La venganza de los muñecos (Muñecos asesinos) backdrop
La venganza de los muñecos (Muñecos asesinos) poster

LA VENGANZA DE LOS MUÑECOS (MUÑECOS ASESINOS)

Puppet Master II

1990 US HMDB
febrero 7, 1990

Las marionetas vivientes consiguen revivir a su creador, Andrè Toulon, pero para mala suerte este renace en los momentos previos a su muerte y su obsesión por resucitar a su esposa Elsa. Ahora acechan a un grupo de parapsicólogos que investigan un viejo hotel. ¿Qué estarán tramando estas marionetas y qué quiere Toulòn en realidad?.

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Equipo

Produccion: Charles Band (Executive Producer)John Schouweiler (Producer)David DeCoteau (Producer)
Guion: David Pabian (Screenplay)
Musica: Richard Band (Original Music Composer)
Fotografia: Thomas F. Denove (Director of Photography)

RESEÑAS (1)

Marco Castellini
Los terribles muñecos vistos en el primer episodio vuelven a la vida y comienzan a causar víctimas nuevamente, aunque las verdaderas víctimas esta vez son los « pobres » espectadores. El éxito moderado de la primera película llevó a los avariciosos productores a crear esta secuela inútil y aburrida. Evítala.
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RESEÑAS DE LA COMUNIDAD (1)

SoapboxQuantez08

7 /10

A worthy sequel, a worthy odyssey. This film sort of picks up where the first left off (a few months later, so you have to fill in a few blanks), as a group of paranormal investigators can't help but pay the old hotel a visit.

Directing this one is David Allen, the hand behind the puppet-effects of Puppetmaster. Andre Toulon makes an appearance here (in fact he appears throughout the entire film), and has his previously-deceased eyes on Carolyn, who resembles his long-dead wife. But what does he plan to do if he abducts her, and will it be in accordance with the puppets' plans? These are the questions that will be answered, per se.

The puppets have been killing not only people, but animals as well, and Toulon seems displeased with the latter. The newest puppet in this one is Torch, and he wastes no time exterminating members of the human race. Two of the puppets die in this one (they shall remain nameless), the first of which is dissected immediately afterward.

Unlike the original, this one's shot almost exclusively in daylight, but it doesn't seem to hurt the film, as the performances are adequate (and Toulon's appearance, suitably grotesque). In this sequel: Toulon claims he "knows how to get into things", and if you have any sense at all, you'll get into watching this film. 7/10

Reseñas proporcionadas por TMDB