pleasure that we find a Keanu Reeves in a state of grace and an excellent Charlize Theron, whose character clearly resembles that played by Mia Farrow in the splendid "Rosemary's Baby". The final monologue in which the "diabolical" Al Pacino takes on God is enough alone to delight lovers of great cinema. Really a successful film, absolutely not to be missed!
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COMMUNITY REVIEWS (3)

JPV852

JPV852

7 /10

Apparently I saw this before (had a rating on my computer program) but didn't really remember much of it. A bit uneven between a serious drama with supernatural fantasy, but I had fun with these performances by Reeves and Pacino (forgot how normal he once looked) and never a bad thing with Charlize Theron and Connie Nielsen being there for the obvious reasons. Not great and could've cut some of the running time but still found it somewhat entertaining. 3.5/5

GenerationofSwine

GenerationofSwine

10 /10

OK, full disclosure, I have a thing for Al Pacino. I'll watch just about anything he's in and...if he screams and yells a monologue in it, if he delivers a diatribe of rage....yeah I get flashbacks to him screaming: "I'd take a flame thrower to this place" and roll my eyes back like a shark in a feeding frenzy.

Oh, yeah, almost forgot, Keanu is in this one too...but for a good slice of the film he doesn't play the most savory of characters and, really, honestly, he just seems too nice to play a lawyer...

...but despite that he does a pretty good job of exhibiting the ego that has to come with the law profession...just not the vile evilness. So, I can't totally fault him for miscast as I could for Dracula.

Jeffery Jones is in there too and due to recent revelations he totally fits the sleazy lawyer role.

But yeah, 1997, the 90s had a way with films that was only really beaten by the 70s and The Devil's Advocate is one of those films that could really only be made in those two decades. Stand alone horror not intended as a franchise piece and one with a twist that asks you to think a little.

No way that would be made today and that is a shame.

I could tout its glory, but really, honestly, the movie could have stank and I wouldn't care thanks to Pacino screaming "I'm a fan of man!" It's worth the watch.

CinemaSerf

CinemaSerf

7 /10

If it looks too good to be true, then it probably is... That's what "Kevin" (Keanu Reeves) must learn to appreciate after he is offered a dream job at a prestigious New York legal firm by "Milton" (Al Pacino). The potential wealth and the status of his new career path bring out the green-eyed monster in him and together with his reluctant wife "Mary-Ann" (Charlize Theron) they are soon living it up in their penthouse apartment with plenty of money but an increasingly dwindling amount of time together. She starts to cool on their arrangement and wants to return to Florida but pretty soon it's clear that "Kevin" is addicted - and not to her! Pacino is on good form here as it becomes clear just who his character is, and how adeptly he is pulling all the strings and manoeuvring his new charge into a position that might suggest that the clue is in the title! Now as a life-long lover of the baddie in films, I felt a bit let down by the ending. Faust it isn't - but, to be fair, it still goes as close as Hollywood will probably ever go in portraying a characterisation of the epitome of evil (and offering a wonderful critique on vanity being the downfall of mankind) that actually has a fighting chance of prevailing! Reeves is not the finest actor to grace our screens. Easy on the eye, certainly, but somehow he's just a bit too lightweight here. That might be because, however, Pacino is very much in his element and even though it can drag at times during the almost 2½ hour running time, it's a remarkably compelling ride that still holds up quite well.

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