Nanny backdrop
Nanny poster

NANNY

2022 US HMDB
novembre 23, 2022

Aisha, immigrata senza documenti, trova lavoro come tata per una ricca coppia di Manhattan. Mentre si prepara all'arrivo del figlio che ha lasciato in Senegal, una presenza violenta inizia a invadere sia i suoi sogni che la sua realtà, minacciando di distruggere il sogno americano che sta faticosamente mettendo insieme.

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Troupe

Produzione: Chris McCumber (Executive Producer)Jeremy Gold (Executive Producer)Laurie Benenson (Executive Producer)Bill Benenson (Executive Producer)Nikkia Moulterie (Producer)Daniela Taplin Lundberg (Producer)Ryan Heller (Executive Producer)Michael Bloom (Executive Producer)Maria Zuckerman (Executive Producer)Rebecca Cammarata (Executive Producer)Sumalee Montano (Executive Producer)Grace Lay (Executive Producer)Jason Blum (Executive Producer)
Sceneggiatura: Nikyatu Jusu (Screenplay)
Musica: Bartłomiej Gliniak (Original Music Composer)Tanerélle (Original Music Composer)
Fotografia: Rina Yang (Director of Photography)

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RECENSIONI DALLA COMMUNITY (3)

Manuel São Bento

5 /10

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/nanny-spoiler-free-review-sundance-2022

"Nanny boasts an intriguing story about maternal instincts that will also touch the hearts of many immigrants. Anna Diop probably delivers her career-best performance, commanding the screen in an almost mesmerizing manner.

The enclosed location is gorgeously handled by Rina Yang's remarkable cinematography, but the admittedly significant supernatural elements become too repetitive and too heavy throughout the runtime. The ending saves an impactful yet underwhelming revelation that warrants the eerie atmosphere, but the inevitable pacing issues may leave the audience too tired by that point.

Still, Nikyatu Jusu shows tremendous skill and braveness by tackling one of the most demanding filmmaking tasks while carrying a unique voice. One to look out for."

Rating: C+

Chris Sawin

2 /10

Nanny is a peculiar debut for Nikyatu Jusu. The performances in the film are decent, but Aisha’s experience in America feels like a terrible scavenger hunt with the world’s worst Cracker Jack prize as its reward. Other than forgetting your family forever and completely starting over from scratch in a new land, what Nanny stands for is questionable as well. It’s essentially a pointless excursion into surreal nonsense.

Full review: https://reelrundown.com/movies/Nanny-2022-Review-Babysitting-the-Persnickety

Nathan

Nathan

8 /10

Nanny is dark psychological trip that takes a brutal look at the "American Dream" and deconstructs it in a brilliant way. The performances are spectacular all around, with Anna Diop absolutely shining and stealing the show. She was incredible, her range was fantastic and played the role with nuance it needed. The horror elements are nice, but this is more of a psychological thriller. The finale felt a bit rushed and some of the themes are slightly spoon-fed to the audience, but I thoroughly enjoyed every minute of the film.

Score: 82% Verdict: Great

Recensioni fornite da TMDB