MURDEROCK
Murderock - Uccide a passo di danza
Une prestigieuse académie de danse de New York est le théâtre de meurtres sanglants. Les étudiantes se font assassiner de manière sadique. La directrice de l'établissement, Candice, souffrant de cauchemars étranges mettant en scène le mystérieux tueur, entreprend de mener l'enquête, avec l'aide d'un mannequin.
Réalisateurs
Distribution
Olga Karlatos
Candice Norman
Ray Lovelock
George Webb
Cosimo Cinieri
Lt. Borges
Giuseppe Mannajuolo
Prof. Davis
Claudio Cassinelli
Dick Gibson
Berna Maria do Carmo
Joan
Belinda Busato
Gloria Weston
Maria Vittoria Tolazzi
Jill
Geretta Geretta
Margie (as Geretta Marie Fields)
Christian Borromeo
Willy Stark (as Cristian Borromeo)
Al Cliver
Voice Analyst (uncredited)
Lucio Fulci
Phil, the Agent (uncredited)
Carla Buzzanca
Janice (uncredited)
Angela Lemerman
Susan (uncredited)
Robert Gligorov
Bert
Carlo Caldera
Bob
Riccardo Parisio Perrotti
Steiner
Giovanni De Nava
Hotel Receptionist
Silvia Collatina
Molly
Carmo Johnson
Dancer
Equipe
CRITIQUES (1)
VOUS POURRIEZ AUSSI AIMER
So cosa hai Fatto
Sette Orchidee Macchiate di Rosso
Scream
Suspiria
Profondo Rosso
L'Uccello dalle Piume di Cristallo
Il Rosso Segno della Follia - Un'Accetta per la luna di miele
Sei Donne per l'Assassino (aka 6 Donne per l'Assassino)
Maniac Cop 2
Tutti i Colori del Buio
I Corpi presentano tracce di Violenza Carnale - Torso
Macchie Solari
AVIS DE LA COMMUNAUTÉ
(1)
Wuchak
The Godfather of Gore’s version of “Flashdance”
Shot in the winter of 1984 and helmed by Lucio Fulci, this giallo was influenced by the success of “Fame” and “Flashdance,” just combined with “Curtains.” To be expected, there’s a whodunit angle with slasher bits, yet it’s restrained in terms of gore, although there’s an explicit hatpin penetrating a woman’s chest sequence.
It starts quite entertainingly, but becomes increasingly contrived and curiously dull, particularly as it switches into the last act. Whatever was captivating about the opening is essentially jettisoned for a less interesting whodunit mystery and the detective work thereof. However, there are some creative elements, and the female cast is good. The top ones for me are Maria Vittoria Tolazzi (Jill), Angela Lemerman (Susan) and Belinda Busato (Gloria) with a nod to Carla Buzzanca (Janice).
A few years later “StageFright” and “Death Spa” would tread similar terrain and do it marginally better. Yet it’s superior to “Killer Workout.”
It runs about 1 hour, 33 minutes, and was shot in the studio in Rome, with exterior sequences done in New York City.
GRADE: B-/C+
Avis fournis par TMDB
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